English Literature – Articles ☆ The Bliss of Early Mornings ☆ Shri Jagat Singh Bisht ☆


Shri Jagat Singh Bisht

(Master Teacher: Happiness & Well-Being, Laughter Yoga Master Trainer, Author, Blogger, Educator, and Speaker.)

Authored six books on happiness: Cultivating Happiness, Nirvana – The Highest Happiness, Meditate Like the Buddha, Mission Happiness, A Flourishing Life, and The Little Book of HappinessHe served in a bank for thirty-five years and has been propagating happiness and well-being among people for the past twenty years. He is on a mission – Mission Happiness!

☘️The Bliss of Early Mornings🌷

There is something divine about early mornings. Something that words can touch, but not quite capture. Mornings are ethereal, blissful, and sacred. They carry an aura of stillness that makes one feel connected to something larger — something timeless and pure.

Some mornings are calm, some are windy, some wear a veil of clouds. Yet, each one brings its own fragrance of freshness, its own symphony of birdsong. The koel coos softly from a distance; sparrows chirp in cheerful chorus; and pigeons flutter from one roof to another — as if the entire world is waking up in prayer.

On the quiet streets, old men walk leisurely, their footsteps unhurried. Some ride bicycles, their bells chiming like gentle reminders of life’s rhythm. A few jog with steady determination. Old ladies, with baskets or cloth bags, pick flowers from neighbourhood gardens for their morning puja — their movements calm and purposeful. The milkman arrives faithfully, as he has for decades, on his clinking, milk-laden rounds.

I rise much before the sun does. It is the most peaceful time of the day — the hour when the world sleeps and the soul awakens. This is when I sit for meditation. The silence feels alive. The mind grows still; the breath turns deep and steady. It is also the best time for yoga — for asanas and pranayama that gently align the body, mind and spirit. One feels tuned, cleansed, and ready for the day’s unfolding.

As dawn softly brushes the sky, I step out for a walk to the nearby park. The first rays of light begin to spread, painting everything with a quiet glow. I greet familiar faces — a silent namaste with folded hands and a bowed head, as if acknowledging the divine spark in each being. Mornings, to me, are temples of silence. Words feel unnecessary.

After a few rounds, I stretch and bend, twist and turn, breathe deeply and gaze up at the sky. The trees sway gently, the birds swoop gracefully, and the blue above looks boundless. For a few moments, one simply is.

On the way back, I smile and wave to children waiting for their school bus — their chatter and laughter bring a tender joy. Back home, I turn on the washing machine and prepare tea, with the same mindfulness one brings to prayer. Devotional music plays softly in the background, and a cup of tea with biscuits marks the quiet beginning of the day.

We sit together with the morning newspaper — reading, reflecting, and sharing thoughts. My wife moves to the kitchen to prepare breakfast. The gentle clatter of utensils, the aroma of tea, the sound of bhajans — all blend into a symphony of serenity.

Those early hours of the morning are divine indeed — tranquil, uplifting, and full of grace. They remind us that life, at its core, is beautiful when lived slowly, consciously, and gratefully. And as the sun rises higher, one feels ready — ready for a beautiful, blissful day.

♥ ♥ ♥ ♥

© Jagat Singh Bisht

Master Teacher: Happiness & Well-Being, Laughter Yoga Master Trainer, Author, Blogger, Educator, and Speaker

FounderLifeSkills

A Pathway to Authentic Happiness, Well-Being & A Fulfilling Life! We teach skills to lead a healthy, happy and meaningful life.

The Science of Happiness (Positive Psychology), Meditation, Yoga, Spirituality and Laughter Yoga. We conduct talks, seminars, workshops, retreats and training.

≈ Editor – Shri Hemant Bawankar/Editor (English) – Captain Pravin Raghuvanshi, NM

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English Literature – Weekly Column ☆ Witful Warmth # 68 – The Funeral of Virtue… ☆ Dr. Suresh Kumar Mishra ‘Uratript’ ☆

Dr. Suresh Kumar Mishra ‘Uratript’

Dr. Suresh Kumar Mishra, widely known in the world of satire by his pen name ‘Uratipt’, expresses his emotions and thoughts with profound honesty and depth. His multifaceted talent is evident in his contributions across various literary genres. He is not only a renowned satirist but also a poet and a children’s author.

His satirical writings have earned him a special place in the literary world. His satire, ‘Shikshak Ki Mout’, went massively viral on the Sahitya Aajtak channel, garnering over a million views and reads—a monumental achievement in the history of Hindi satire. His collection of satires, ‘Ek Tinka Ikyavan Aankhen’ (A Straw and Fifty-One Eyes), is also highly acclaimed and includes his timeless work, ‘Kitabon Ki Antim Yatra’ (The Last Journey of Books). Other celebrated collections include ‘Mayaan Ek, Talwar Anek’ (One Sheath, Many Swords), ‘Gapodi Adda’ (The Gossiper’s Den), and ‘Sab Rang Mein Mere Rang’ (My Colors in Every Hue). His satirical novel, ‘Idhar-Udhar Ke Beech Mein’ (In Between Here and There), is a unique and groundbreaking work focused on the third world.

His significant contributions to literature have been widely recognized. He was honored with the Best Young Creator Award, 2021 by the Telangana Hindi Academy and the Government of Telangana, an award presented by Chief Minister K. Chandrasekhar Rao. The Rajasthan Children’s Literature Academy also honored him for his children’s book, ‘Nanhon Ka Srijan Aasmaan’ (The Creative Sky of Little Ones). Additionally, he has received the Vyanga Yatra Ravindranath Tyagi Sopaan Samman and the Sahitya Srijan Samman from Prime Minister Narendra Modi.

Dr. Uratript has also played a pivotal role in writing, editing, and coordinating a total of 55 books for the Government of Telangana for primary school, college, and university levels. His work is included in university textbooks in Bihar, Chhattisgarh, and Telangana, where his satirical creations are part of the curriculum. This recognition underscores that young readers can identify and appreciate quality and impactful writing.

Key Accolades and Works

  • Viral Satire: ‘Teacher’s Death’ (over 1 million views)
  • Satire Collections: ‘Ek Tinka Ikyavan Aankhen’, ‘Mayaan Ek, Talwar Anek’, ‘Gapodi Adda’
  • Unique Satirical Novel: ‘Idhar-Udar Ke Beech Mein’
  • Awards: Shreshtha Navyuva Samman (Telangana), Sahitya Srijan Samman (PM Modi), and more.
  • Educational Contribution: Authored and edited 55 books for the Telangana government.

Some precious moments of life

  1. Honoured with ‘Shrestha Navayuvva Rachnakar Samman’ by former Chief Minister of Telangana Government, Shri K. Chandrasekhar Rao.
  2. Honoured with Oscar, Grammy, Jnanpith, Sahitya Akademi, Dadasaheb Phalke, Padma Bhushan and many other awards by the most revered Gulzar sahab (Sampurn Singh Kalra), the lighthouse of the world of literature and cinema, during the Sahitya Suman Samman held in Mumbai.
  3. Meeting the famous litterateur Shri Vinod Kumar Shukla Ji, honoured with Jnanpith Award.
  4. Got the privilege of meeting Mr. Perfectionist of Bollywood, actor Aamir Khan.
  5. Meeting the powerful actor Vicky Kaushal on the occasion of being honoured by Vishva Katha Rangmanch.

Today we present his satire The Funeral of Virtue 

☆ Witful Warmth# 68 ☆

☆ Satire ☆ The Funeral of Virtue… ☆ Dr. Suresh Kumar Mishra ‘Uratript’ ☆

The final act of our moral drama was not a clash of civilizations or the collapse of temples, but a quiet, almost imperceptible switch in the syllabus. Moral Science, that tired, yellow-paged relic of our grandfathers, has died not of old age, but of irrelevance. It was simply outpaced by a brighter, faster deity: the daily meme lesson. Where the textbook once spoke of patience, sacrifice, and the quiet dignity of duty, the new curriculum speaks in punchlines, reaction gifs, and the relentless pursuit of virality. This is not merely a change in pedagogy; it is the ultimate, irreversible capitulation of the soul to the algorithm. The market, that clever, cold-eyed merchant, has figured out that complex virtues cannot be packaged for quick consumption, but fleeting outrage and performative empathy can be. Our new moral code is built on two pillars: the speed of the scroll and the transience of the trend. This is a tear-rolling tragedy, for we have exchanged the slow, heavy burden of becoming good for the light, instant pleasure of appearing good. The children of tomorrow will know every digital shortcut to looking virtuous, but no difficult, dusty path to actually being so. This shift marks the definitive, digital funeral of genuine character, replacing it with easily digestible, marketable content.

The old Moral Science textbook, found now only in the deepest, dustiest corners of school libraries, held lessons that required labor. It demanded introspection, the agony of self-correction, and the quiet, unmarketable courage to be honest when no one was watching. Its pages smelled of starch, silence, and the sincere, heavy promise of responsibility. Now, compare this to the sharp, blue light emanating from the phone, the digital Guru in our pocket. The meme lesson, by contrast, is a burst of dopamine-laced clarity: a single, perfectly framed image paired with six words that condense an existential dilemma into a brief, consumable joke. We no longer debate the ethics of justice; we simply share the ‘Wojak’ pointing and labeling the bad thing. We have traded the rigorous geometry of conscience for the easily reproducible square of the screen. This is why the meme lesson won. It asked nothing of us except a quick ‘share’ or ‘like.’ It relieved us of the crushing obligation to think deeply or act slowly. The tragedy is that we celebrate this liberation from moral effort, mistaking our newfound speed for spiritual progress.

