English Literature – Articles ☆ Of Fathers and Sons: Reflections Under a Himalayan Sky ☆ Shri Jagat Singh Bisht ☆


Shri Jagat Singh Bisht

(Master Teacher: Happiness & Well-Being, Laughter Yoga Master Trainer, Author, Blogger, Educator, and Speaker.)

Authored six books on happiness: Cultivating Happiness, Nirvana – The Highest Happiness, Meditate Like the Buddha, Mission Happiness, A Flourishing Life, and The Little Book of HappinessHe served in a bank for thirty-five years and has been propagating happiness and well-being among people for the past twenty years. He is on a mission – Mission Happiness!

🙌 Of Fathers and Sons: Reflections Under a Himalayan Sky🥰

✨By a Father who Still Learns Every Day✨

They say that the relationship between a father and a son is one of life’s most intricate riddles — simple on the surface, yet fathomless in its depths. I used to think it was mostly about who gets to control the television remote, or who finishes the last laddoo. But over the years, I have come to realise that it is much more than that — it is the quiet dialogue of two souls shaped by time, blood, and stardust.

I remember the nights when my son and I would lie on our backs in the open fields near our home in the sub-Himalayan foothills, gazing at the stars, pretending to identify constellations. He would ask impossible questions: “Papa, do you think the stars talk to each other?” And I, not wishing to puncture his wonder, would murmur, “Of course, beta — that’s why they twinkle.”

Those were our finest classrooms — no walls, no syllabus, no marks. Only curiosity and silence, interrupted now and then by the river gurgling nearby and a cricket chirping as if trying to join our conversation.

🐣Science and the Spark

Scientists tell us that my son and I share fifty per cent of our genes. That’s reassuring, though I often wonder which half is responsible for his sharp mind and which for his mischief. He has inherited my curiosity but thankfully his mother’s patience. Nature, in its infinite wisdom, ensures that no father ever sees his complete reflection in his son — only fragments, beautifully rearranged by destiny.

Genetics, however, is only the opening chapter. The real shaping happens through imitation — the silent apprenticeship of childhood. I would catch him, as a boy, walking behind me, trying to match his little footsteps with mine. Later, I found him copying the way I combed my hair (when I still had some), or how I raised my eyebrow when pretending to be serious. That’s when I understood — children don’t listen much to what we say, but they watch everything we do.

And so, a father must conduct himself like a public figure — constantly on display before a relentless audience of one.

🤔The Psychology of the Mirror

Psychologists say that the father-son relationship is the first laboratory of male identity — a subtle training ground for strength, sensitivity, and self-worth. The son learns how to win, how to lose, how to love, and how to repair things (sometimes including himself). The father learns how to let go, a lesson that begins the day his son learns to tie his own shoelaces and culminates when he decides to choose his own path.

In those early years, I tried to make him tough — like a young Richard Hadlee preparing for his spell against Sachin Tendulkar. We would play cricket, each of us living our fantasy: I, the wily veteran bowler; he, the fearless young prodigy. The bat was his sword, and I, with my ageing knees, his loyal opponent. On good days, I bowled him out and preened like a peacock. On better days, he hit me out of the park — and I cheered louder than anyone else.

Because, you see, a father is the only man who feels triumphant when he is defeated by his son.

🪐The Astrologer’s Whisper

If you were to ask an astrologer, he would tell you that our bond is written not in ink but in light — the light of distant stars. I was born under a Full Moon, he under a New Moon. Somewhere, a celestial poet must have smiled while scripting that — father and son, two halves of the same lunar coin.

He, impulsive and adventurous, his energy like the waxing moon. I, reflective and cautious, my thoughts like the calm of a full-moon night. Perhaps that’s why we understand each other so well — we are opposites that complete a cosmic circle.

The ancients believed that the Moon governs the mind. Maybe that’s why when he is restless, I sense it instantly, even across cities. And when I am low, he calls, somehow knowing it without a word being said. That’s the lunar telepathy of fatherhood.

🙉Upbringing, or the Art of Non-Interference

In the modern world, we fathers often oscillate between over-involvement and wise detachment. I’ve learned, over the years, that raising a son is not about moulding him in your image, but helping him discover his own. A father must stand like a tree — offering shade but not blocking the sunlight.

There were days I feared I was not doing enough — that my lectures on life were too long and my silences too many. But I realised later that it’s the silences that teach the most. When he fell and got up on his own, when he argued and then reasoned, when he went away to find his path — those were his real lessons, and I was merely the witness.

My better half, of course, has a different theory. According to her, all his good qualities come from her side — intelligence, looks, charm — while all his faults and laziness are pure paternal gifts. I used to argue, but I’ve stopped. A wise husband, like a good philosopher, never contradicts a well-formed theory.

☘️Reflections by the River

One summer afternoon, we sat by the river that had witnessed our lives quietly flow past it. He was now almost as tall as me, his voice deeper, his world much wider. We didn’t talk much — perhaps fathers and sons don’t need to, once they’ve reached a certain understanding. The river murmured, the breeze stirred the pines, and a faint mist hovered over the hills.

I wanted to tell him how proud I was, how much I had learned from him — but words felt inadequate, even intrusive. Instead, I skipped a pebble across the water. It danced three times before sinking. He smiled, picked up another pebble, and made it dance five. We laughed — and that laughter, light as mountain air, carried the entire vocabulary of love.

🌗Philosophy and the Passing of Time

Philosophers like Tolstoy and Wilson say that fatherhood is the continuation of consciousness — the handing over of not just genes, but values, wisdom, and wonder. A father, they say, lives twice — once in his own life and again in the life of his son.

Now, as I watch him stride into his own world — a world of decisions, challenges, and dreams — I find myself strangely at peace. I no longer need to guide him at every step. He has his own compass, perhaps tuned by the stars we once gazed at together.

And yet, there’s a quiet ache — the ache of time slipping by unnoticed. I often wish I had done more for my own father — said more, loved more, spent more time in his fading years. It is one regret that fathers carry silently — the awareness that one day their sons, too, will feel the same.

But perhaps that’s how the cycle of love and realisation continues. Each generation learns the value of the other only when it’s almost too late — and that, paradoxically, is what makes the love eternal.

🌍Beyond the Horizon

Today, my son and I don’t speak daily. Life has its rhythm, its distances, its busy drumbeats. But I know — and so does he — that if ever the clouds darken, one call will bridge it all.

I have no doubt that when I am gone, he will look up at the same stars we once counted and whisper a silent thank you. And I shall be somewhere up there, smiling, perhaps whispering back, “I am proud of you, beta.”

For love, like gravity, needs no language; it simply holds two souls in orbit forever.

✨Epilogue: The Eternal Game

Sometimes, in my dreams, we are back on that sunlit field — I, with my old cricket ball, and he, with his flashing bat. I bowl, he drives, and the ball sails high — into the sky, into time itself. I watch it disappear into light, and I realise:

Every father’s greatest joy is to see his son rise higher than the horizon of his own life.

And that, my friend, is the real Zen of fatherhood — not the art of motorcycle maintenance, but the art of heart maintenance — where love needs no repair, only understanding.

♥ ♥ ♥ ♥

© Jagat Singh Bisht

Master Teacher: Happiness & Well-Being, Laughter Yoga Master Trainer, Author, Blogger, Educator, and Speaker

FounderLifeSkills

A Pathway to Authentic Happiness, Well-Being & A Fulfilling Life! We teach skills to lead a healthy, happy and meaningful life.

The Science of Happiness (Positive Psychology), Meditation, Yoga, Spirituality and Laughter Yoga. We conduct talks, seminars, workshops, retreats and training.

≈ Editor – Shri Hemant Bawankar/Editor (English) – Captain Pravin Raghuvanshi, NM

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English Literature – Memoir ☆ दस्तावेज़ # 48 – Musings on My Birthday under the Harvest Moon  ☆ Shri Jagat Singh Bisht ☆ 

Shri Jagat Singh Bisht

(Master Teacher: Happiness & Well-Being, Laughter Yoga Master Trainer, Author, Blogger, Educator, and Speaker.)

The ‘दस्तावेज’ series is an effort to preserve old, invaluable, and historical memories.

While the present is being recorded on the internet in various forms, stories from earlier times — about our parents, grandparents, and great-grandparents, and events from their lifetimes — are gradually fading and being forgotten.

It is our responsibility to document these memories in time. Our generation still has the opportunity to do this. Otherwise, no one will know anything, and everything will be lost to oblivion.

We seek your support in including such historical narratives in this दस्तावेज.

In the next part of this series, we present a memoir by Shri Jagat Singh Bisht Ji “Musings on My Birthday under the Harvest Moon.

☆ दस्तावेज़ # 48 – ✍ Musings on My Birthday under the Harvest Moon💐☆ Shri Jagat Singh Bisht 

Today, ladies and gentlemen, is no ordinary full moon. Oh no—this one is called the Harvest Moon. But lest you think it’s the only lunar celebrity in the firmament, allow me to remind you of her numerous cousins: the Blue Moon, the Blood Moon, the Super Moon, the Wolf Moon, the Snow Moon, the Worm Moon (a personal favourite, as it sounds like something out of a horror novel), the Pink Moon, the Flower Moon, the Strawberry Moon, the Buck Moon, the Sturgeon Moon, the Corn Moon, the Hunter’s Moon, the Beaver Moon, and the Cold Moon. Frankly, the Moon has more aliases than a con artist evading Scotland Yard.

In India, we know this particular one as Sharad Purnima, a luminous occasion drenched in auspiciousness. It was on such a night, the story goes, that I decided to make my dramatic descent upon this planet. If the world seemed a little brighter that night, it wasn’t the moon—it was me.

Now, tradition demands that my wife makes kheer, the Indian porridge that is both humble and heavenly. She lovingly sets it under the full moon, where it is believed to be sprinkled with celestial nectar. By morning, we eat it, half-convinced we are dining on divine ambrosia. On Buddha Purnima she repeats the ritual, as a devout lady once offered kheer to the Buddha under a tree. My wife, however, considers me a “pseudo-Buddha”—a flattering title, though one which obliges me to sit cross-legged with an air of serene detachment when, in truth, I am only calculating how many helpings of kheer I can safely consume without alarming my doctor.

But let me clarify: this is only one of my birthdays. Great men, as you know, are not constrained by such trifles as a single date of birth. We emerge in instalments.