Our contemporary pedagogy, therefore, teaches not morality, but efficiency of emotional expression. The goal is no longer to internalize a virtue, but to broadcast a reaction. If a tragedy occurs half a world away, the first and most critical moral lesson is to find the appropriate black-and-white filter and the most succinct, emotionally charged text overlay for the meme. The student who is fastest to demonstrate their perfectly calibrated grief, their hyper-aware social outrage, or their profoundly correct political alignment, is the one who passes the test of modern virtue. Genuine, quiet suffering is worthless; only suffering that is immediately converted into content holds currency. The syllabus demands that we master the art of the ‘Outrage Cycle,’ where conviction lasts exactly as long as the hashtag trends, and then instantly vanishes, making way for the next obligatory moral performance. The tear that rolls down our cheek is now not one of empathy, but one of exhaustion, realizing that our soul has become nothing more than a perpetually trending feed.

The most heart-touching part of this digital transaction is the profound hypocrisy it enables, yet cleverly disguises as authenticity. We are all now carrying pocket-sized certificates of moral excellence. A person may spend their entire day at work engaging in petty cruelty, cutting corners on their duties, or backbiting their colleagues—behaviors the old Moral Science book would have condemned as wicked. Yet, in the evening, this very person shares a ‘wholesome’ meme about kindness to strangers, complete with a touching, synthetic story about a dog and a sunset. This shared image is not a reflection of their character; it is a cheap, instant moral prophylactic. It cleanses the day’s sins with a single tap. The tragedy is that we all know this is happening, but we accept it, because our own daily sins require the same convenient absolution. The tear that rolls now is one of sheer, exhausted irony, knowing that we are collectively performing a morality we have no intention of practicing once the screen is locked.

The economy of feeling is the ultimate triumph of the meme lesson. In the quiet, defunct world of the textbook, sadness was a long, complex process involving introspection and potentially costly self-change. In the glittering bazaar of the internet, sadness is a template; outrage is a commodity; and moral conviction is simply content optimized for clicks. The meme, being the perfect unit of digital trade, teaches us to value emotion only to the extent that it can be monetized, liked, or shared. It is a profound lesson in branding: your morality is now your brand loyalty. If you are ‘for’ the environment, you must use the correct set of ecological icons and share the correct set of climate-crisis memes. If you fail to perform this branded morality, you are immediately accused of lacking virtue—not because of your deeds, but because of your silence. This system punishes the silent laborer and rewards the noisy performer, turning the quest for goodness into a relentless, exhausting marketing campaign for the self.

Consider the student, sitting hunched over their glowing screen, absorbing the daily lesson. They are not learning ‘Thou Shalt Not Lie,’ but ‘How to Craft a Lie That Looks Like Truth for 24 Hours.’ They are mastering the subtle lexicon of the scroll, the critical difference between the sincere look of shock and the viral look of performative shock. The moral education they receive is entirely based on instantaneous validation. If their moral take gets ten thousand likes, it is factually and ethically correct; if it gets zero, it is shameful and must be deleted. Their soul is being conditioned not by an internal compass, but by an external, fluctuating popularity contest. This is where the mind is truly blown by the tragedy: they are perfectly literate in the language of digital empathy, capable of composing a perfect thread on social justice, yet utterly incapable of looking a genuinely suffering person in the eye without first checking if the moment is worth recording. They are morally proficient, but empathetically illiterate.

The Grand Syllabus of Absurdity, therefore, has replaced the Ten Commandments with the Ten Trends. The new lessons are clear and frightening in their simplicity. Lesson One: Outrage Cycling—how to maintain peak moral fervor for 72 hours and then seamlessly transition to a new topic without looking inconsistent. Lesson Two: Selective Amnesia—the skill of deleting all past moral opinions that contradict the current meme-approved consensus. Lesson Three: The Art of the Flex—the technique of demonstrating ethical consumption (like buying an overpriced, ‘sustainable’ coffee) while ignoring the systemic rot beneath your feet. This syllabus is beautiful in its cynicism, perfectly tuned to the quick-fix, low-commitment nature of the modern psyche. It is the inevitable evolution of a society that decided patience was too much trouble, reflection was too slow, and genuine goodness was simply too expensive to maintain in a world that only pays attention to noise.

And so, we arrive at the final, heartbreaking resignation. The time for serious, quiet virtue—for the untelevised, unviral act of genuine kindness—is over. We are now governed by the soft, ambient sound of the scroll and the occasional synthetic chuckle elicited by a perfectly timed joke about the meaninglessness of it all. The Moral Science book rests, peacefully entombed, while its replacement, the vast, shimmering, infinitely scrolling content feed, conducts its daily, dazzling classes. We have traded the difficult road to character for the easy button of convenient consciousness. The tear that rolls down the cheek of the old man is not one of anger, but of mournful acceptance. He sees that the children are happy, endlessly entertained, and perfectly proficient in their new lessons. They are perfectly moral in the digital world. It is only in the clumsy, slow, real world that they seem to have forgotten how to be human. And that, dear reader, is the final, mind-blowing joke on us all. We built the world; the meme merely taught us how to neglect it beautifully.

****

© Dr. Suresh Kumar Mishra ‘Uratript’

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≈ Blog Editor – Shri Hemant Bawankar/Editor (English) – Captain Pravin Raghuvanshi, NM ≈

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English Literature – Article ☆ Entering My 80th Year… Count your blessings, not your troubles…… ☆ Shri Ajeet Singh, Ex-Director (News) Door Darshan ☆

Shri Ajeet Singh 

(We present an article ‘Entering My 80th Year… Count your blessings, not your troubles’ written by Shri Ajeet Singh ji, Ex-Director (News), Door Darshan.)

Entering My 80th Year… Count your blessings, not your troubles… ☆ Shri Ajeet Singh ☆

(November 2025)

About ten months before India woke up to freedom in 1947, a farmer in a village near Panipat celebrated the birth of his first son. He had waited years for this moment. He had married four times—his first three brides, married in childhood as per the tradition of those times, passed away due to illness. His fourth wife, nearly twenty years younger than him, finally fulfilled his dream by giving birth to a son.

Being born on the eve of India’s independence felt like a blessing in itself.

Around the same time, a long-drawn court case over a piece of village land—after a bloody clash—was finally decided in the farmer’s favour. He believed he had won not through legal brilliance but through sheer strength.

So he named his son Baljeet — the one who wins through strength — hoping the boy would fight life’s battles with physical might.

But destiny had other plans.

The child grew up to gain the strength of education instead. His friends called him Jeeta, and the village schoolteacher recorded his name as Ajeet Singh. For a boy from a village with no electricity, no tap water, no paved streets and only mud-brick houses—becoming the first graduate of the village was a blessing beyond measure.

Following tradition and his ailing father’s wish, he was married even before he had cleared his matriculation exam. His young bride turned out to be the perfect partner—standing by him through every storm. Another precious blessing.

A graduate of Kurukshetra University in 1967, he cleared the UPSC’s Indian Information Service exam in 1970. His first posting was at All India Radio, Shimla as a Sub-Editor. A beautiful hill station for a first job was a blessing. A  bigger blessing was that this is where he learned the art and soul of radio journalism. For a boy from a small village, this became the perfect grooming ground.

History kept unfolding before his eyes. From the Shimla Agreement after the Indo-Pakistan war to nearly 35 years of reporting across corridors of power in Himachal Pradesh, Jammu & Kashmir, and Haryana—his journey was remarkable.

He reported from Srinagar in the militancy infested, turbulent 1990s—covering the terrorist siege at Hazratbal Shrine, and the Kargil War. That Srinagar posting was a real test of grit—but a blessing nonetheless, for in 1990 he received All India Radio’s Best Correspondent Award.

A four-year stint in New Delhi deepened his understanding of broadcast journalism.

His last posting was at the newly opened Doordarshan Kendra, Hisar, where he learned the ropes of television journalism. During his AIR and DD career, he covered Prime Minister’s visits to three foreign countries and equal number of Presidential foreign visits.

Shri Ajeet Singh – A Media Man at 79.

He retired in 2006 as Director News, Doordarshan Hisar. For a village boy to rise to Director level—was that not a blessing? None of his classmates had achieved anything similar.

Retirement, too, has been a joyful 19-year blessing. As a founding member of Vanaprastha, a voluntary senior citizens’ group, his writing blossomed. Initially, he wondered what he would do after retirement—no press notes, no newsroom invites.

Then he discovered stories of the ordinary persons. The media rarely covers them, yet every person has an extraordinary story to tell. He listened, wrote in his own style, and people loved it. Local media and friends encouraged him, and his storytelling found new wings.

Even the Covid-19 period nourished his writing. Retired IIS colleagues started writing experience-based essays. These were later compiled into a book—ten of those essays were mine.

Yes, I am that boy who was blessed so abundantly.

Technology became another silent companion. The smartphone is a magical fusion—my typewriter, my stenographer. I speak; it types. Google is like Aladdin’s Genie—ready with answers at one command. WhatsApp is my graceful courier—carrying messages to and from friends. If only such tools existed during my service years! Today, they are yet another blessing.

I often feel that journalism doesn’t count its blessings enough. It remains trapped in sufferings, conflicts, and crises—and in doing so, may actually magnify them.

Through my good stories, am I perhaps making amends for my past journalistic “sins”? Readers will decide. But I know this: telling the stories of common people fills me with joy. For every person carries many beautiful and exclusive stories within.

On my 80th birthday, 5th November, I seek your blessings once again.

Life had its fair share of struggles and stress—but time melted them away. Why count them, when nature has showered countless blessings?

I count my blessings, not my sorrows.

To me, that is the right way to live.

Do you feel the same way? Comment—who knows, we may discover a story right here.

© Shri Ajeet Singh 

Shri Ajeet Singh, Independent Journalist based at Hisar…   Formerly with All India Radio & retired as Director of News, Door Darshan Hisar in 2006.

Mo. – 9466647037

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हिंदी / अंग्रेजी साहित्य – आलेख/Articles ☆ गर्दिश के दिन: Days of Despair ☆ Shri Jagat Singh Bisht ☆


Shri Jagat Singh Bisht

(Master Teacher: Happiness & Well-Being, Laughter Yoga Master Trainer, Author, Blogger, Educator, and Speaker.)

Authored six books on happiness: Cultivating Happiness, Nirvana – The Highest Happiness, Meditate Like the Buddha, Mission Happiness, A Flourishing Life, and The Little Book of HappinessHe served in a bank for thirty-five years and has been propagating happiness and well-being among people for the past twenty years. He is on a mission – Mission Happiness!

😎 गर्दिश के दिन: Days of Despair 🥸

(हिंदी और अंग्रेजी में एक मिश्रित / A bilingual experiment in Hindi and English)

काफी समय पूर्व, एक प्रतिष्ठित पत्रिका में, कई लेखकों ने अपने गर्दिश के दिनों पर लिखा था। उन्होंने सफल और महान होने के बाद, संपादक के आग्रह पर, ऐसा किया था। मैं सफल और महान हुए बिना, ऐसा अपनी मर्जी से कर रहा हूं।

उम्र के अनेक मोड़ पार कर चुका हूं। अब तक न सफल हुआ हूं और न ही महान बन पाया हूं। मेरे देखते-देखते, मुझसे कम योग्य लोग मुझसे अधिक सफल हो चुके हैं और मुझसे घटिया लोग महान बन गए हैं। यही मेरे दुख का कारण है।

A long time ago—long enough for nostalgia to acquire a few grey hairs of its own—a reputed Hindi magazine brought out a remarkable series. It was dedicated to the days of despair of celebrated writers: tales of their hollow pockets, hollow kitchens, and occasionally hollow souls. The contributors were friendly luminaries who had, by then, climbed to heights from where despair looked like a poetic childhood disease—painful at the time, but now excellent material for charming anecdotes at literary gatherings.

They wrote of wretched rooms where even hope hesitated to enter; they narrated the evenings when the lamp had more soot than light, and the mornings when fortune seemed to have overslept on purpose. Their stories reminded us that greatness, like good compost, must sprout from organic suffering.

They were invited by the Editor because they were great, famous, and suitably wrinkled by experience.

I, however, attempt the same task without possessing greatness, fame, or even the sort of wrinkles that literary editors find aesthetically inspiring. If anything, mine are plain domestic creases, the ordinary lines produced by old age and electric bills.

I have grown old—old enough to avoid mentioning numbers, lest someone mistakes my age for a historical period—but alas, greatness has not arrived. Nor has fame. Nor has even that modest rumour that “someone in our locality is doing something interesting.” I have waited politely. Greatness, it seems, has not reciprocated the courtesy.

What adds flavour to this mild tragedy is that, as the years have trotted past, I have seen—quite helplessly—the rise of men lesser, meaner, and, in some extreme cases, louder than me. They flourished with the ease of mildew in monsoon. Every time a new one rose, I experienced an unhappiness so refined and aristocratic that Oscar Wilde himself might have complimented it.

My friends, naturally, have prospered beyond belief. Their bungalows are so large that one needs Google Maps to locate the guest bathroom. Their chauffeur-driven luxury cars glide through town like well-bred crocodiles. Their wives, robust in both health and wealth, supervise homes where everything—including the dogs of foreign breed—has a higher market value than my bank balance. They possess vast fortunes in Swiss banks, majestic collections of fat, cholesterol, high blood pressure, diabetes, and heart disease. I possess none of these. Not even the cholesterol.

I am a tortoise. They are hares—and some, on festive days, hunt with the hounds too. But before you assume I lack talent or refinement, let me clarify with the humility of a saint and the accuracy of a government form: I am physically, mentally, and spiritually sound; honest to a degree that makes honesty awkward; and financially and intellectually cleaner than freshly laundered linen.

My achievements—scattered across reading, writing, sports, games, love, sex, and friendship—are enough to fill a respectable diary, if not a library. But I cannot bring myself to practise sycophancy. I cannot flatter a man merely because he has a necktie and a position. Had I embraced hypocrisy with the enthusiasm of my peers, I, too, might have gathered a following of disoriented devotees. But shame is a stubborn thing.

Over time, I have read the autobiographies of the great. They describe how they saw poverty, hunger, disease, famine, and other educational experiences; how they struggled bravely, laboured endlessly, and rose steeply; how they eventually reached the mountaintop, from where everything below looked small—especially other people’s problems.

And then, feeling generous, they shared the stories of their struggles for the benefit of lesser mortals.

I, unfortunately, do not believe in shortcuts. As I read and write and wander into the dense forest of spirituality, I realise that a vast world remains unconquered. And I, firmly stationed at the starting point, can only wave at potential as it passes by.

So here I am—no one, nowhere—trudging along with my despair and gloom walking faithfully beside me, like two old companions who have tired of trying to cheer me up and now simply keep pace out of habit.

Greatness may yet arrive. Fame may yet stumble upon me. But until then, I shall continue writing pre-fame memoirs of despair, hoping they will someday become post-fame classics.

After all, even a tortoise deserves a footnote in literary history.

लोगों ने गरीबी देखी, भूख देखी, अकाल देखा, बीमारी देखी, संघर्ष किया, साधना की, और महान हो गए। महानता के शिखर पर पहुंचने के बाद, वो पीछे मुड़कर अपने गर्दिश के दिनों पर विहंगम दृष्टि डाल सकते हैं। यह उनका सौभाग्य है।

सफलता के टीले पर, शॉल ओढ़े बैठकर, गर्दिश के दिनों को याद करने की रूमानियत मेरे नसीब में नहीं है। जितना पड़ता जाता हूं, उतना ही पाता हूं कि अभी तो अनंत आयाम बाकी हैं जानने को। जितना लिखता जाता हूं, उतना ही पाता हूं कि कलम बहुत छोटी है और स्याही बहुत कम। मेरी गर्दिश और गहराती जाती है।

झूठमूठ की सफलता और महानता के शॉर्टकट मैं नहीं पकड़ पाता। मेरी गर्दिश मेरे संग-संग चलती है!

(इस रचना के हिंदी अंश तीस बरस पहले लिखे गए थे और अंग्रेज़ी वाला हिस्सा अब लिखा है।

The Hindi portion of this article was written thirty years ago and the English portion has been blended now.)

♥ ♥ ♥ ♥

© Jagat Singh Bisht

Master Teacher: Happiness & Well-Being, Laughter Yoga Master Trainer, Author, Blogger, Educator, and Speaker

FounderLifeSkills

A Pathway to Authentic Happiness, Well-Being & A Fulfilling Life! We teach skills to lead a healthy, happy and meaningful life.

The Science of Happiness (Positive Psychology), Meditation, Yoga, Spirituality and Laughter Yoga. We conduct talks, seminars, workshops, retreats and training.

≈ Editor – Shri Hemant Bawankar/Editor (English) – Captain Pravin Raghuvanshi, NM

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English Literature – Weekly Column ☆ Witful Warmth # 67 – The Algorithm’s Chalkboard… ☆ Dr. Suresh Kumar Mishra ‘Uratript’ ☆

Dr. Suresh Kumar Mishra ‘Uratript’

Dr. Suresh Kumar Mishra, widely known in the world of satire by his pen name ‘Uratipt’, expresses his emotions and thoughts with profound honesty and depth. His multifaceted talent is evident in his contributions across various literary genres. He is not only a renowned satirist but also a poet and a children’s author.

His satirical writings have earned him a special place in the literary world. His satire, ‘Shikshak Ki Mout’, went massively viral on the Sahitya Aajtak channel, garnering over a million views and reads—a monumental achievement in the history of Hindi satire. His collection of satires, ‘Ek Tinka Ikyavan Aankhen’ (A Straw and Fifty-One Eyes), is also highly acclaimed and includes his timeless work, ‘Kitabon Ki Antim Yatra’ (The Last Journey of Books). Other celebrated collections include ‘Mayaan Ek, Talwar Anek’ (One Sheath, Many Swords), ‘Gapodi Adda’ (The Gossiper’s Den), and ‘Sab Rang Mein Mere Rang’ (My Colors in Every Hue). His satirical novel, ‘Idhar-Udhar Ke Beech Mein’ (In Between Here and There), is a unique and groundbreaking work focused on the third world.

His significant contributions to literature have been widely recognized. He was honored with the Best Young Creator Award, 2021 by the Telangana Hindi Academy and the Government of Telangana, an award presented by Chief Minister K. Chandrasekhar Rao. The Rajasthan Children’s Literature Academy also honored him for his children’s book, ‘Nanhon Ka Srijan Aasmaan’ (The Creative Sky of Little Ones). Additionally, he has received the Vyanga Yatra Ravindranath Tyagi Sopaan Samman and the Sahitya Srijan Samman from Prime Minister Narendra Modi.

Dr. Uratript has also played a pivotal role in writing, editing, and coordinating a total of 55 books for the Government of Telangana for primary school, college, and university levels. His work is included in university textbooks in Bihar, Chhattisgarh, and Telangana, where his satirical creations are part of the curriculum. This recognition underscores that young readers can identify and appreciate quality and impactful writing.

Key Accolades and Works

  • Viral Satire: ‘Teacher’s Death’ (over 1 million views)
  • Satire Collections: ‘Ek Tinka Ikyavan Aankhen’, ‘Mayaan Ek, Talwar Anek’, ‘Gapodi Adda’
  • Unique Satirical Novel: ‘Idhar-Udar Ke Beech Mein’
  • Awards: Shreshtha Navyuva Samman (Telangana), Sahitya Srijan Samman (PM Modi), and more.
  • Educational Contribution: Authored and edited 55 books for the Telangana government.