My English calendar birthday falls on the 11th of October. It is the very day when Amitabh Bachchan—the Shahenshah of Bollywood—was born. We share the date, though, alas, I do not share his height, his bank balance, or his acquaintance with Rekha.

My third and most bureaucratic birthday is the 11th of August, courtesy of my dear uncle. When he escorted me for school admission, he got the year right but the month wrong—proof, if ever one needed, that in India even your birthday can be subject to clerical error. Thus, I am blessed with three opportunities to celebrate life, though none have yet resulted in a Swiss bank account.

Birthdays, as you know, acquire different flavours with the years. My daughter-in-law insists I should celebrate in some exotic land—preferably one where they serve cocktails with umbrellas in them. My son, with his customary wit, once remarked: “Arrey yaar, papa, what was the need for your birthday at all? I would have been better off if I was born in the Adani or Ambani family!” A sentiment, I confess, I share when the bills arrive.

Last year, we celebrated in Auckland, at a restaurant charmingly called 1947, right next to the Sky Tower. The restaurant is named after India’s independence, though I noticed the paneer still remained under British rule—charcoal-grilled and helpless. We ate jalebas (a flamboyant cousin of the jalebi), while my young friend Appu and I discussed whether life had improved since 1947. The jury is still out.

But my fondest memory takes me back to my tenth birthday, when I celebrated with just two friends, Mukundan and Jude. The menu was modest—samosas and laddoos—but the joy was unqualified. Mukundan gave me chocolates, Jude presented a shirt piece, and then sang “Happy Birthday to You” with such gusto that the tabla-like pounding on the desk nearly caused structural damage. We were kings for a day, with oil-stained fingers and laughter echoing down the school corridors.

In my childhood, my father always took me to the temple on my birthday. My mother prepared a royal spread—puri, aloo ki sabji, kheerey ka raita, and suji ka halwa. With a tilak on my forehead, I felt not just blessed but positively presidential.

Now, as I sit reflecting in the twilight of my life, with the Harvest Moon glowing outside and a bowl of celestial kheer waiting patiently in the fridge, I cannot predict how my family and friends will remember me when the final curtain falls. Perhaps as a man who could have been great but remained happily ordinary. Perhaps as a pseudo-Buddha with a sweet tooth. Or perhaps just as that fellow who had the rare privilege of three birthdays and the good fortune of always having kheer on at least one of them.

And between you and me, that is greatness enough.

♥ ♥ ♥ ♥

© Jagat Singh Bisht

Master Teacher: Happiness & Well-Being, Laughter Yoga Master Trainer, Author, Blogger, Educator, and Speaker

FounderLifeSkills

A Pathway to Authentic Happiness, Well-Being & A Fulfilling Life! We teach skills to lead a healthy, happy and meaningful life.

The Science of Happiness (Positive Psychology), Meditation, Yoga, Spirituality and Laughter Yoga. We conduct talks, seminars, workshops, retreats and training.

≈ Editor – Shri Hemant Bawankar/Editor (English) – Captain Pravin Raghuvanshi, NM

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English Literature – Weekly Column ☆ Witful Warmth # 65 – When LOL Became the Epitaph of Education… ☆ Dr. Suresh Kumar Mishra ‘Uratript’ ☆

Dr. Suresh Kumar Mishra ‘Uratript’

Dr. Suresh Kumar Mishra, widely known in the world of satire by his pen name ‘Uratipt’, expresses his emotions and thoughts with profound honesty and depth. His multifaceted talent is evident in his contributions across various literary genres. He is not only a renowned satirist but also a poet and a children’s author.

His satirical writings have earned him a special place in the literary world. His satire, ‘Shikshak Ki Mout’, went massively viral on the Sahitya Aajtak channel, garnering over a million views and reads—a monumental achievement in the history of Hindi satire. His collection of satires, ‘Ek Tinka Ikyavan Aankhen’ (A Straw and Fifty-One Eyes), is also highly acclaimed and includes his timeless work, ‘Kitabon Ki Antim Yatra’ (The Last Journey of Books). Other celebrated collections include ‘Mayaan Ek, Talwar Anek’ (One Sheath, Many Swords), ‘Gapodi Adda’ (The Gossiper’s Den), and ‘Sab Rang Mein Mere Rang’ (My Colors in Every Hue). His satirical novel, ‘Idhar-Udhar Ke Beech Mein’ (In Between Here and There), is a unique and groundbreaking work focused on the third world.

His significant contributions to literature have been widely recognized. He was honored with the Best Young Creator Award, 2021 by the Telangana Hindi Academy and the Government of Telangana, an award presented by Chief Minister K. Chandrasekhar Rao. The Rajasthan Children’s Literature Academy also honored him for his children’s book, ‘Nanhon Ka Srijan Aasmaan’ (The Creative Sky of Little Ones). Additionally, he has received the Vyanga Yatra Ravindranath Tyagi Sopaan Samman and the Sahitya Srijan Samman from Prime Minister Narendra Modi.

Dr. Uratript has also played a pivotal role in writing, editing, and coordinating a total of 55 books for the Government of Telangana for primary school, college, and university levels. His work is included in university textbooks in Bihar, Chhattisgarh, and Telangana, where his satirical creations are part of the curriculum. This recognition underscores that young readers can identify and appreciate quality and impactful writing.

Key Accolades and Works

  • Viral Satire: ‘Teacher’s Death’ (over 1 million views)
  • Satire Collections: ‘Ek Tinka Ikyavan Aankhen’, ‘Mayaan Ek, Talwar Anek’, ‘Gapodi Adda’
  • Unique Satirical Novel: ‘Idhar-Udar Ke Beech Mein’
  • Awards: Shreshtha Navyuva Samman (Telangana), Sahitya Srijan Samman (PM Modi), and more.
  • Educational Contribution: Authored and edited 55 books for the Telangana government.

Some precious moments of life

  1. Honoured with ‘Shrestha Navayuvva Rachnakar Samman’ by former Chief Minister of Telangana Government, Shri K. Chandrasekhar Rao.
  2. Honoured with Oscar, Grammy, Jnanpith, Sahitya Akademi, Dadasaheb Phalke, Padma Bhushan and many other awards by the most revered Gulzar sahab (Sampurn Singh Kalra), the lighthouse of the world of literature and cinema, during the Sahitya Suman Samman held in Mumbai.
  3. Meeting the famous litterateur Shri Vinod Kumar Shukla Ji, honoured with Jnanpith Award.
  4. Got the privilege of meeting Mr. Perfectionist of Bollywood, actor Aamir Khan.
  5. Meeting the powerful actor Vicky Kaushal on the occasion of being honoured by Vishva Katha Rangmanch.

Today we present his satire When LOL Became the Epitaph of Education 

☆ Witful Warmth# 65 ☆

☆ Satire ☆ When LOL Became the Epitaph of Education… ☆ Dr. Suresh Kumar Mishra ‘Uratript’ ☆

The farman, the decree, arrived not with the majestic roll of royal drums, nor the grave rustle of parchment, but with a cheerful little ping and a blue tick. The esteemed Education Board, in its infinite wisdom, declared the Maha-Kranti of Brevity: henceforth, students were to submit their weighty dissertations and philosophical essays not in the dusty, dilapidated language of their forefathers, but in the vibrant, abbreviated vernacular of the instant messenger—the language of WhatsApp. It was a moment of tear-rolling, mind-blowing revelation, a demisical tragedy dressed up as progressive reform. The order was simple: ditch the commas, execute the semicolons, exile the full stop, and welcome the reign of ‘k,’ ‘gr8,’ and the omnipresent LOL. The traditional Gurus, the keepers of the sacred texts of grammar, felt their life’s blood drain away, their souls replaced by a blinking cursor. The essay on existential despair had been reduced to three lines and an emoji of a crying face. This was not merely a change in medium; it was the ceremonial cremation of depth, where profound thought was deemed an unnecessary attachment, and the length of a sentence became directly proportional to the shortness of the collective attention span. The heart wept, but the finger—that modern deity—kept typing, fast and furious, because who has time for sadness when there are status updates to check?

The instant the decree landed, the libraries of the mind went bankrupt. Centuries of literary inheritance—the grand architecture of the sentence, the nuanced vocabulary that could describe a single shade of human misery, the dard (pain) of a well-placed metaphor—were instantly reduced to rubble. Why bother with “The inherent socio-economic inequalities perpetuated by colonial legacies” when you could just type “Colonial legacy bad, LOL.” The poor, persecuted adjective, the elegant adverb, and the complex relative clause found themselves jobless, replaced by the sheer, unadulterated efficiency of the acronym. Teachers who had spent decades teaching the delicate dance between subject and verb were now forced to learn the brutal shorthand of the street: Subject + Verb = K. This wasn’t communication; it was conceptual teleportation, jumping from idea to idea without the burdensome bridge of logic or explanation. The language, once a flowing river nurturing the fields of thought, was now a dried-up tap dripping out monosyllabic contempt. Where could the soul hide when even the word for soul was probably reduced to ‘SL’? The tragedy was that the students, the supposed beneficiaries, didn’t feel liberated; they simply felt emptier, writing a language that required no engagement from the dil (heart).

The student body reacted with a strange, cynical relief. For years, they had been tormented by the archaic demands of coherence, structure, and evidence. The formal essay was a fortress they were forced to storm, armed only with a weak dictionary and a weaker will. Now, the fortress walls had crumbled, not to be replaced by a park, but by a sprawling, chaotic bazaar of signs and symbols. The pressure to articulate a complex thought, to marshal facts into a persuasive battalion, was gone. Why research when you can summarize a historical event with a series of dramatic emojis? The very act of contemplation—that slow, difficult process of intellectual gestation—was rendered obsolete. The essay was no longer a journey of discovery but a hastily snapped selfie of a thought: quick, filtered, and instantly forgettable. The tears we shed were not for the language lost, but for the minds that would never learn how to fight for a complex idea, how to wrestle with ambiguity, or how to experience the heart-touching triumph of clarity. They were taught to summarize life, not to live it; to react instantly, not to reflect deeply. The essay became a series of punchlines, and the punchline, sadly, was the education system itself.