Some precious moments of life

  1. Honoured with ‘Shrestha Navayuvva Rachnakar Samman’ by former Chief Minister of Telangana Government, Shri K. Chandrasekhar Rao.
  2. Honoured with Oscar, Grammy, Jnanpith, Sahitya Akademi, Dadasaheb Phalke, Padma Bhushan and many other awards by the most revered Gulzar sahab (Sampurn Singh Kalra), the lighthouse of the world of literature and cinema, during the Sahitya Suman Samman held in Mumbai.
  3. Meeting the famous litterateur Shri Vinod Kumar Shukla Ji, honoured with Jnanpith Award.
  4. Got the privilege of meeting Mr. Perfectionist of Bollywood, actor Aamir Khan.
  5. Meeting the powerful actor Vicky Kaushal on the occasion of being honoured by Vishva Katha Rangmanch.

Today we present his satire The Algorithm’s Chalkboard 

☆ Witful Warmth# 67   ☆

☆ Satire ☆ The Algorithm’s Chalkboard… ☆ Dr. Suresh Kumar Mishra ‘Uratript’ ☆

The year is no longer the year of our Lord, but the year of the Algorithm, and the school—that hallowed sanctuary where wisdom was once whispered—has become a mere content creation factory. Oh, the sublime tragedy! We once spoke of pedagogical excellence and the depth of the Socratic method; now, we speak only in terms of conversion rates and the optimal time to post a twelve-second explainer on quantum physics set to a trending K-Pop beat. The new mandate, delivered with the sterile, smiling cruelty of a managerial seminar, is this: Teachers are to be ranked not by the sediment of forty years’ experience, but by the ephemeral, shimmering dust of TikTok follower counts. Experience, that grand old ruin, is deemed a liability, a sign of one’s inability to adapt to the short attention span economy. Knowledge is burdensome; flash is the currency. A teacher’s salary, promotion, and even the size of their classroom depend on a number that fluctuates with the whims of a fifteen-year-old scrolling past a tragicomic dance challenge. The wisdom earned through silent years in libraries is worthless compared to the ability to make one’s face look surprised in a viral ‘reaction’ video. This is the new enlightenment, a light so bright it blinds us to the very purpose of education, transforming temples of learning into sound stages for absurdity. This is not progress; it is the ultimate, mind-blowing mockery of intellect by the mass market, delivered on a tiny screen.

The central tragedy is embodied by Acharya Gyaneshwar, a man whose 40 years of service had etched a map of human knowledge onto his soul, and whose Ph.D. in Sanskrit had been earned through a lifetime of quiet sacrifice. He moves through the fluorescent-lit hallways like a ghost from a sensible past, clutching his worn copy of the Upanishads, now treated with less respect than a discarded fidget spinner. His colleague, twenty-two-year-old Ms. Sparkle, whose primary qualification is 5.2 million followers, dictates the new faculty meeting agenda. Acharya Gyaneshwar, whose lectures used to inspire students to look beyond the immediate, is now assigned the dankest corner classroom because his “engagement metrics are catastrophically low,” a phrase that, in the new language of the school, means his soul is too pure for their shallow enterprise. Ms. Sparkle, meanwhile, is granted the state-of-the-art auditorium for her live-streamed “Math Magick” sessions, which largely consist of her pointing dramatically at a whiteboard while a filter gives her cat ears. The heartbreaking irony is that she cannot explain basic trigonometry, yet she defines the institution’s success. Acharya Gyaneshwar’s voice is soft, rich with wisdom; Ms. Sparkle’s is loud, amplified by the hollowness of the digital echo chamber. His knowledge is deep and slow; her popularity is broad and instantaneous. His expertise is an ocean; her fame is a puddle reflecting a distorted sky.

The curriculum, naturally, has followed the money and the fame, transforming from a pursuit of truth into a cynical pursuit of clicks. The principal, Mr. Clickworthy, who replaced the previous principal after a dismal performance review that cited a lack of “digital traction,” now issues memoranda titled The Seven Habits of Highly Effective Content Creators. Lesson plans must now include a “Hooking Moment” (maximum 3 seconds) and a “Call to Action” (must use an emoji). The traditional three-hour history lecture on the causes of the French Revolution is discarded in favor of a 59-second, jump-cut video where the teacher, dressed as Marie Antoinette, dramatically eats a croissant while text overlays flash across the screen: #LetThemLyke. Depth is the enemy of virality. Subtlety is the arch-nemesis of the scrolling finger. The examination papers now contain questions like: “Identify the filter used by Professor Z on his latest post,” and “Analyze the comment section engagement of the top-ranked teacher.” It is a heart-wrenching spectacle to watch dedicated professionals, whose life’s work was dedicated to filling minds, now frantically learning how to master the perfect “transition” video. They are the unwilling acrobats of the digital circus, forced to perform stunts of triviality to earn their daily bread, discarding the heavy robes of scholarship for the flimsy costumes of influencers.

The ranking system itself is a mind-blowing masterpiece of institutional self-sabotage, an automated engine of despair and degradation. Once a month, the “Follower Audit” is conducted, and the results are not distributed privately but projected onto a massive digital screen in the faculty lounge, complete with a celebratory confetti animation for the winners and a shame-inducing, cartoonish ‘frown’ icon for the losers. Teachers are now evaluated on their ability to cultivate parasocial relationships with strangers, a skill wholly unrelated to their ability to teach complex subjects. The system encourages internal sabotage, with whispers of teachers using bot farms or anonymously reporting their colleagues’ videos for minor guideline violations, turning the faculty room into a silent, venomous ecosystem. The ultimate goal, as Mr. Clickworthy explains with disturbingly genuine enthusiasm, is for the school to achieve “platinum content-creator status.” This means that the school, as an institution, has entirely replaced its foundational identity. It no longer exists to educate; it exists to market its educators. And the deepest shame is that the rankings, being public, also influence parent-teacher meetings, where parents now openly question the low follower count of a calculus teacher, suggesting his mathematical authority is statistically suspect.

For the students, the effect is immediate and devastating, creating a generation that respects only the spectacle. They no longer look up to the teacher who can unravel the complexities of relativity in a calm, measured voice; their reverence is reserved for the one who successfully attempts a dangerous, low-budget science experiment that goes viral because of the ensuing minor explosion. The classroom, once a place of focused, shared inquiry, is now a stage where students secretly film their professors hoping for a moment of ‘cringe’ that they can monetize. The quiet, deeply knowledgeable teachers, those who possess the rare spark of true intellectual passion, are actively ignored, rendered invisible by their lack of digital sheen. The lesson the youth internalize is not history or literature, but the primary, corrupting lesson of the age: depth is a handicap, and authenticity is merely a marketing strategy. Why study for years when a well-timed reaction shot can confer instant, global authority? This tear-rolling tragedy is the death of intellectual patience, the murder of the slow burn of discovery. The true educators stand marginalized, watching their students drift away, not because the subject is difficult, but because the teacher’s profile lacks a blue verification tick, the modern seal of intellectual approval.

The internal conflict faced by the remaining dedicated academics is the truly heart-wrenching climax of this dark comedy. Imagine Professor Sharma, a literature expert who lives and breathes Shakespeare, suddenly faced with an ultimatum: either create three viral pieces of content per week or be transferred to the dreaded ‘Archive Department’—a euphemism for the unemployment line. He looks at his reflection, sees the weary lines etched by decades of dedication, and contemplates the unthinkable: should he use his profound knowledge of Hamlet to create a tragicomic lip-sync about procrastination? The dignity of his profession wrestles with the survival instinct of a mortgage payment. We are witnessing the forced digital performance of souls. The sight of a distinguished historian, dressed in ridiculous historical garb, performing a shaky dance while trying to maintain a semblance of academic integrity in his voiceover, is enough to make a stone weep. This isn’t innovation; it’s spiritual prostitution, the agonizing spectacle of the scholar kneeling before the altar of the algorithm, begging for the momentary, fickle mercy of the ‘like’ button, sacrificing the grave solemnity of their calling for the chirpy triviality of a digital trend.

The satire, when widened, reveals the deep societal failure that underpins this entire absurd educational structure. It is not merely the school board that is culpable; it is a culture that has collectively agreed that value is synonymous with visibility. The teachers are simply the scapegoats for a generation that demands instant gratification and quantifiable, crowd-sourced validation for everything, even wisdom. We have, as a society, tacitly endorsed the idea that the silent, slow work of building character and intellect is less important than the noisy, instantaneous work of building a personal brand. The teacher’s value has been reduced to a simple metric, a digit on a screen, which is perhaps the most demisical form of dehumanization possible. The system, in its relentless pursuit of ‘relevance,’ is devouring its own soul, and all the while, the parents cheer on the charade, bragging about their child’s school being the “most followed educational institution” in the nation, entirely oblivious to the fact that their children are learning nothing of substance. It is a collective, self-imposed blindness, where we have chosen the comforting illusion of engagement over the hard truth of knowledge, selling the priceless inheritance of intellectual depth for the cheapest coin of fleeting fame.

And so, we arrive at the bitter, inevitable conclusion, the final irony that Harishankar Parasai himself would have appreciated: the school eventually achieves its platinum content-creator status. The follower count explodes, the headlines scream of their digital dominance, and Mr. Clickworthy is awarded the national ‘Innovator of the Year’ award. The classrooms, however, are silent, the students having long since grasped the final, nihilistic lesson: the content is the education, and the performance is the wisdom. The auditorium is now permanently repurposed as a sound stage, broadcasting empty, visually stunning, but utterly vacuous monologues to millions who learn nothing but feel momentarily entertained. The real education—the critical thinking, the moral philosophy, the patient exploration of complex texts—has quietly evaporated, leaving behind a perfectly sculpted, highly publicized shell. The school is a monumental success in every metric of the digital age, yet it has failed in its one original purpose. The tragedy is complete. The stage is set. And the sound of one wise old man, Acharya Gyaneshwar, finally signing up for an account, preparing his first desperate, clumsy video, is the only background music to the tear-rolling demise of true learning.