And what of the teachers, the poor, heartbroken Gurus? Their plight was the most demisical of all. They sat hunched over glowing screens, grading essays written entirely in phonetic soup and emoji hieroglyphics. Imagine the English professor, whose life was Jane Austen and T.S. Eliot, trying to decipher a thesis on The Wasteland that read: “April cruelest month. Plants dead. So sad. WTF.” Their red pens, once instruments of surgical precision, were now blunt axes, incapable of marking anything but a faint, existential despair. The most painful irony was the attempt to apply academic rigor to the inherently careless. “This is a weak ROFL, student,” the history teacher might sigh. “It lacks the nuanced emotional depth of a full LMAO.” Their tear-rolling agony was silent, internal—a private shok (mourning) for the generation they were sworn to protect from intellectual atrophy. Their paychecks were the only thing that kept them tethered to this floating island of digital insanity, but their souls were already packed, ready for the next life where a metaphor was still a metaphor, and a full stop actually meant something had ended, rather than just an opportunity for the next text bubble to begin.

This academic decay is but a microcosm of the larger societal drainage, the great digital siphon sucking the depth out of every human interaction. We have entered the era of the Digital Narcotic, where only the instant, the summarized, and the highly filtered can survive. Our political debates are now conducted via 280 characters, our spiritual crises are solved by inspirational quotes overlaid on scenic backgrounds, and our deep, complex relationships are defined by reaction GIFs. The demand for the WhatsApp essay is merely the institutional acknowledgment that society has lost its patience for the long view, for the slow burn of wisdom, and for anything that takes more than three seconds to process. The educational system, which should have been the fortress against this wave of intellectual surrender, instead threw open its gates and served chai to the invaders. The resulting wisdom is thin, weak, and instantly soluble, designed to pass through the mind without leaving any residue of thought or heart-touching reflection. It is the language of efficiency, and efficiency, as the old philosophers knew, is the enemy of the soul.

Language is not merely a tool for exchanging information; it is the sacred vessel that contains the soul of a culture, the intricate map of human emotion. The words we use, their arrangement, the cadence of a sentence—these are the vibrations that allow us to feel the dil ka dard (the heart’s pain) of a character 200 years dead. When we reduce language to a string of abbreviated sounds and hastily chosen icons, we are not just saving keystrokes; we are sealing off the deepest chambers of our communal heart. How do you describe the sublime dread of mortality with a :O? How do you capture the profound love of a parent with a <3? The WhatsApp essay, therefore, is a philosophical void. It is the official endorsement of emotional illiteracy, teaching children that anything too complex to be abbreviated is probably not worth feeling or thinking about in the first place. The mind-blowing realization is that we are willingly constructing a shallow future, a future where the ability to convey nuance is considered a waste of bandwidth, and where the silence between words, where true meaning often resides, is replaced by the deafening chime of a new notification.

The most insidious, mind-blowing truth behind the WhatsApp essay mandate lies not in pedagogical theory, but in the cold, hard logic of the market. Education has ceased to be an act of enlightenment and has become a KPI (Key Performance Indicator) factory. The goal is not deep learning, but fast output; the measure of success is not wisdom gained, but degrees obtained. The formal, well-structured essay was an impediment to this efficiency. It took time to write, time to read, and time to grade. The WhatsApp essay, however, is quick, quantifiable, and instantly assessable. It aligns perfectly with the capitalist dogma of optimization and engagement. The institutions surrendered because they feared being labeled ‘old-fashioned’ or ‘inefficient’ in the digital marketplace. They chose the path of least resistance, mistaking instant gratification for innovation. This heart-touching tragedy is the ultimate act of institutional surrender, where the pursuit of truth is sacrificed on the altar of technological trendiness. The modern Gurus now serve the god of speed, and the students are simply the fast-food consumers of this new, diminished educational meal.

****

© Dr. Suresh Kumar Mishra ‘Uratript’

Contact : Mo. +91 73 8657 8657, Email : drskm786@gmail.com

≈ Blog Editor – Shri Hemant Bawankar/Editor (English) – Captain Pravin Raghuvanshi, NM ≈

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हिन्दी साहित्य – संस्मरण ☆ स्कॉटलैंड की वह रात ☆ डॉ प्रतिभा मुदलियार ☆

डॉ प्रतिभा मुदलियार

☆ संस्मरण ☆ स्कॉटलैंड की वह रात ☆ डॉ प्रतिभा मुदलियार ☆

प्रिय,

कभी-कभी कोई एक रात हमारे भीतर उतर जाती है… इतनी गहराई तक कि वह हमें बदल देती है, हमारे भीतर का स्वरूप नया हो जाता है। ऐसी ही एक रात थी …स्कॉटलैंड की वह रात!

स्कॉटलैंड का मौसम वैसे भी अपने अप्रत्याशित स्वभाव के लिए प्रसिद्ध है। कहते हैं, वहाँ एक ही दिन में चारों ऋतुएँ उतर आती हैं.. सुबह धूप, दोपहर में बादल, शाम को बारिश और रात में धुंध। हवा में एक नमी रहती है, जो कभी सिहरन देती है तो कभी कविता। एडिनबर्ग, जहाँ हम ठहरे थे, वही शहर है जिसने हैरी पॉटर को जन्म दिया। यहीं की पुरानी गलियाँ, पत्थरों की सीढ़ियाँ, और कैफ़े की खिड़कियों से बाहर झरती बारिश ने जे.के. रॉलिंग को प्रेरणा दी थी, जब वे “The Elephant House” नामक कैफ़े में बैठकर हैरी, हॉगवर्ट्स और उस जादुई दुनिया को रच रही थीं। उस रात जब मैं खिड़की से बाहर देख रही थी, तो लगा मानो वही जादुई दुनिया अब भी हवा में तैर रही है ..बस इस बार जादू किसी जादूगर की छड़ी से नहीं, बल्कि जीवन के अनुभवों से बन रहा था।

घमासान बारिश कुछ ज़्यादा ही भयावह लग रही थी..मानो आसमान अपनी सारी अधूरी बातें ज़मीन से कह रहा हो। शहर की सड़कों पर जलकुंड बने थे, रोशनी हर मोड़ पर पानी में बिखरकर झिलमिला रही थी। रात की शांत सड़कों पर बारिश की निरंतर झड़ी भले ही अपना सौंदर्य लिए थी, पर उस सौंदर्य के बीच हमारे भीतर की बेचैनी हर बूँद के साथ और गहरी होती जा रही थी।

हम छह लोग थे। थके हुए, पर भीतर कहीं घर लौटने की राहत लिए हुए। हमारी ट्रिप का वह आख़िरी दिन था। लंदन के सैर और संगोष्ठी के बाद हमारा अंतिम पड़ाव था स्कॉटलैंड। सुबह पाँच की फ़्लाइट थी, और तय था कि दो बजे तक एयरपोर्ट पहुँचना है। हम वापसी के लिए उत्सुक थे और अपने…….अपने कमरों में सामान पैक कर बस जाने के लिए तैयार थे।

डिनर के बाद, जब वह मेसेज आया, “आपकी फ्लाइट केन्सिल हो गयी है”… तो जैसे वक़्त ने एकाएक रुककर हमें देखा और मुस्कुरा दिया, थोड़ी सी विडंबना के साथ। हम सबके चेहरे पर पता नहीं कितने सवाल आए और गए… विदेशों में फ्लाइट का कैंसिल होना अब आम बात है, पर जब तक दूसरी फ्लाइट कन्फर्म नहीं होती, जान हलक में अटकी रहती है।

लॉज की बुकिंग खत्म हो चुकी थी, हमने चेक…….आउट कर लिया था और मैनेजर की कृपा से एक कमरे में यूँ ही बैठे थे। अब कोई ठिकाना नहीं था। बाहर घनघोर बरसात थी, ऐसी कि टैक्सी की हेडलाइट भी धुंध में खो जाए। हम सब चुप थे.. एक…….दूसरे की आँखों में सवाल थे और उत्तर कहीं नहीं।

“चलो एयरपोर्ट चलते हैं,” किसी ने कहा “वहाँ जाकर कुछ न कुछ कर लेंगे।” यह ‘कुछ न कुछ’ शब्द उस रात सबसे बड़ा सहारा बन गया। एक बांग्लादेशी ड्राइवर आया… लंबा, चौड़ा, भरा हुआ आदमी, जिसकी आँखों में नींद और दया दोनों थीं। वह हमारे लिए टैक्सी लेकर खड़ा था, मानो हमारी बेचैनी को वह भी समझ गया हो।

बरसाती अँधेरी रात में हम निकल पड़े। वाइपर लगातार शीशे पर बारिश से जूझ रहा था, पर हर बार हार जा रहा था। कभी…….कभी सड़क की लाइटें बारिश की धारों में टूटकर गिरतीं और फिर लुप्त हो जातीं… बिल्कुल हमारी उम्मीदों की तरह।

एयरपोर्ट पहुँचे तो राहत की साँस ली… कम से कम मंज़िल दिखी। पर भीतर के काउंटर पर कंप्यूटर की स्क्रीन ने वही कहा जो बारिश ने बाहर कहा था..सब धुँधला है, स्पष्ट कुछ नहीं। एयरपोर्ट पर इतनी रात गए कोई नहीं था। कारण कोई फ्लाइट न आनेवाली थी न जानेवाली। धीरे…….धीरे चार बजे के आसपास एक काउंटर खुला, लोग आने लगे।

हमारा ग्रुप लीडर, गायत्री, वाणी और मैं.. लगातार फ़ोन पर थे। किसी न किसी रूप में हमें कोई फ्लाइट मिल जाए… और अचानक एक मेसेज आया.. दो टिकट कन्फर्म हुईं हैं, दिल्ली तक। हम कुल छह लोग थे। बाकी चार वहीं ठहर गए.. जैसे चार आत्माएँ किसी प्रतीक्षालय में अटकी हों।

उस रात हमें समझ नहीं आया कि हँसे, रोएँ या बस इंतज़ार करें। किसी ने मित्र को जगाया, किसी ने रिश्तेदार को, कोई कस्टमर केयर पर चिल्लाया, तो कोई चुपचाप खिड़की से बाहर झाँकता रहा… जहाँ बारिश अब भी वही थी, बस हमारी स्थिति बदल गई थी। हमारे साथी अपने बैग उठाकर चले गए। हमने कहा, “आप जाइए… हम कोई न कोई इंतज़ाम तो कर ही लेंगे।”

समस्या पर समस्या। कोई कहता ..“यूएस होकर जाइए।” कोई कहता.. “दुबई होकर।” पर वीज़ा? हर समाधान एक नई उलझन बन जाता। आख़िर थककर हमने एक कोना ढूँढ़ा और बैठ गए.. बिना किसी से कोई सवाल किए। गायत्री लगातार अपने पति के संपर्क में थी..उम्मीद थी, कुछ तो हो।

हाँ, बाहर बारिश लगातार हो रही थी। हम जहाँ बैठे थे वहाँ बारिश की आवाज़ और भी गहरी थी, जो भीतर के अवसाद को और गाढ़ा करती जा रही थी। पता नहीं कितनी फ्लाइटें आयीं…….गईं, कितने लोग आए…….गए, और हम वहीं थे… बस एक ही मन में “टिकट कन्फर्म हो जाए…”..फ्लाईट मिल जाए

घंटों बाद, मेसेज आया — गायत्री का एक टिकट बुक हुआ, वाया यूएस। पर उसके साथ उसका बेटा था — वह अकेली कैसे जा सकती थी! फिर से सब रद्द। सुबह के दस बज चुके थे, पर बाहर लग नहीं रहा था कि सुबह है। हम लगातार कोशिश कर रहे थे कि किसी भी तरह कोई बुकिंग मिल जाए, भले ही डायरेक्ट न हो।

पाँच घंटे बीत गए.. कुछ नहीं हुआ। एयरपोर्ट अथॉरिटी ने अब हमें वहाँ ज़्यादा रुकने की अनुमति नहीं दी। कोई सुविधा भी नहीं। उन्होंने कहा, “लंदन वापस जाइए, वहीं से फ्लाइट लीजिए।” हमने सोचा.. चलो, यहाँ से निकलते हैं, वहीं कोई ठिकाना ढूँढ़ते हैं कि तभी तीनों को मेसेज मिला , “फ्लाइट कन्फर्म्ड फॉर टुमॉरो!” सुबह की एक फ्लाइट मिली ..बैंगलोर तक। एक साँस में जैसे हम सबने जीवन को पकड़ लिया। अब प्रश्न था.. रात कहाँ काटें?

वीणा ने अपने संपर्कों से किसी एअर बिन का इंतज़ाम किया। हमने कैब बुक की। फोन बार…….बार सिग्नल खो रहा था। आखिर किसी तरह एअर बिन.. हमारे उस दिन के गंतव्य तक पहुँचे। मकान बड़ा सुंदर था, दीवारों पर हल्की नमी, लकड़ी की खुशबू, और डिजिटल ताले का ठंडा स्वागत। फोन पर कोड आया.. दरवाज़ा खुला। लगा, यह शहर कह रहा है ..“यहाँ इंसान नहीं, सिस्टम रहते हैं।”  दिन के बारह बज चुके थे। थकान इतनी कि कुर्सियाँ भी तकिए लगने लगीं। वहाँ के प्रबंधक .. शायद वही एक वास्तविक व्यक्ति हमारी दशा देखकर मुस्कुराए, “थोड़ी चाय…….टोस्ट लीजिए।” वह चाय सिर्फ गर्म नहीं थी, वह एक सांत्वना थी। टोस्ट हमारे भीतर के डर पर मरहम की तरह था। चाय के बाद नींद आँखों में उतरने लगी। लॉबी में, सूटकेस के सहारे, हम सब अनजान शहर में सो गए ..किसी अजनबी की छत के नीचे, किसी डिजिटल ताले की सुरक्षा में। जब जागे तो एक शाम हो गई थी। बारिश थम गई थी। हमने एक…….दूसरे को देखा.. थके थे पर अब राहत थी। नहा…….धोकर बाहर निकले… भीगे शहर को देखने, अपने डर को पीछे छोड़ने। सड़कें साफ़ थीं, हवा में गीली मिट्टी की खुशबू थी। लाइटें अब झिलमिला नहीं रही थीं.. स्थिर थीं, जैसे कह रही हों… “अब सब ठीक है।” हम पैदल ही चले… हँसते, बातें करते, कभी तस्वीरें लेते, कभी पेड़ों से टपकती बूँदें देखते। शहर की नमी अब अपनी लगने लगी थी।

एक मॉल में पहुँचे। कुछ खाया नहीं, पर थोड़ी खरीदारी की.. शायद सामान्यता को फिर से महसूस करने के लिए। फिर एक छोटे…….से चायनीज़ रेस्टोरेंट में गए। नूडल्स का स्वाद उस रात की भूख से कहीं गहरा था। हर बाइट में थकान का संतुलन था, हर घूँट में राहत का स्वाद। रात लौटे तो शरीर बिस्तर पर था, पर मन अब भी उड़ान में। आँखें बंद कीं, पर नींद नहीं आई। सबसे बड़ी थी मैं — जिम्मेदारी की परछाइयाँ मन पर घूमती रहीं। क्या सब ठीक होगा? क्या अगली सुबह कुछ नयी समस्या तो नहीं आएगी? रात के दो बजे फिर वही सिलसिला शुरू हुआ — टैक्सी बुक करना, सिस्टम से कोड लेना, सामान बाँधना, बच्चे को जगाना।

पर इस बार हम डर से नहीं, अनुभव से निकल रहे थे।

एडिनबर्ग एयरपोर्ट रोशनी में नहाया हुआ था, पर उस चमक में एक ठंडी दूरी थी।

लॉबी में तरह…….तरह के लोग थे — अपने देश लौटने वाले, पहली बार विदेश जा रहे, और कुछ बस यात्राओं के बीच ठहरने वाले। ऑफिसर्स के चेहरों पर आत्मविश्वास था , कहीं-कहीं वह आत्मविश्वास एंठ में बदल जाता। वे अपनी साफ…….सुथरी अंग्रेज़ी में बात करते, और जब किसी देसी यात्री की टूटी…….फूटी अंग्रेज़ी सुनते, तो उनके चेहरे पर हल्की…….सी मुस्कान फैल जाती और कभी कभी ये मुस्कान, जो तिरस्कार की सीमा तक चली जाती थी। वहीं, कुछ लोग ऐसे भी थे जिनकी आँखों में करुणा थी। एक बुज़ुर्ग महिला का पासपोर्ट गिर गया था, और एक अजनबी युवक ने बिना कुछ कहे उसे उठा लिया। एक विदेशी महिला को अपने बैग का वजन कम करना था, तो बगल में बैठी भारतीय युवती ने मुस्कराते हुए कुछ चीज़ें अपने बैग में रख लीं। इन छोटे-छोटे क्षणों में लगा…मानवीयता अब भी ज़िंदा है, बस भीड़ में दब जाती है।

वहीं कुछ प्रवासी भारतीय अपने बच्चों से फोन पर बात कर रहे थे…हिंदी, मराठी, कन्नड़, तमिल, पंजाबी अलग-अलग भाषाएँ एक साथ घुलमिल रही थीं। ऑफिसर वर्ग के कुछ चेहरे हुए ऐसे लगे, मानो अपने ही देश के लोगों को किसी अलग श्रेणी में रख दिया हो। मुझे लगा शायद “विकास” और “विदेश” के बीच कहीं संवेदना छूट जाती है।

अनाउंसमेंट हुआ, “Flight to Mumbai now boarding…” हमने अपनी चीज़ें समेटीं।  पीछे मुड़कर देखा तो वह एयरपोर्ट रोशनी, आवाज़ें, चेहरों का सागर  सब एक मूक प्रतीक बन चुका था। बोर्डिंग पास हाथ में लेकर हम फ्लाइट में आ बैठे। फिर बातें..बातें और बातें.. हँसना, खाना और तस्वीरें लेना…

मुंबई पहुँचे। वहाँ फ्लाइट बदलनी थी। गायत्री अपने बेटे के साथ मुंबई में उतर गई। मैं और वाणी बैंगलोर के लिए निकल पड़े। सुबह चार बजे दोसा खाया, वह दोसा जैसे कह रहा था, “सब गुज़र गया, अब बस घर बाकी है।” बैंगलोर पहुँचे। पहली बार लगा, हवा में अपनापन है। थकान उतरी, और भीतर एक अजीब सी कृतज्ञता भर गई। उस रात ने मुझे सिखाया कि सुरक्षा कोई बाहरी वस्तु नहीं, वह भीतर से उगती है। हमारा भय तब तक बड़ा होता है, जब तक हम उसे छूने की हिम्मत नहीं करते। एक बार जब हम उससे होकर गुजरते हैं, तो वह बस एक अनुभव बन जाता है.. जो हमें और जीवित बना देता है।

कभी कभी नियति हमें परदेश की बारिश में फेंक देती है  ताकि हम जान सकें कि घर सिर्फ एक जगह नहीं होता, वह हमारी आत्मा की शांति में बसता है। उस रात मैंने यह सीखा कि हर अनिश्चितता के भीतर एक अदृश्य हाथ होता है, जो हमें संभालता रहता है, भले ही हम उसे देख न पाएं। अब जब भी कोई स्थिति मेरे नियंत्रण से बाहर जाती है, तो मुझे स्कॉटलैंड की वह रात याद आती है … बारिश की आवाज़, भीगी सड़कों की चमक, और वह अजनबी टैक्सी ड्राइवर, जो जाने…….अनजाने मेरी कहानी का हिस्सा बन गया। कभी लगता है  वह रात एक परिचय थी…अपने भीतर के साहस से, अपने भीतर के विश्वास से।

प्रिय, यदि कभी जीवन तुम्हें किसी बरसाती अंधेरे में छोड़ दे, तो याद रखना.. हर बारिश के पार एक सुबह होती है, और हर खोए हुए सफ़र के बाद घर की हवा और भी परिचित लगती है। मैं यह सब तुम्हें इसलिए लिख रही हूँ, क्योंकि कुछ बातें सिर्फ आत्मा को ही कही जा सकती हैं .. शब्दों में नहीं, अनुभवों में। तुम वह आत्मा हो, जिससे बात करना, अपने आप से बात करना है। स्कॉटलैंड की वह रात अब बीत चुकी है, पर उसकी बूंदें आज भी भीतर गीली हैं कभी याद की तरह, कभी सीख की तरह, और कभी बस एक मुस्कान की तरह।

*********                          

©  डॉ प्रतिभा मुदलियार

पूर्व विभागाध्यक्ष, हिंदी विभाग, मानसगंगोत्री, मैसूरु-570006

306/40, विमल विला, निसर्ग कॉलोनी, जयनगर, बेलगाम, कर्नाटक

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English Literature – Articles ☆ The Magic of Creative Destruction: How Old Gives Way to the New ☆ Shri Jagat Singh Bisht ☆


Shri Jagat Singh Bisht

(Master Teacher: Happiness & Well-Being, Laughter Yoga Master Trainer, Author, Blogger, Educator, and Speaker.)