****

© Dr. Suresh Kumar Mishra ‘Uratript’

Contact : Mo. +91 73 8657 8657, Email : drskm786@gmail.com

≈ Blog Editor – Shri Hemant Bawankar/Editor (English) – Captain Pravin Raghuvanshi, NM ≈

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English Literature – Articles ☆ Musings of a Man Too Accomplished for His Own Good ☆ Shri Jagat Singh Bisht ☆


Shri Jagat Singh Bisht

(Master Teacher: Happiness & Well-Being, Laughter Yoga Master Trainer, Author, Blogger, Educator, and Speaker.)

Authored six books on happiness: Cultivating Happiness, Nirvana – The Highest Happiness, Meditate Like the Buddha, Mission Happiness, A Flourishing Life, and The Little Book of HappinessHe served in a bank for thirty-five years and has been propagating happiness and well-being among people for the past twenty years. He is on a mission – Mission Happiness!

😎 Musings of a Man Too Accomplished for His Own Good 🤠

As I grow older, I find myself becoming alarmingly creative. Ideas bloom faster than grey hairs, and that’s saying something. Once upon a time, I used to chase inspiration; now inspiration chases me, panting, begging me to slow down so it can keep up.

I am, as people love to announce at public gatherings, a man of many hats. The problem is, I have run out of heads.

Recently, at an event, a young compere, brimming with enthusiasm and adjectives, introduced me thus:

“Ladies and gentlemen, our next speaker is a man whose laughter is contagious, whose words inspire, and whose mission is pure happiness! Mr Jagat Singh Bisht — Author, Blogger, Laughter Yoga Master Trainer, Behavioural Science Trainer, Founder of LifeSkills… He has written twelve books on happiness and well-being, the teachings of the Buddha, and humour and satire… He has conducted laughter sessions for Nestlé, SBI, HP, HCL, AAI, and more… After 35 years in banking, he has spent 25 years spreading smiles. He lives and breathes Mission Happiness!”

By the time she finished, I half expected the audience to rise in unison and chant my name, or at least offer me a flower garland and a glass of tender coconut water.

I smiled modestly — as modestly as one can when one has just been publicly compared to a one-man United Nations of wisdom and cheer.

The truth is, my CV could make Nobel Laureates weep.

My résumé, if released into the corporate world, might cause a hiring freeze at Google, Apple, and Microsoft. Out of sheer compassion for humanity, I keep it locked in a drawer. Why make thousands of ambitious young people redundant before their time?

LinkedIn often sends me polite notifications: “People are viewing your profile.”

I can only imagine the tremors that follow.

I sometimes thank destiny that matrimonial websites didn’t exist in my youth. Had I uploaded my photograph and bio-data back then, the internet might have collapsed decades before it did under the weight of cat videos and conspiracy theories. Prospective brides would have fought duels in my honour, and I would have been forced to retire to the Himalayas for safety — which, come to think of it, would not have been a bad idea.

Today, I enjoy good health, peace of mind, happiness, and fulfilment — which, in modern terms, means I have failed economically. Wealth is the only thing missing, and I suspect the universe omitted it deliberately, just to maintain cosmic balance. A touch of poverty, after all, adds flavour to enlightenment.

So here I am — rich in wisdom, poor in wallet, sitting quietly at home, waking up before dawn to pen these musings for an audience that may or may not be awake. The world sleeps, and I write — a man overflowing with knowledge, talent, and experience, spending his retirement in glorious obscurity.

What a colossal waste, you may say!

Ah, but that’s where the beauty lies. The lotus blooms in muddy water, and wisdom often blossoms in solitude. The Buddha found enlightenment under a tree; I, under a ceiling fan.

The world may not know it, but I — Jagat Singh Bisht — am living proof that happiness, humour, and humility can coexist, though the first two keep laughing at the third.🔸

#MissionHappiness #LaughterAndLight

#Musings #WittyWisdom

♥ ♥ ♥ ♥

© Jagat Singh Bisht

Master Teacher: Happiness & Well-Being, Laughter Yoga Master Trainer, Author, Blogger, Educator, and Speaker

FounderLifeSkills

A Pathway to Authentic Happiness, Well-Being & A Fulfilling Life! We teach skills to lead a healthy, happy and meaningful life.

The Science of Happiness (Positive Psychology), Meditation, Yoga, Spirituality and Laughter Yoga. We conduct talks, seminars, workshops, retreats and training.

≈ Editor – Shri Hemant Bawankar/Editor (English) – Captain Pravin Raghuvanshi, NM

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English Literature – Weekly Column ☆ Witful Warmth # 66 – The Sound of Silence, Sold for the Loudest Lie… ☆ Dr. Suresh Kumar Mishra ‘Uratript’ ☆

Dr. Suresh Kumar Mishra ‘Uratript’

Dr. Suresh Kumar Mishra, widely known in the world of satire by his pen name ‘Uratipt’, expresses his emotions and thoughts with profound honesty and depth. His multifaceted talent is evident in his contributions across various literary genres. He is not only a renowned satirist but also a poet and a children’s author.

His satirical writings have earned him a special place in the literary world. His satire, ‘Shikshak Ki Mout’, went massively viral on the Sahitya Aajtak channel, garnering over a million views and reads—a monumental achievement in the history of Hindi satire. His collection of satires, ‘Ek Tinka Ikyavan Aankhen’ (A Straw and Fifty-One Eyes), is also highly acclaimed and includes his timeless work, ‘Kitabon Ki Antim Yatra’ (The Last Journey of Books). Other celebrated collections include ‘Mayaan Ek, Talwar Anek’ (One Sheath, Many Swords), ‘Gapodi Adda’ (The Gossiper’s Den), and ‘Sab Rang Mein Mere Rang’ (My Colors in Every Hue). His satirical novel, ‘Idhar-Udhar Ke Beech Mein’ (In Between Here and There), is a unique and groundbreaking work focused on the third world.

His significant contributions to literature have been widely recognized. He was honored with the Best Young Creator Award, 2021 by the Telangana Hindi Academy and the Government of Telangana, an award presented by Chief Minister K. Chandrasekhar Rao. The Rajasthan Children’s Literature Academy also honored him for his children’s book, ‘Nanhon Ka Srijan Aasmaan’ (The Creative Sky of Little Ones). Additionally, he has received the Vyanga Yatra Ravindranath Tyagi Sopaan Samman and the Sahitya Srijan Samman from Prime Minister Narendra Modi.

Dr. Uratript has also played a pivotal role in writing, editing, and coordinating a total of 55 books for the Government of Telangana for primary school, college, and university levels. His work is included in university textbooks in Bihar, Chhattisgarh, and Telangana, where his satirical creations are part of the curriculum. This recognition underscores that young readers can identify and appreciate quality and impactful writing.

Key Accolades and Works

  • Viral Satire: ‘Teacher’s Death’ (over 1 million views)
  • Satire Collections: ‘Ek Tinka Ikyavan Aankhen’, ‘Mayaan Ek, Talwar Anek’, ‘Gapodi Adda’
  • Unique Satirical Novel: ‘Idhar-Udar Ke Beech Mein’
  • Awards: Shreshtha Navyuva Samman (Telangana), Sahitya Srijan Samman (PM Modi), and more.
  • Educational Contribution: Authored and edited 55 books for the Telangana government.

Some precious moments of life

  1. Honoured with ‘Shrestha Navayuvva Rachnakar Samman’ by former Chief Minister of Telangana Government, Shri K. Chandrasekhar Rao.
  2. Honoured with Oscar, Grammy, Jnanpith, Sahitya Akademi, Dadasaheb Phalke, Padma Bhushan and many other awards by the most revered Gulzar sahab (Sampurn Singh Kalra), the lighthouse of the world of literature and cinema, during the Sahitya Suman Samman held in Mumbai.
  3. Meeting the famous litterateur Shri Vinod Kumar Shukla Ji, honoured with Jnanpith Award.
  4. Got the privilege of meeting Mr. Perfectionist of Bollywood, actor Aamir Khan.
  5. Meeting the powerful actor Vicky Kaushal on the occasion of being honoured by Vishva Katha Rangmanch.

Today we present his satire The Sound of Silence, Sold for the Loudest Lie 

☆ Witful Warmth# 66  ☆

☆ The Sound of Silence, Sold for the Loudest Lie… ☆ Dr. Suresh Kumar Mishra ‘Uratript’ ☆

The idea, when it first surfaced in the hallowed halls of the Ministry of Quiet Revenue (a truly Parsai-esque bureaucratic monstrosity), was hailed as an economic masterstroke. Why allow classroom silence—that vast, unmonetized void between the chalk-dust scattering and the bell’s tyranny—to lie fallow? This ‘Silent Inventory,’ as the consultants termed it, was prime real estate, moments of pure, captive concentration ready for colonization. The official circular, penned in the verbose, self-congratulatory jargon of modern efficiency, spoke of “optimizing scholastic bandwidth” and “extracting efficiency dividends from temporal assets.” It ignored the fact that silence was not an asset, but the medium in which all valuable assets—thought, doubt, and original curiosity—were forged. It was announced: the two-minute ‘Contemplation Slots’ and the crucial five-minute ‘Post-Theorem Introspection Periods’ would be bundled and auctioned off to the highest political bidders. And thus, the deepest recess of the learning mind was assigned a price tag, marking the day the soul of education was officially declared redundant and commercially available. The gavel struck, not with a simple thud, but with the sound of a thousand fragile glass dreams shattering in unison.