Authored six books on happiness: Cultivating Happiness, Nirvana – The Highest Happiness, Meditate Like the Buddha, Mission Happiness, A Flourishing Life, and The Little Book of HappinessHe served in a bank for thirty-five years and has been propagating happiness and well-being among people for the past twenty years. He is on a mission – Mission Happiness!

🌷The Magic of Creative Destruction: How Old Gives Way to the New 🌷

Every year, the Nobel Prize in Economics honours ideas that shape how we understand the world. This year’s award celebrated the concept of “creative destruction” — a fascinating and, at times, ruthless force that drives progress in our economies and our lives.

So, what exactly is this idea that sounds like an oxymoron — creation and destruction in the same breath?

🌷What Is Creative Destruction?

Imagine a forest after a wildfire. It seems tragic — old trees burn down, animals flee, and the land looks barren. Yet, soon enough, green shoots emerge. The soil, nourished by ash, gives birth to new life. Economies work in a similar way.

In economics, creative destruction refers to the process through which new innovations replace old ways of doing things. It’s the constant cycle of renewal where progress often comes at the cost of what existed before.

The “creative” part stands for new ideas, inventions, and improvements. The “destruction” part represents how these new things make older technologies, products, or even entire industries obsolete.

Yes, it can cause disruption — some businesses fail, and certain jobs vanish — but in the long run, it fuels economic growth, raises living standards, and expands consumer choice.

🌷The Everyday Examples All Around Us

🌱1. From Film Cameras to Digital Memories:

For nearly a century, Kodak was a household name. Everyone from holidaymakers to wedding photographers relied on film rolls and printed photographs. Then came digital cameras, and soon after, smartphones. The entire process of taking, storing, and sharing pictures transformed overnight. Kodak, slow to adapt, filed for bankruptcy — while digital imaging companies flourished.

A classic case of creative destruction: one era ended, another began.

🌱2. From Video Rentals to Streaming Giants:

Remember Friday nights at Blockbuster, picking out DVDs or VHS tapes? That ritual disappeared when Netflix arrived with an idea: “Why not watch movies online, whenever you want?”

As streaming became the norm, Blockbuster faded into nostalgia, and Netflix became an entertainment empire. One business model was destroyed, but in its place, a far more efficient and convenient one emerged.

🌱3. From Shopping Malls to Online Carts:

Amazon, Flipkart, and other e-commerce platforms changed how people shop. Why drive to a store when you can order almost anything with a click? Many traditional shops and malls struggled to survive, but creative destruction didn’t stop there — it created new jobs in logistics, technology, digital marketing, and home delivery.

🌱4. From Basic Phones to Smart Worlds:

There was a time when a phone was only for calling or texting. Then came smartphones — small computers in our pockets. They redefined communication, entertainment, and even work. Companies that made only simple mobile phones had to reinvent themselves or fade away.

🌱5. From Fossil Fuels to Green Energy:

A quieter but equally powerful revolution is unfolding in the energy world. Coal and gas plants are gradually giving way to solar panels and wind turbines. While some traditional jobs are being lost, new ones are created in clean energy manufacturing, installation, and research — paving the way for a more sustainable planet.

🌷The Cycle of Progress

Creative destruction is not chaos — it’s a sign of a healthy, dynamic economy. It rewards innovation, efficiency, and adaptability. When we cling too tightly to the past, we risk stagnation. But when we allow change, even painful change, societies grow stronger in the long term.

Yes, the process can be unsettling — industries close, people lose jobs, and beloved products disappear. But new opportunities also arise: new companies, new technologies, new forms of employment, and better living standards.

In short, every time an old door closes, creative destruction builds a smarter, faster, and more efficient one.

🌷In the End

The story of creative destruction is, in essence, the story of human progress. From the steam engine to the smartphone, from horse carriages to electric cars — every invention that shaped our lives came at the cost of something that came before.

It’s not destruction for the sake of destruction. It’s evolution — the very heartbeat of modern economies.

As the Nobel laureates showed us this year, growth is not just about adding more; it’s about daring to replace the old with the new — to destroy creatively so that we can build beautifully again.

♥ ♥ ♥ ♥

© Jagat Singh Bisht

Master Teacher: Happiness & Well-Being, Laughter Yoga Master Trainer, Author, Blogger, Educator, and Speaker

FounderLifeSkills

A Pathway to Authentic Happiness, Well-Being & A Fulfilling Life! We teach skills to lead a healthy, happy and meaningful life.

The Science of Happiness (Positive Psychology), Meditation, Yoga, Spirituality and Laughter Yoga. We conduct talks, seminars, workshops, retreats and training.

≈ Editor – Shri Hemant Bawankar/Editor (English) – Captain Pravin Raghuvanshi, NM

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English Literature – Weekly Column ☆ Witful Warmth # 64 – The Funeral of the Blue Light… ☆ Dr. Suresh Kumar Mishra ‘Uratript’ ☆

Dr. Suresh Kumar Mishra ‘Uratript’

Dr. Suresh Kumar Mishra, widely known in the world of satire by his pen name ‘Uratipt’, expresses his emotions and thoughts with profound honesty and depth. His multifaceted talent is evident in his contributions across various literary genres. He is not only a renowned satirist but also a poet and a children’s author.

His satirical writings have earned him a special place in the literary world. His satire, ‘Shikshak Ki Mout’, went massively viral on the Sahitya Aajtak channel, garnering over a million views and reads—a monumental achievement in the history of Hindi satire. His collection of satires, ‘Ek Tinka Ikyavan Aankhen’ (A Straw and Fifty-One Eyes), is also highly acclaimed and includes his timeless work, ‘Kitabon Ki Antim Yatra’ (The Last Journey of Books). Other celebrated collections include ‘Mayaan Ek, Talwar Anek’ (One Sheath, Many Swords), ‘Gapodi Adda’ (The Gossiper’s Den), and ‘Sab Rang Mein Mere Rang’ (My Colors in Every Hue). His satirical novel, ‘Idhar-Udhar Ke Beech Mein’ (In Between Here and There), is a unique and groundbreaking work focused on the third world.

His significant contributions to literature have been widely recognized. He was honored with the Best Young Creator Award, 2021 by the Telangana Hindi Academy and the Government of Telangana, an award presented by Chief Minister K. Chandrasekhar Rao. The Rajasthan Children’s Literature Academy also honored him for his children’s book, ‘Nanhon Ka Srijan Aasmaan’ (The Creative Sky of Little Ones). Additionally, he has received the Vyanga Yatra Ravindranath Tyagi Sopaan Samman and the Sahitya Srijan Samman from Prime Minister Narendra Modi.

Dr. Uratript has also played a pivotal role in writing, editing, and coordinating a total of 55 books for the Government of Telangana for primary school, college, and university levels. His work is included in university textbooks in Bihar, Chhattisgarh, and Telangana, where his satirical creations are part of the curriculum. This recognition underscores that young readers can identify and appreciate quality and impactful writing.

Key Accolades and Works

  • Viral Satire: ‘Teacher’s Death’ (over 1 million views)
  • Satire Collections: ‘Ek Tinka Ikyavan Aankhen’, ‘Mayaan Ek, Talwar Anek’, ‘Gapodi Adda’
  • Unique Satirical Novel: ‘Idhar-Udar Ke Beech Mein’
  • Awards: Shreshtha Navyuva Samman (Telangana), Sahitya Srijan Samman (PM Modi), and more.
  • Educational Contribution: Authored and edited 55 books for the Telangana government.

Some precious moments of life

  1. Honoured with ‘Shrestha Navayuvva Rachnakar Samman’ by former Chief Minister of Telangana Government, Shri K. Chandrasekhar Rao.
  2. Honoured with Oscar, Grammy, Jnanpith, Sahitya Akademi, Dadasaheb Phalke, Padma Bhushan and many other awards by the most revered Gulzar sahab (Sampurn Singh Kalra), the lighthouse of the world of literature and cinema, during the Sahitya Suman Samman held in Mumbai.
  3. Meeting the famous litterateur Shri Vinod Kumar Shukla Ji, honoured with Jnanpith Award.
  4. Got the privilege of meeting Mr. Perfectionist of Bollywood, actor Aamir Khan.
  5. Meeting the powerful actor Vicky Kaushal on the occasion of being honoured by Vishva Katha Rangmanch.

Today we present his satire The Funeral of the Blue Light 

☆ Witful Warmth# 64 ☆

☆ Satire ☆ The Funeral of the Blue Light… ☆ Dr. Suresh Kumar Mishra ‘Uratript’ ☆

The great fast began not with a government decree, nor a terrorist’s plot, but with a universal, existential shudder—the light on the router simply turned blue, then stopped. It was a digital sannyas, a sudden retreat from the world of incessant pings and instant validation. The Internet, that ubiquitous, invisible deity to whom we had outsourced our memory, our opinions, and our very breath, simply decided it was tired. The nation, having outsourced its consciousness to this shimmering glass, found itself staring blankly at its own reflection. The shock was clinical, profound, and deeply ridiculous. People gathered on the streets, holding their dead smartphones aloft like sacrificial offerings, their thumbs mechanically swiping at thin air, a nervous tic of the modern age. The profound sadness was not due to the loss of connectivity, but the horrifying realization that without the Internet, they had no alibi for their existence. Who were they, if not a curated feed of opinions and filtered selfies? The collective depression that followed was not the noble melancholy of philosophy, but the panic of a clerk who has lost the only key to his filing cabinet. We had become a society of sophisticated puppets, and the strings were now slack, leaving us in a heap of technological debris and existential angst. The mind, trained only for immediate notification, found the silence a cruel and deafening judgment.

The ensuing depression was not the poetic, melancholic kind that inspires great art; it was a practical, bureaucratic, and deeply humiliating despair. The first great institution to crumble was the nuclear family, which suddenly found itself staring across the dinner table at its cohabitants. Husbands and wives, previously connected by 4G, were now confronted by the terrifying analog reality of shared silence. “What do you think about…?” one would start, only to realize the other had no instant, shareable, politically correct opinion downloaded from a reputable source. The children, those tiny, digital natives, began weeping, not from hunger, but from the inability to confirm their existence via a stream of “likes.” Their self-worth, calculated in engagement metrics, plummeted to zero. They were statues awaiting their dedication plaque. Without the Internet to maintain their carefully constructed online personalities, the nation’s citizens shed their curated skins like old snakes, revealing the frightened, insecure animal beneath. The true tragedy was not the economic ruin, but the fact that nobody had practiced being a person in real life for over a decade. The mind, deprived of its daily dose of external affirmation, turned inward, only to find the interior decorated with cobwebs and the faint, unsettling echo of their original, unedited self.

Bureaucracy, that ancient, mold-covered deity of the Indian landscape, staged a magnificent, vengeful comeback. With email defunct and video conferencing a mythical memory, the government was forced to communicate using the methods of its ancestors: handwritten chits, slow-moving peons, and the devastating power of the unverified rumor. The neighborhood gossip broker, long relegated to the status of a social pariah, suddenly became the most powerful source of information, a human news aggregator. Facts, starved of the oxygen of instant verification, mutated into spectacular fictions. A local power outage became an alien invasion, and a minister’s slight cough became a national health emergency. This proved a profound truth: we crave information not for its veracity, but for its transmission. The inefficiency was glorious to behold. Transactions were done with shaky hands and doubtful ledgers. The stock market devolved into men shouting numbers at each other, their faces contorted by the effort of genuine calculation. We discovered that our great, streamlined system was merely a complex house of cards, held together by nothing more than the constant availability of Wi-Fi. The national sorrow was amplified by the sheer, staggering ineptitude of having to operate machinery with one’s own untrained hands.

The Agony of Memory inflicted a unique form of torment upon the population. People found they could not recall the simplest detail—a recipe, a phone number, the name of a distant relative—without the umbilical cord of the search engine. Our brains, like retired civil servants, had forgotten how to perform their basic duties, having delegated all functions to the cloud. Creativity, too, suffered a debilitating stroke. The modern artist, accustomed to generating ideas by endlessly scrolling through a visual database of existing art, suddenly found their well dry. They were left only with their own, meager, un-collated thoughts. The writers, deprived of their plagiarism checkers and instant synonym finders, struggled to string together two original sentences, their hands trembling over the blank paper. This demonstrated a cruel irony: we had created a device that promised infinite knowledge, yet it had rendered us collectively illiterate and forgetful. The sadness here was the realization that our intelligence was merely a function of our broadband speed. To be forced to think, truly think, without the aid of an external prompt, was a humiliation the modern mind was simply not equipped to bear. We cried genuine tears for the loss of our digital crutches.

Perhaps the most “tear-rolling” aspect of the Digital Fast was the forced confrontation with self-reliance, a concept as terrifying as eternal darkness to the modern urban dweller. People were suddenly faced with the necessity of solving problems that had once been trivial: reading a physical map, talking to a stranger for directions, or, God forbid, having a hobby that did not require a subscription or a rechargeable battery. The simple act of waiting became an ordeal. Queues formed not for resources, but for the comforting sensation of being told what to do next. When the traffic signals failed, the chaos was not due to mechanical error, but to the drivers’ inability to proceed without a turn-by-turn navigation voice dictating their movement. We had become so dependent on the external script that our internal navigational systems had atrophied entirely. This vulnerability, this profound helplessness in the face of simple reality, was truly “mindblowing.” It was a collective admission of failure, proving that we were not masters of technology, but its pathetic, utterly dependent pets, mewling for our digital milk. The true tragedy was the discovery that the simplest elements of human autonomy had been sold off for the price of convenience.

The economic collapse was aesthetically pleasing in its swiftness. Money, which had long existed as a purely digital hallucination, evaporated instantly. The great, gleaming towers of finance became mausoleums of useless hardware. The only thing of value was what one could physically hold: water, rice, and the grudging patience of one’s neighbor. The nation briefly regressed to a system of localized, emotionally charged barter, trading a slightly dented transistor radio for a week’s supply of lentils. The rich, whose wealth was merely a massive, unattainable number in a distant, unreachable server, found themselves as penniless as the peasant, proving that true poverty is the loss of function, not the lack of zeros. The profound sadness here was the recognition that the entire structure of the modern world was an elaborate shared fantasy, a communal agreement sustained only by electricity and fiber optic cable. When the light went out, the fantasy died, leaving everyone shivering in the cold, hard realism of immediate, manual survival. The tears were for the lost convenience, the vanished ease of purchasing instant comfort with a tap; a heartbreaking discovery that nothing was real.

The government, in its infinite and predictable wisdom, decided the national depression was not a result of technological withdrawal, but a “failure of patriotic spirit.” They launched a massive, analog propaganda campaign urging citizens to “Connect with Your Soil, Not Your Screen!” The messages, delivered by actors wearing historically inaccurate national dress, were broadcast over antique radio frequencies and physically painted onto large, wooden billboards—a monumental feat of manual labor. The irony, of course, was spectacular: the government was using the most archaic, inefficient methods to scold the populace for relying on efficiency. The political class, however, thrived magnificently. With no social media to fact-check their every utterance or record their blatant hypocrisy, they became majestic, unassailable orators once more. Their lies, broadcast unchallenged, took on the gravity of divine scripture. The Digital Fast had, accidentally, created the perfect environment for political regression, proving that the tools of liberation, when removed, leave behind only the familiar, sturdy infrastructure of control and self-serving falsehood, dusted off and used with renewed vigor. The people, in their despair, had no platform to complain.

And then, with the gentle flicker of a green light, the fast ended. The Internet returned, not with a fanfare, but with the quiet, addictive hum of a constant need being fulfilled. The national depression lifted instantly, replaced by a frenzied, desperate rush back to the screens. No one rushed to rebuild the financial system; they rushed to check their missed notifications and compare the tragic events of the last week with the perfectly curated tragedy posts of their friends. The brief, terrifying glimpse of an analog life—the awkward conversations, the rediscovered books, the profound silence—was instantly scrubbed from the collective memory. The great lesson had been offered and immediately rejected. We had proved that we were not merely addicted to the Internet; we were fundamentally defined by it, and without it, we were nothing. The nation’s tears had dried the moment the blue light returned, revealing the true, heartbreaking emptiness beneath. We did not cry for the world we lost; we cried for the feeds we missed. The funeral of the blue light was immediately canceled, replaced by the eternal, unthinking worship of its glow. We are empty, and the screen is our perfect container, sealing our fate.

****

© Dr. Suresh Kumar Mishra ‘Uratript’

Contact : Mo. +91 73 8657 8657, Email : drskm786@gmail.com

≈ Blog Editor – Shri Hemant Bawankar/Editor (English) – Captain Pravin Raghuvanshi, NM ≈

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English Literature – Articles ☆ My Experience at the Lucknow International Airport ☆ Shri Jagat Singh Bisht ☆


Shri Jagat Singh Bisht

(Master Teacher: Happiness & Well-Being, Laughter Yoga Master Trainer, Author, Blogger, Educator, and Speaker.)

Authored six books on happiness: Cultivating Happiness, Nirvana – The Highest Happiness, Meditate Like the Buddha, Mission Happiness, A Flourishing Life, and The Little Book of HappinessHe served in a bank for thirty-five years and has been propagating happiness and well-being among people for the past twenty years. He is on a mission – Mission Happiness!

🌌 My Experience at the Lucknow International Airport 🌌

Airports are usually places of rush and routine: queues at check-ins, hurried meals at food courts, and the mechanical movement of passengers from one gate to another. But last week, during my travels between Indore and Lucknow, I found myself pausing at Lucknow International Airport—not because of delay or boredom, but because of an unmistakable change in the air.

From the entrance to the airline counters, from the food joints to the washrooms, there was a quiet efficiency and warmth. Staff were courteous, service was prompt, and the whole experience felt unusually seamless. I even stopped to compliment a shopkeeper. His reply explained it all: “Sir, the airport is now managed by the Adani group.”

That simple sentence opened a window to a larger transformation story.

🌱The Story Behind the Change

Lucknow airport’s makeover did not happen by accident. Under Adani’s management, massive investments have been channelled into modernising facilities, upgrading infrastructure, and introducing new operational models. Over ₹2,400 crore has already been invested in building a new terminal and improving access roads, as part of a larger ₹10,000 crore phased plan.

This includes:

Technology and efficiency:

“Swing operations” now allow domestic and international flights to share infrastructure depending on demand, improving turnaround times.

Enhanced capacity: Passenger handling is set to grow from 8 million to 14 million annually, with 42 direct domestic and international routes.

Hospitality and design: Aesthetic touches reflecting local culture, improved lounges, and retail upgrades make the airport experience more pleasant.

Economic impact:

Job creation, better connectivity, and city-side developments add value beyond the terminal walls.

🌱How Airports Earn, and Why It Matters

Interestingly, Adani’s approach goes beyond collecting fees from airlines and passengers (the traditional aeronautical revenue). Increasingly, their focus is on retail, food courts, lounges, car parking, advertising, and city-side developments like hotels and malls. By 2030, as much as 70% of airport revenue is projected to come from these non-traditional sources.

For passengers, this model translates into more professional services, better-maintained amenities, and a traveller-friendly atmosphere. For the city, it means improved infrastructure and economic opportunities.

🌱A Traveller’s Reflection

As I sipped my coffee in the departure lounge, I realised that this wasn’t just about an airport looking shinier or feeling smoother. It was a reminder that sometimes private participation, when done responsibly, can lift public experiences to a higher standard.

We may carry doubts about such changes, but as I experienced first-hand in Lucknow, transformation is best judged not in reports or numbers—but in the simple smile of the staff at the washroom, or the ease with which a traveller finds his way to the gate.

And for me, that was enough to call it a journey worth noting.

#LucknowAirport #AdaniAirports #AirportLife #Lucknow #Travel

♥ ♥ ♥ ♥

© Jagat Singh Bisht

Master Teacher: Happiness & Well-Being, Laughter Yoga Master Trainer, Author, Blogger, Educator, and Speaker

FounderLifeSkills

A Pathway to Authentic Happiness, Well-Being & A Fulfilling Life! We teach skills to lead a healthy, happy and meaningful life.

The Science of Happiness (Positive Psychology), Meditation, Yoga, Spirituality and Laughter Yoga. We conduct talks, seminars, workshops, retreats and training.