The first successful bid, naturally, went to the ruling party, the Party of Perpetual Promise, a group whose entire existence was predicated on replacing substance with high-decibel assurance. The amount was astronomical, a record-setting price that immediately raised teacher salaries by a symbolic 0.1%—just enough to ensure the educators’ complicity without actually relieving their financial misery. The silence of the eighth-grade math class, the sacred pause after grappling with the quadratic formula, was violently usurped. Instead of the quiet, beautiful hum of gears turning in young minds, there was a deafening, aggressively cheerful jingle praising the Leader’s visionary policies regarding water buffalo and fiber optics. It was a clash of frequencies: the subtle wave of pure logic, seeking connection in the quiet, against the blunt, jackhammer pulse of propaganda, demanding acceptance in the noise. The teacher, Mr. Shrivastava, a man who once believed in the purity of pedagogy, merely adjusted the volume knob on the ceiling-mounted speaker. His face held the quiet, defeated shame of a man who had not just sold a commodity, but had personally handed over his students’ capacity for independent thought to the highest, most vulgar bidder.

In the third row, young Leela, a sensitive girl whose universe revolved around the silent, internal drama of solving impossible problems, felt a physical sickness rise in her throat. The two minutes of enforced advertisement, once her haven for processing complex concepts and simply being, had become a sonic assault. She had been on the cusp of understanding why the hypotenuse behaves as it does, a beautiful moment of cosmic recognition that demands absolute quiet, when the jingle erupted: “Vote for Progress! Our Leader Delivers Dawn!” Leela watched her nascent understanding—that fragile, newly-formed thought—flicker and die under the noise. It was not just an interruption; it was a conceptual vajra-prahār (thunder-strike) against her inner world. She realized, with the crushing clarity of youth, that the world was now afraid of silence because silence allows people to think, and people who think are bad for business and terrible for unquestioned political power. A single, hot tear rolled down her cheek, a tribute to the death of her own mind, a silent protest drowned out by the promises of a brighter, louder tomorrow she instinctively knew would never arrive.

Mrs. Sharma, the veteran history teacher whose class was famed for its profound, pin-drop silences during discussions of ancient tragedies, looked out the window at the school garden. She remembered a time when silence was a learning tool, a positive pressure that forced students to internalize, structure, and articulate complex ideas. Now, her silence slots were sponsored by the ‘Coalition of Contentment,’ who used the time to play testimonials from suspiciously satisfied citizens praising the subsidized prices of stale bread. Mrs. Sharma’s idealism, once a roaring fire, had dwindled to a cold ember, surviving only on the meager salary supplement derived from the ad revenue. She couldn’t quit; the mortgage on her tiny government flat was too real. But she had quit, internally, the day she realized her true job was no longer to teach history, but to manage the acoustics for political messaging. Her blackboard stood untouched, chalk in hand, while the voice of the state replaced the voice of Socrates. Her silence was louder than any advertisement, a profound, internal scream that nobody, least of all the government auditors, could hear or monetize.

The content of the advertisements themselves was a masterclass in absurdist tragedy. The political parties, knowing they had a captive audience of young, developing minds, didn’t bother with logic or policy. One party ran a continuous loop of their leader staring intensely into the camera, merely repeating the word “Development” 120 times in two minutes, occasionally punctuated by a CGI explosion. Another, more subtle ad from the opposition, promised a 10% reduction in all taxes and an exclusive, government-funded pony for every child under ten. The hypocrisy was paralyzing. These were the moments when students were meant to be applying geometric theorems, understanding the gravity of the French Revolution, or analyzing the poetry of Ghalib. Instead, their young minds were force-fed cognitive junk food—a thick, gooey paste of meaningless superlatives and contradictory promises. The children, quick to adapt, learned not to think during the ‘Contemplation Slot.’ They learned to perform a mental evacuation, a necessary survival mechanism, ensuring that the critical thinking faculties remained unmarred by the political debris.

This grand auction was, at its heart, a philosophical theft—a demisical attempt to sell the un-sellable. What is true silence, after all? It is not merely the absence of sound; it is the presence of potential, the canvas upon which the nascent intellect draws its first independent thoughts. It is the only space where one can truly hear the faintest whispers of the self, the voice of the soul trying to distinguish truth from the collective clamor. By selling this space, the state had essentially auctioned off the child’s right to an epiphany, their right to doubt, and their fundamental right to introspection. They had declared war on the inner life, ensuring that every waking moment, even the brief interregnum between breaths, was colonized by the market or the state. The ultimate realization for the satirist is that this system doesn’t just want the children’s votes tomorrow; it wants their minds today. It needs a populace that is incapable of sitting quietly enough to realize the absurdity of the advertisements.

The absurdity, as is always the case in this tragicomedy of existence, continued to escalate. Soon, the two-minute slot was deemed inefficient, and parties began bidding on the mandatory one-minute ‘Transition Period’ between classes, transforming school hallways into deafening political carnivals. The final, mind-blowing twist came when a dissident, reform-minded political rival, realizing the futility of fighting noise with more noise, made the highest bid of all. They did not buy the slot to run an advertisement. They bought the five most expensive minutes of silence in the city’s most prestigious school, purely to run nothing. They paid millions simply for the children to experience actual quiet once again, a single, pure, unmolested moment. This was the pinnacle of satire: the greatest political statement they could make was the profound, beautiful declaration of nothing at all. Yet, the children, so conditioned to the noise, only grew anxious in the unfamiliar vacuum, looking up, confused, waiting for the jingle to begin.

And so, the auction continues, not just in classrooms, but in every public park, every hospital waiting room, and soon, one suspects, in the brief, agonizing pause between a sigh and a tear. The system won, not by proving its ideas were superior, but by colonizing the very faculty required to evaluate those ideas. The true tragedy is not the sale of the silence, but the total adaptation of the recipients. The students grew up hearing the promise of ponies and perpetual progress, and they never learned to question, because they never had the quiet time required to formulate a decent question. The only true, profound silence left in the land is the silence of the electorate, who no longer care, and the final, ultimate silence of the children, whose inner voices have been drowned out so thoroughly, so profitably, that they have forgotten they ever had anything original to say. The only thing left to sell is the air itself, which, one hears, is being bundled into premium ‘Oxygen Vouchers’ for the next quarterly auction.

****

© Dr. Suresh Kumar Mishra ‘Uratript’

Contact : Mo. +91 73 8657 8657, Email : drskm786@gmail.com

≈ Blog Editor – Shri Hemant Bawankar/Editor (English) – Captain Pravin Raghuvanshi, NM ≈

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English Literature – Articles ☆ Of Fathers and Sons: Reflections Under a Himalayan Sky ☆ Shri Jagat Singh Bisht ☆


Shri Jagat Singh Bisht

(Master Teacher: Happiness & Well-Being, Laughter Yoga Master Trainer, Author, Blogger, Educator, and Speaker.)

Authored six books on happiness: Cultivating Happiness, Nirvana – The Highest Happiness, Meditate Like the Buddha, Mission Happiness, A Flourishing Life, and The Little Book of HappinessHe served in a bank for thirty-five years and has been propagating happiness and well-being among people for the past twenty years. He is on a mission – Mission Happiness!

🙌 Of Fathers and Sons: Reflections Under a Himalayan Sky🥰

✨By a Father who Still Learns Every Day✨

They say that the relationship between a father and a son is one of life’s most intricate riddles — simple on the surface, yet fathomless in its depths. I used to think it was mostly about who gets to control the television remote, or who finishes the last laddoo. But over the years, I have come to realise that it is much more than that — it is the quiet dialogue of two souls shaped by time, blood, and stardust.

I remember the nights when my son and I would lie on our backs in the open fields near our home in the sub-Himalayan foothills, gazing at the stars, pretending to identify constellations. He would ask impossible questions: “Papa, do you think the stars talk to each other?” And I, not wishing to puncture his wonder, would murmur, “Of course, beta — that’s why they twinkle.”

Those were our finest classrooms — no walls, no syllabus, no marks. Only curiosity and silence, interrupted now and then by the river gurgling nearby and a cricket chirping as if trying to join our conversation.

🐣Science and the Spark

Scientists tell us that my son and I share fifty per cent of our genes. That’s reassuring, though I often wonder which half is responsible for his sharp mind and which for his mischief. He has inherited my curiosity but thankfully his mother’s patience. Nature, in its infinite wisdom, ensures that no father ever sees his complete reflection in his son — only fragments, beautifully rearranged by destiny.

Genetics, however, is only the opening chapter. The real shaping happens through imitation — the silent apprenticeship of childhood. I would catch him, as a boy, walking behind me, trying to match his little footsteps with mine. Later, I found him copying the way I combed my hair (when I still had some), or how I raised my eyebrow when pretending to be serious. That’s when I understood — children don’t listen much to what we say, but they watch everything we do.

And so, a father must conduct himself like a public figure — constantly on display before a relentless audience of one.

🤔The Psychology of the Mirror

Psychologists say that the father-son relationship is the first laboratory of male identity — a subtle training ground for strength, sensitivity, and self-worth. The son learns how to win, how to lose, how to love, and how to repair things (sometimes including himself). The father learns how to let go, a lesson that begins the day his son learns to tie his own shoelaces and culminates when he decides to choose his own path.

In those early years, I tried to make him tough — like a young Richard Hadlee preparing for his spell against Sachin Tendulkar. We would play cricket, each of us living our fantasy: I, the wily veteran bowler; he, the fearless young prodigy. The bat was his sword, and I, with my ageing knees, his loyal opponent. On good days, I bowled him out and preened like a peacock. On better days, he hit me out of the park — and I cheered louder than anyone else.