≈ Editor – Shri Hemant Bawankar/Editor (English) – Captain Pravin Raghuvanshi, NM

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English Literature – Memoir ☆ दस्तावेज़ # 45 ☆ The TATA Memorial Hospital (TMH) Parel, Mumbai ☆ Shri Hemant Tarey ☆ 

Shri Hemant Tarey

 

(This is an effort to preserve old invaluable and historical memories through e-abhivyakti’s “दस्तावेज़” series. In the words of Shri Jagat Singh Bisht Ji – “The present is being recorded on the Internet in some form or the other. But some earlier memories related to parents, grandparents, their lifetime achievements are slowly fading and getting forgotten. It is our responsibility to document them in time. Our generation can do this else nobody will know the history and everything will be forgotten.”

In the next part of this series, we present a memoir by Shri Hemant Tarey Ji The TATA Memorial Hospital (TMH) Parel, Mumbai.“)

☆ दस्तावेज़ # 27 – The TATA Memorial Hospital (TMH) Parel, Mumbai. ☆ Shri Hemant Tarey ☆

This pioneer institution in the area of Prevention, treatment and research of Cancer disease came into being on 28/2/1941.

In the year 1931, Sir Dorabji Tata ( Chairman of TATA Sons ) had lost his wife, Lady Meherbai Tata of Leukaemia, after treatment abroad. The tragic incidence touched the man deeply and he resolved to develop medical facility in India itself for treatment of this dreaded disease. Though, Sir Dorabji Tata expired in 1932, the clear vision of Sir Dorab Tata Trust and commitment from the house of TATA eventually culminated in the birth of TMH in 1941. Since then, the Institution has attained many milestones. From 1962, the administrative control of this institution vests with the Department of Atomic Energy, GOI. Currently, the Institution receives about 64000 patients annually and it’s annual expenditure budget is close to Rs 200 crore.

In 1990, I too fell prey to the disease and visited the Hospital many times in a spell of following 2- 3 years. The Institution can really boast of world class treatment facilities and highly professional team of Doctors, other medical staff and administrative support staff. They all deserve kudos for the wholehearted service (with very high ethical and moral values) of the mankind 🙏🏼

♥♥♥♥

Photo courtesy – https://tmc.gov.in/TMH/Home

© Hemant Tarey

मो.  8989792935

≈ Editor – Shri Hemant Bawankar/Editor (English) – Captain Pravin Raghuvanshi, NM ≈

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English Literature – Weekly Column ☆ Witful Warmth # 64 – The Wedding That Lagged Out: When Love Timed Out On Wi‑Fi… ☆ Dr. Suresh Kumar Mishra ‘Uratript’ ☆

Dr. Suresh Kumar Mishra ‘Uratript’

Dr. Suresh Kumar Mishra, widely known in the world of satire by his pen name ‘Uratipt’, expresses his emotions and thoughts with profound honesty and depth. His multifaceted talent is evident in his contributions across various literary genres. He is not only a renowned satirist but also a poet and a children’s author.

His satirical writings have earned him a special place in the literary world. His satire, ‘Shikshak Ki Mout’, went massively viral on the Sahitya Aajtak channel, garnering over a million views and reads—a monumental achievement in the history of Hindi satire. His collection of satires, ‘Ek Tinka Ikyavan Aankhen’ (A Straw and Fifty-One Eyes), is also highly acclaimed and includes his timeless work, ‘Kitabon Ki Antim Yatra’ (The Last Journey of Books). Other celebrated collections include ‘Mayaan Ek, Talwar Anek’ (One Sheath, Many Swords), ‘Gapodi Adda’ (The Gossiper’s Den), and ‘Sab Rang Mein Mere Rang’ (My Colors in Every Hue). His satirical novel, ‘Idhar-Udhar Ke Beech Mein’ (In Between Here and There), is a unique and groundbreaking work focused on the third world.

His significant contributions to literature have been widely recognized. He was honored with the Best Young Creator Award, 2021 by the Telangana Hindi Academy and the Government of Telangana, an award presented by Chief Minister K. Chandrasekhar Rao. The Rajasthan Children’s Literature Academy also honored him for his children’s book, ‘Nanhon Ka Srijan Aasmaan’ (The Creative Sky of Little Ones). Additionally, he has received the Vyanga Yatra Ravindranath Tyagi Sopaan Samman and the Sahitya Srijan Samman from Prime Minister Narendra Modi.

Dr. Uratript has also played a pivotal role in writing, editing, and coordinating a total of 55 books for the Government of Telangana for primary school, college, and university levels. His work is included in university textbooks in Bihar, Chhattisgarh, and Telangana, where his satirical creations are part of the curriculum. This recognition underscores that young readers can identify and appreciate quality and impactful writing.

Key Accolades and Works

  • Viral Satire: ‘Teacher’s Death’ (over 1 million views)
  • Satire Collections: ‘Ek Tinka Ikyavan Aankhen’, ‘Mayaan Ek, Talwar Anek’, ‘Gapodi Adda’
  • Unique Satirical Novel: ‘Idhar-Udar Ke Beech Mein’
  • Awards: Shreshtha Navyuva Samman (Telangana), Sahitya Srijan Samman (PM Modi), and more.
  • Educational Contribution: Authored and edited 55 books for the Telangana government.

Some precious moments of life

  1. Honoured with ‘Shrestha Navayuvva Rachnakar Samman’ by former Chief Minister of Telangana Government, Shri K. Chandrasekhar Rao.
  2. Honoured with Oscar, Grammy, Jnanpith, Sahitya Akademi, Dadasaheb Phalke, Padma Bhushan and many other awards by the most revered Gulzar sahab (Sampurn Singh Kalra), the lighthouse of the world of literature and cinema, during the Sahitya Suman Samman held in Mumbai.
  3. Meeting the famous litterateur Shri Vinod Kumar Shukla Ji, honoured with Jnanpith Award.
  4. Got the privilege of meeting Mr. Perfectionist of Bollywood, actor Aamir Khan.
  5. Meeting the powerful actor Vicky Kaushal on the occasion of being honoured by Vishva Katha Rangmanch.

Today we present his satire The Wedding That Lagged Out: When Love Timed Out On Wi‑Fit 

☆ Witful Warmth# 64 ☆

☆ Satire ☆ The Wedding That Lagged Out: When Love Timed Out On Wi‑Fi… ☆ Dr. Suresh Kumar Mishra ‘Uratript’ ☆

At the very first hearing, the whole city sobbed—on the court’s streaming screen, the judge’s face froze into polite squares, and the bride and groom’s love jammed at “Reconnecting… Retrying…,” like a dying harmonium wheezing for breath. The boy pleaded, “My Lord, we upgraded the data plan,” the girl confessed, “I placed the router near the basil plant and waved incense,” and yet the seven firewalls of matrimony vanished into packet loss. The priest had sent mantras as voice notes; rice emojis showered like confetti; the garland fell, not on necks, but into a server’s hungry cache. Witnesses lived inside a WhatsApp group; someone typed “Jai!” a hundred and eight times, someone pasted “Om” like cheap wallpaper, but the priest’s last “Sampannam” burned to ash in buffering. Love these days is like signal strength—five bars displayed, call still drops. The court ruled: “Where seven steps were promised, seven kilobytes did not move—marriage annulled.” The attempt of affection rides a hotspot; the sacrament sulks in airplane mode. The clerks stamped a PDF, the registry hiccupped, and two families learned that romance has a progress bar now, and it spins longest when hearts are most afraid to look at each other.

Mourning happened through memes. Grandma sighed, “In our time, the hearth lit the rounds; now even the hearth is smart—ask Alexa to blow and it learns your sorrow.” The groom’s uncle lifted a jalebi like a philosophical question: “When the net fails, bonds fail; when it works, relations jump the railing and land in the DM.” The lights twitched on the shamiana, the DJ pounded drums like a debt collector, and the beat broke exactly where the bride’s netted sari snagged on a button of fate. This is the new society: mangalsutras weighed in cloud storage, vermillion calibrated by user interface, tenderness filtered to match the venue lighting. Autocorrect turns “in‑laws” into “in‑lows.” An old villager said, “Good it ended; at least no loans piled up.” A city boy whispered, “Bad Wi‑Fi bricked my heart.” Hearts, ah—upgraded to devices, never catching the route, only stuck in routing. Children asked, “Grandma, what is love?” She shut the phone and said, “That which connects even without signal. That.” Outside, a florist tied petals into silence. Inside, two mothers waited for the next notification: grief.

Government studied the crisis systematically; a committee rose like a damp monsoon: The National Commission for Marital Connectivity. Conclusions were visionary: replace seven circumambulations with seven backup networks—two telecoms, two wifis, a neighbor’s password, a brother‑in‑law’s hotspot, and the temple’s free bandwidth as holy prasad. New curriculum for priests: Chanting With Latency, Blessings Under Low Bandwidth, and Handshake Protocols For Shy Routers. Dowry modernized: mesh routers, signal boosters, surge protectors for in‑law tempers. A muhurat app blinked: “Your karma is 5G; your Mars affliction reduced to 2.4 GHz.” Behold the reconsecration: relationships tested by ping; lifelong commitment rebranded as speed test. Will the first night be Netflix And Marriage? Or will bandwidth, like virtue, return to buffering at the decisive moment? The aunties formed a focus group: what’s the right incense for packet loss? The uncles formed a panel: whose terrace gets the external antenna? Reform marches on: priests get boom mics, brides get ring lights, and grooms get tutorials on holding eye contact without checking the chat. The great question of civilization is now a small cogwheel: will it ever stop spinning?

Harishankar Parsai would have chuckled and stabbed: “We modernized marriage so thoroughly that the human inside it went obsolete.” Now, the temperature of love is printed on the router’s heat sink. The shoulders that carried society have been replaced by a plastic pillar with a blinking green confession light; in that soft pulse, we hung our trust. The dharma of bonding lives inside the terms and conditions—all scroll, all accept, none read—like a groom nodding yes without hearing the vow’s grammar. This era does not want truth; it wants signal. Not even honest signal—just the illusion, those proud, lying bars. A good day is when all bars glow, and a bad day is when the soul realizes a full‑bar lie still drops when the room goes quiet. The tragedy is basic: where conversation breaks, the first death is not Wi‑Fi but truth. After truth, humor. After humor, patience. Then, in the rubble, a toy—plastic, blinking—pretends to be hope. And the city buys three of them, one for each floor, so that disappointment can sync.