Because, you see, a father is the only man who feels triumphant when he is defeated by his son.

🪐The Astrologer’s Whisper

If you were to ask an astrologer, he would tell you that our bond is written not in ink but in light — the light of distant stars. I was born under a Full Moon, he under a New Moon. Somewhere, a celestial poet must have smiled while scripting that — father and son, two halves of the same lunar coin.

He, impulsive and adventurous, his energy like the waxing moon. I, reflective and cautious, my thoughts like the calm of a full-moon night. Perhaps that’s why we understand each other so well — we are opposites that complete a cosmic circle.

The ancients believed that the Moon governs the mind. Maybe that’s why when he is restless, I sense it instantly, even across cities. And when I am low, he calls, somehow knowing it without a word being said. That’s the lunar telepathy of fatherhood.

🙉Upbringing, or the Art of Non-Interference

In the modern world, we fathers often oscillate between over-involvement and wise detachment. I’ve learned, over the years, that raising a son is not about moulding him in your image, but helping him discover his own. A father must stand like a tree — offering shade but not blocking the sunlight.

There were days I feared I was not doing enough — that my lectures on life were too long and my silences too many. But I realised later that it’s the silences that teach the most. When he fell and got up on his own, when he argued and then reasoned, when he went away to find his path — those were his real lessons, and I was merely the witness.

My better half, of course, has a different theory. According to her, all his good qualities come from her side — intelligence, looks, charm — while all his faults and laziness are pure paternal gifts. I used to argue, but I’ve stopped. A wise husband, like a good philosopher, never contradicts a well-formed theory.

☘️Reflections by the River

One summer afternoon, we sat by the river that had witnessed our lives quietly flow past it. He was now almost as tall as me, his voice deeper, his world much wider. We didn’t talk much — perhaps fathers and sons don’t need to, once they’ve reached a certain understanding. The river murmured, the breeze stirred the pines, and a faint mist hovered over the hills.

I wanted to tell him how proud I was, how much I had learned from him — but words felt inadequate, even intrusive. Instead, I skipped a pebble across the water. It danced three times before sinking. He smiled, picked up another pebble, and made it dance five. We laughed — and that laughter, light as mountain air, carried the entire vocabulary of love.

🌗Philosophy and the Passing of Time

Philosophers like Tolstoy and Wilson say that fatherhood is the continuation of consciousness — the handing over of not just genes, but values, wisdom, and wonder. A father, they say, lives twice — once in his own life and again in the life of his son.

Now, as I watch him stride into his own world — a world of decisions, challenges, and dreams — I find myself strangely at peace. I no longer need to guide him at every step. He has his own compass, perhaps tuned by the stars we once gazed at together.

And yet, there’s a quiet ache — the ache of time slipping by unnoticed. I often wish I had done more for my own father — said more, loved more, spent more time in his fading years. It is one regret that fathers carry silently — the awareness that one day their sons, too, will feel the same.

But perhaps that’s how the cycle of love and realisation continues. Each generation learns the value of the other only when it’s almost too late — and that, paradoxically, is what makes the love eternal.

🌍Beyond the Horizon

Today, my son and I don’t speak daily. Life has its rhythm, its distances, its busy drumbeats. But I know — and so does he — that if ever the clouds darken, one call will bridge it all.

I have no doubt that when I am gone, he will look up at the same stars we once counted and whisper a silent thank you. And I shall be somewhere up there, smiling, perhaps whispering back, “I am proud of you, beta.”

For love, like gravity, needs no language; it simply holds two souls in orbit forever.

✨Epilogue: The Eternal Game

Sometimes, in my dreams, we are back on that sunlit field — I, with my old cricket ball, and he, with his flashing bat. I bowl, he drives, and the ball sails high — into the sky, into time itself. I watch it disappear into light, and I realise:

Every father’s greatest joy is to see his son rise higher than the horizon of his own life.

And that, my friend, is the real Zen of fatherhood — not the art of motorcycle maintenance, but the art of heart maintenance — where love needs no repair, only understanding.

♥ ♥ ♥ ♥

© Jagat Singh Bisht

Master Teacher: Happiness & Well-Being, Laughter Yoga Master Trainer, Author, Blogger, Educator, and Speaker

FounderLifeSkills

A Pathway to Authentic Happiness, Well-Being & A Fulfilling Life! We teach skills to lead a healthy, happy and meaningful life.

The Science of Happiness (Positive Psychology), Meditation, Yoga, Spirituality and Laughter Yoga. We conduct talks, seminars, workshops, retreats and training.

≈ Editor – Shri Hemant Bawankar/Editor (English) – Captain Pravin Raghuvanshi, NM

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English Literature – Memoir ☆ दस्तावेज़ # 48 – Musings on My Birthday under the Harvest Moon  ☆ Shri Jagat Singh Bisht ☆ 

Shri Jagat Singh Bisht

(Master Teacher: Happiness & Well-Being, Laughter Yoga Master Trainer, Author, Blogger, Educator, and Speaker.)

The ‘दस्तावेज’ series is an effort to preserve old, invaluable, and historical memories.

While the present is being recorded on the internet in various forms, stories from earlier times — about our parents, grandparents, and great-grandparents, and events from their lifetimes — are gradually fading and being forgotten.

It is our responsibility to document these memories in time. Our generation still has the opportunity to do this. Otherwise, no one will know anything, and everything will be lost to oblivion.

We seek your support in including such historical narratives in this दस्तावेज.

In the next part of this series, we present a memoir by Shri Jagat Singh Bisht Ji “Musings on My Birthday under the Harvest Moon.

☆ दस्तावेज़ # 48 – ✍ Musings on My Birthday under the Harvest Moon💐☆ Shri Jagat Singh Bisht 

Today, ladies and gentlemen, is no ordinary full moon. Oh no—this one is called the Harvest Moon. But lest you think it’s the only lunar celebrity in the firmament, allow me to remind you of her numerous cousins: the Blue Moon, the Blood Moon, the Super Moon, the Wolf Moon, the Snow Moon, the Worm Moon (a personal favourite, as it sounds like something out of a horror novel), the Pink Moon, the Flower Moon, the Strawberry Moon, the Buck Moon, the Sturgeon Moon, the Corn Moon, the Hunter’s Moon, the Beaver Moon, and the Cold Moon. Frankly, the Moon has more aliases than a con artist evading Scotland Yard.

In India, we know this particular one as Sharad Purnima, a luminous occasion drenched in auspiciousness. It was on such a night, the story goes, that I decided to make my dramatic descent upon this planet. If the world seemed a little brighter that night, it wasn’t the moon—it was me.

Now, tradition demands that my wife makes kheer, the Indian porridge that is both humble and heavenly. She lovingly sets it under the full moon, where it is believed to be sprinkled with celestial nectar. By morning, we eat it, half-convinced we are dining on divine ambrosia. On Buddha Purnima she repeats the ritual, as a devout lady once offered kheer to the Buddha under a tree. My wife, however, considers me a “pseudo-Buddha”—a flattering title, though one which obliges me to sit cross-legged with an air of serene detachment when, in truth, I am only calculating how many helpings of kheer I can safely consume without alarming my doctor.

But let me clarify: this is only one of my birthdays. Great men, as you know, are not constrained by such trifles as a single date of birth. We emerge in instalments.

My English calendar birthday falls on the 11th of October. It is the very day when Amitabh Bachchan—the Shahenshah of Bollywood—was born. We share the date, though, alas, I do not share his height, his bank balance, or his acquaintance with Rekha.

My third and most bureaucratic birthday is the 11th of August, courtesy of my dear uncle. When he escorted me for school admission, he got the year right but the month wrong—proof, if ever one needed, that in India even your birthday can be subject to clerical error. Thus, I am blessed with three opportunities to celebrate life, though none have yet resulted in a Swiss bank account.

Birthdays, as you know, acquire different flavours with the years. My daughter-in-law insists I should celebrate in some exotic land—preferably one where they serve cocktails with umbrellas in them. My son, with his customary wit, once remarked: “Arrey yaar, papa, what was the need for your birthday at all? I would have been better off if I was born in the Adani or Ambani family!” A sentiment, I confess, I share when the bills arrive.

Last year, we celebrated in Auckland, at a restaurant charmingly called 1947, right next to the Sky Tower. The restaurant is named after India’s independence, though I noticed the paneer still remained under British rule—charcoal-grilled and helpless. We ate jalebas (a flamboyant cousin of the jalebi), while my young friend Appu and I discussed whether life had improved since 1947. The jury is still out.

But my fondest memory takes me back to my tenth birthday, when I celebrated with just two friends, Mukundan and Jude. The menu was modest—samosas and laddoos—but the joy was unqualified. Mukundan gave me chocolates, Jude presented a shirt piece, and then sang “Happy Birthday to You” with such gusto that the tabla-like pounding on the desk nearly caused structural damage. We were kings for a day, with oil-stained fingers and laughter echoing down the school corridors.

In my childhood, my father always took me to the temple on my birthday. My mother prepared a royal spread—puri, aloo ki sabji, kheerey ka raita, and suji ka halwa. With a tilak on my forehead, I felt not just blessed but positively presidential.

Now, as I sit reflecting in the twilight of my life, with the Harvest Moon glowing outside and a bowl of celestial kheer waiting patiently in the fridge, I cannot predict how my family and friends will remember me when the final curtain falls. Perhaps as a man who could have been great but remained happily ordinary. Perhaps as a pseudo-Buddha with a sweet tooth. Or perhaps just as that fellow who had the rare privilege of three birthdays and the good fortune of always having kheer on at least one of them.

And between you and me, that is greatness enough.