A counselor appeared with the tone of a rainstorm promising a harvest. “Virtual marriages do not fail because of technology,” he claimed, “but because the social design forgot the spinal cord of intimacy.” Quite right. We extracted the marrow of selfhood and turned union into content. Rounds became “status,” henna a “story,” vermillion a filter that stains nothing but the memory card. The sin was never a dropped line; the failing was that two minds had been offline for months—performing together, speaking alone. Seven vows turned into seven slides—Our Journey, Our Pets, Our Sunset, Our Sponsors. The QR code trembled under the weight of laddus. In a one‑second lag, a thousand days of planning folded like a cheap canopy. The bride didn’t lose kohl; the cloud drive leaked. The groom did not change conviction; he changed passwords. Parsai’s question stings: “After slicing love into pixels, how dare we file a complaint that the image came out blurry?” If a vow echoes only into a microphone, the god of acoustics, not conscience, officiates.

The judgment was both historic and clownish. “Unstable net, unstable knot,” wrote the law, tucking morality into a side drawer and spooning the warm body of technology for comfort. Courts go live; life is recorded. The bench inquired, “Did you try alternate connections?” The counsel argued, “My Lord, we had premium romance subscription.” Observe the cartography: love once spent centuries mapping a garden; now it is confused with tariff slabs. The champa of memory has been replaced by the blue of “connecting,” not tears but a screen that refuses to learn the taste of salt. Still, in this absurdity glints a splinter of sense: when a bond is perched on a signal alone, justice turns into a traffic light for data packets. The human stands at red until the joint venture of telecom and fate flips to green. That wait is not justice; it is queueing theory performed on a heart. And in the queue, every polite citizen grows old, then civilized, then slightly cruel.

Families, veteran improvisers, kneaded sorrow into discounts. Relatives sought a refund under the “Net‑Fellowship Package.” The caterer offered sweet diplomacy: “Hot milk jalebi—your sadness will caramelize.” The photographer smiled without mercy: “No classic candids, sir, but many candid errors—memes guaranteed.” Bridesmaids formed a parliament; verdict: “Men who live in airplane mode will one day actually take off.” A mother wiped her daughter’s face with the end of a future and said, “Find the Wi‑Fi of the mind, child—the one that crosses rooms without a router.” That sentence was a loaf of compassion and a pinch of satire, baked for a hungry generation that mistakes speed for promise. Society, measuring its most private ritual with bandwidth, will suffocate its vows like lungs learning to be modest in a polluted city. We will hunt for chargers during ceremonies where ancestors hunted for courage. And every socket will be already occupied by the decorations.

Solutions? Parsai’s needle pricks where it heals: don’t replace devices; replace habits. Two lessons for the couple: first, thirty minutes of talking without screens; second, lift a complaint only after looking directly into the other’s eyes. Let the rounds happen, but in the temple of the chest: seven offline vows—listen, speak, pause, hold, yield, change, keep. Priests should lace mantras with four pockets of silence—where the soul, not the signal, answers. Build a “slow lane” into the celebration where cameras are blind and memory has the room to grow tall. Even the state can legislate poetry: “Where laughter resonates, keep the speakers fewer; where conversation is true, microphones are redundant.” Bake patience into the menu; print humility on the invite. Make one friend the keeper of gossip, whose only duty is to let it starve. And plant basil next to the router if it pleases the elders—but water the basil more.

And if, in spite of goodwill, the net falls again and the courts chant that old chorus—annulled—remember this: love is not the court’s clerk. It does not stamp, staple, and file; it reads pulses like a musician listens to rain. Bonds that collapse when a router sneezes were never engineered to withstand weather. Bonds that sit together after the outage keep a quiet backup on the threshold of the mind. Let tears go where they must—they mourn not the loss of network but the loss of nerve. One day, when the sun sketches a gentle geometry on a sari’s edge, a knock will happen—no OTP, no login—and someone will ask, “Sit?” That is where the real marriage begins, with a blue circle that says “understanding,” not “connecting,” and with signals that come from chairs pulled closer, not towers pushed higher.

A last small note to society: stop turning weddings into tech support. The priest is not an IT helpdesk; the bride and groom are not customers; the family is not a call center. And love is not a data plan. Love is either unlimited, or it is counterfeit. Today’s annulments “due to poor Wi‑Fi” are case studies of our inner low coverage—where the towers of trust, restraint, and dialogue have collapsed. Raise them again—not brick by brick, but shoulder by shoulder. Then watch the weakest signal work wonders, because sitting near and speaking softly still performs the miracle that seven rounds once promised. If someone asks, “Got net?” smile and say, “Got heart.” That is the only password worth remembering, the only prasad that doesn’t expire, the only plan that never throttles at midnight when the house grows honest.

****

© Dr. Suresh Kumar Mishra ‘Uratript’

Contact : Mo. +91 73 8657 8657, Email : drskm786@gmail.com

≈ Blog Editor – Shri Hemant Bawankar/Editor (English) – Captain Pravin Raghuvanshi, NM ≈

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English Literature – Articles ☆ The River That Remembers ☆ Shri Jagat Singh Bisht ☆


Shri Jagat Singh Bisht

(Master Teacher: Happiness & Well-Being, Laughter Yoga Master Trainer, Author, Blogger, Educator, and Speaker.)

Authored six books on happiness: Cultivating Happiness, Nirvana – The Highest Happiness, Meditate Like the Buddha, Mission Happiness, A Flourishing Life, and The Little Book of HappinessHe served in a bank for thirty-five years and has been propagating happiness and well-being among people for the past twenty years. He is on a mission – Mission Happiness

A village in Uttarakhand

🌱The River That Remembers ☆

In the folds of the Himalaya, where terraced fields rise like green steps to the sky, a river flows. The river has no beginning that anyone can name, and no end that anyone can see. It flows like memory itself — carrying voices, footsteps, and laughter through generations.

 It is here, in a small hamlet by the river, that the story of one family begins — a story that stretches across more than a century, from the 1880s till today.

🌱The Ancestor

The first name that echoes in the valley is that of Narpat, the sturdy root from which the tree of life would grow. He had four children — Heera, Sher, Bag, and Roop. Each of them carried his strength into their own households, and through them the story began to branch like the mighty oak.

🌱Heera’s Branch

Heera, the daughter, married into another family of the hills. With her husband Roop, she raised three children — Inder, Gopal, and Kunti. Their laughter mingled with the mountain winds, carrying the first echoes of a new generation.

🌱Sher’s Branch — The Heart of the Saga

Among Narpat’s children, Sher stands tall as the central figure of our story. He married Nandi, a woman of grace and quiet strength.

Their household was full of life, with seven children — Jaswant, Jagat, Mahendra, Govindi, Leela, Saraswati, and Dan. Each of them became a stream, flowing outwards, yet always returning in memory to the same hearth.

🌱Jaswant

Jaswant married Shobha, daughter of a respected family of the hills. They had two sons, Nitin and Nitesh.

🌱Jagat

Jagat, the thoughtful one, married Radhika, a woman with eyes like mountain springs. They were blessed with a son, Anurag. Anurag in time married Sneha, daughter of Kamal and Anju. Thus the branches of Sher and Nandi’s tree and the newer lineage came together in union, weaving the past and present into one stream.

🌱Mahendra

Mahendra married Jayshree, and they had a daughter, Ritu.

🌱Govindi

Govindi married Prahlad, and their children were Neeraj, Divas, and Vibha.

🌱Leela

Leela married Anand, and their daughters were Bhagyashree and Tanushree.

🌱Saraswati

Saraswati married Rajat. They had two daughters, Geetika and Yuthika.

🌱Dan

Dan married Bhagavati. They had a son, Virendra.

🌱The Wider Ties of Nandi

Nandi came with her own lineage. Her parents were Diwan and Khimuli, and her brothers and sister carried their own stories into the valley.

Prem married Govindi; their daughters were Maheshi, Uma, and Usha.

Mohan married Saraswati; their children were Godavari, Sukumar, Shiv Narayan, and Harendra.

Chatur married Pratima; they raised Prakash, Devi, Lakshman, Dharam Pal, and Narmada.

Chandan married Madhulika; their home was blessed with Devendra, Indira, Rekha, and Ajay.

Swaroop married Radha; their children were Sanjeev, Manju, and Naresh.

And Chana, the sister, married Kundan; their children were Madhi, Chandan, Govindi, Surendra, and Nandan.

🌱Bag’s Branch

Bag married Khimuli, and together they had five children — Bhopal, Bahadur, Inder, Joguli, and Nandan.

🌱Roop’s Branch

Roop married Debuli. Their home was alive with children — Kaushalya, Chandan, Radha, Shankar, Mahendra, Leela, Kusum, Lakshmi, Pushpa, Rekha, and Gudiya. Theirs was a house where the evenings were filled with songs, and where the next generation learned the old ways.

🌱Radhika’s Lineage

Radhika, wife of Jagat, was the daughter of Bag and Saraswati. She had siblings — Rajani, Kuldeep, Pradeep, and Deepa.

Rajani married Gajendra, and they had two children, Bhanu and Shrishti.

Kuldeep married Jyoti, and they had Priyanka and Gaurav.

Deepa married Mahendra, and their children were Meghna, Abhinav, and Karan.

🌱Sneha’s Family

Sneha, now wife of Anurag, was born to Kamal and Anju, and she had a brother, Rohan. Kamal was the son of Shiwratan and Sita, and he had siblings — Binod, Naresh, Babita, and Dinesh.

Anju, Sneha’s mother, was the daughter of Om and Lakshmi. Her siblings were Pawan, Asha, Ved, and Shashi.

Thus, Sneha’s ties extended beyond the valleys, into families with trading and cultural roots.

🌱The River Today

From Narpat to Anurag and Sneha, from Heera to Ritu, from the eldest to the youngest — each is a drop in the flowing river. None is greater, none is lesser. Each carries a piece of the story, and without them the song would be incomplete.

The hills still stand. The river still sings. And the family — in its many names, homes, and branches — flows on like the river that remembers.

♥ ♥ ♥ ♥

© Jagat Singh Bisht

Master Teacher: Happiness & Well-Being, Laughter Yoga Master Trainer, Author, Blogger, Educator, and Speaker

FounderLifeSkills

A Pathway to Authentic Happiness, Well-Being & A Fulfilling Life! We teach skills to lead a healthy, happy and meaningful life.

The Science of Happiness (Positive Psychology), Meditation, Yoga, Spirituality and Laughter Yoga. We conduct talks, seminars, workshops, retreats and training.

≈ Editor – Shri Hemant Bawankar/Editor (English) – Captain Pravin Raghuvanshi, NM

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