♥ ♥ ♥ ♥

© Jagat Singh Bisht

Master Teacher: Happiness & Well-Being, Laughter Yoga Master Trainer, Author, Blogger, Educator, and Speaker

FounderLifeSkills

A Pathway to Authentic Happiness, Well-Being & A Fulfilling Life! We teach skills to lead a healthy, happy and meaningful life.

The Science of Happiness (Positive Psychology), Meditation, Yoga, Spirituality and Laughter Yoga. We conduct talks, seminars, workshops, retreats and training.

≈ Editor – Shri Hemant Bawankar/Editor (English) – Captain Pravin Raghuvanshi, NM

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English Literature – Weekly Column ☆ Witful Warmth # 65 – When LOL Became the Epitaph of Education… ☆ Dr. Suresh Kumar Mishra ‘Uratript’ ☆

Dr. Suresh Kumar Mishra ‘Uratript’

Dr. Suresh Kumar Mishra, widely known in the world of satire by his pen name ‘Uratipt’, expresses his emotions and thoughts with profound honesty and depth. His multifaceted talent is evident in his contributions across various literary genres. He is not only a renowned satirist but also a poet and a children’s author.

His satirical writings have earned him a special place in the literary world. His satire, ‘Shikshak Ki Mout’, went massively viral on the Sahitya Aajtak channel, garnering over a million views and reads—a monumental achievement in the history of Hindi satire. His collection of satires, ‘Ek Tinka Ikyavan Aankhen’ (A Straw and Fifty-One Eyes), is also highly acclaimed and includes his timeless work, ‘Kitabon Ki Antim Yatra’ (The Last Journey of Books). Other celebrated collections include ‘Mayaan Ek, Talwar Anek’ (One Sheath, Many Swords), ‘Gapodi Adda’ (The Gossiper’s Den), and ‘Sab Rang Mein Mere Rang’ (My Colors in Every Hue). His satirical novel, ‘Idhar-Udhar Ke Beech Mein’ (In Between Here and There), is a unique and groundbreaking work focused on the third world.

His significant contributions to literature have been widely recognized. He was honored with the Best Young Creator Award, 2021 by the Telangana Hindi Academy and the Government of Telangana, an award presented by Chief Minister K. Chandrasekhar Rao. The Rajasthan Children’s Literature Academy also honored him for his children’s book, ‘Nanhon Ka Srijan Aasmaan’ (The Creative Sky of Little Ones). Additionally, he has received the Vyanga Yatra Ravindranath Tyagi Sopaan Samman and the Sahitya Srijan Samman from Prime Minister Narendra Modi.

Dr. Uratript has also played a pivotal role in writing, editing, and coordinating a total of 55 books for the Government of Telangana for primary school, college, and university levels. His work is included in university textbooks in Bihar, Chhattisgarh, and Telangana, where his satirical creations are part of the curriculum. This recognition underscores that young readers can identify and appreciate quality and impactful writing.

Key Accolades and Works

  • Viral Satire: ‘Teacher’s Death’ (over 1 million views)
  • Satire Collections: ‘Ek Tinka Ikyavan Aankhen’, ‘Mayaan Ek, Talwar Anek’, ‘Gapodi Adda’
  • Unique Satirical Novel: ‘Idhar-Udar Ke Beech Mein’
  • Awards: Shreshtha Navyuva Samman (Telangana), Sahitya Srijan Samman (PM Modi), and more.
  • Educational Contribution: Authored and edited 55 books for the Telangana government.

Some precious moments of life

  1. Honoured with ‘Shrestha Navayuvva Rachnakar Samman’ by former Chief Minister of Telangana Government, Shri K. Chandrasekhar Rao.
  2. Honoured with Oscar, Grammy, Jnanpith, Sahitya Akademi, Dadasaheb Phalke, Padma Bhushan and many other awards by the most revered Gulzar sahab (Sampurn Singh Kalra), the lighthouse of the world of literature and cinema, during the Sahitya Suman Samman held in Mumbai.
  3. Meeting the famous litterateur Shri Vinod Kumar Shukla Ji, honoured with Jnanpith Award.
  4. Got the privilege of meeting Mr. Perfectionist of Bollywood, actor Aamir Khan.
  5. Meeting the powerful actor Vicky Kaushal on the occasion of being honoured by Vishva Katha Rangmanch.

Today we present his satire When LOL Became the Epitaph of Education 

☆ Witful Warmth# 65 ☆

☆ Satire ☆ When LOL Became the Epitaph of Education… ☆ Dr. Suresh Kumar Mishra ‘Uratript’ ☆

The farman, the decree, arrived not with the majestic roll of royal drums, nor the grave rustle of parchment, but with a cheerful little ping and a blue tick. The esteemed Education Board, in its infinite wisdom, declared the Maha-Kranti of Brevity: henceforth, students were to submit their weighty dissertations and philosophical essays not in the dusty, dilapidated language of their forefathers, but in the vibrant, abbreviated vernacular of the instant messenger—the language of WhatsApp. It was a moment of tear-rolling, mind-blowing revelation, a demisical tragedy dressed up as progressive reform. The order was simple: ditch the commas, execute the semicolons, exile the full stop, and welcome the reign of ‘k,’ ‘gr8,’ and the omnipresent LOL. The traditional Gurus, the keepers of the sacred texts of grammar, felt their life’s blood drain away, their souls replaced by a blinking cursor. The essay on existential despair had been reduced to three lines and an emoji of a crying face. This was not merely a change in medium; it was the ceremonial cremation of depth, where profound thought was deemed an unnecessary attachment, and the length of a sentence became directly proportional to the shortness of the collective attention span. The heart wept, but the finger—that modern deity—kept typing, fast and furious, because who has time for sadness when there are status updates to check?

The instant the decree landed, the libraries of the mind went bankrupt. Centuries of literary inheritance—the grand architecture of the sentence, the nuanced vocabulary that could describe a single shade of human misery, the dard (pain) of a well-placed metaphor—were instantly reduced to rubble. Why bother with “The inherent socio-economic inequalities perpetuated by colonial legacies” when you could just type “Colonial legacy bad, LOL.” The poor, persecuted adjective, the elegant adverb, and the complex relative clause found themselves jobless, replaced by the sheer, unadulterated efficiency of the acronym. Teachers who had spent decades teaching the delicate dance between subject and verb were now forced to learn the brutal shorthand of the street: Subject + Verb = K. This wasn’t communication; it was conceptual teleportation, jumping from idea to idea without the burdensome bridge of logic or explanation. The language, once a flowing river nurturing the fields of thought, was now a dried-up tap dripping out monosyllabic contempt. Where could the soul hide when even the word for soul was probably reduced to ‘SL’? The tragedy was that the students, the supposed beneficiaries, didn’t feel liberated; they simply felt emptier, writing a language that required no engagement from the dil (heart).

The student body reacted with a strange, cynical relief. For years, they had been tormented by the archaic demands of coherence, structure, and evidence. The formal essay was a fortress they were forced to storm, armed only with a weak dictionary and a weaker will. Now, the fortress walls had crumbled, not to be replaced by a park, but by a sprawling, chaotic bazaar of signs and symbols. The pressure to articulate a complex thought, to marshal facts into a persuasive battalion, was gone. Why research when you can summarize a historical event with a series of dramatic emojis? The very act of contemplation—that slow, difficult process of intellectual gestation—was rendered obsolete. The essay was no longer a journey of discovery but a hastily snapped selfie of a thought: quick, filtered, and instantly forgettable. The tears we shed were not for the language lost, but for the minds that would never learn how to fight for a complex idea, how to wrestle with ambiguity, or how to experience the heart-touching triumph of clarity. They were taught to summarize life, not to live it; to react instantly, not to reflect deeply. The essay became a series of punchlines, and the punchline, sadly, was the education system itself.

And what of the teachers, the poor, heartbroken Gurus? Their plight was the most demisical of all. They sat hunched over glowing screens, grading essays written entirely in phonetic soup and emoji hieroglyphics. Imagine the English professor, whose life was Jane Austen and T.S. Eliot, trying to decipher a thesis on The Wasteland that read: “April cruelest month. Plants dead. So sad. WTF.” Their red pens, once instruments of surgical precision, were now blunt axes, incapable of marking anything but a faint, existential despair. The most painful irony was the attempt to apply academic rigor to the inherently careless. “This is a weak ROFL, student,” the history teacher might sigh. “It lacks the nuanced emotional depth of a full LMAO.” Their tear-rolling agony was silent, internal—a private shok (mourning) for the generation they were sworn to protect from intellectual atrophy. Their paychecks were the only thing that kept them tethered to this floating island of digital insanity, but their souls were already packed, ready for the next life where a metaphor was still a metaphor, and a full stop actually meant something had ended, rather than just an opportunity for the next text bubble to begin.

This academic decay is but a microcosm of the larger societal drainage, the great digital siphon sucking the depth out of every human interaction. We have entered the era of the Digital Narcotic, where only the instant, the summarized, and the highly filtered can survive. Our political debates are now conducted via 280 characters, our spiritual crises are solved by inspirational quotes overlaid on scenic backgrounds, and our deep, complex relationships are defined by reaction GIFs. The demand for the WhatsApp essay is merely the institutional acknowledgment that society has lost its patience for the long view, for the slow burn of wisdom, and for anything that takes more than three seconds to process. The educational system, which should have been the fortress against this wave of intellectual surrender, instead threw open its gates and served chai to the invaders. The resulting wisdom is thin, weak, and instantly soluble, designed to pass through the mind without leaving any residue of thought or heart-touching reflection. It is the language of efficiency, and efficiency, as the old philosophers knew, is the enemy of the soul.

Language is not merely a tool for exchanging information; it is the sacred vessel that contains the soul of a culture, the intricate map of human emotion. The words we use, their arrangement, the cadence of a sentence—these are the vibrations that allow us to feel the dil ka dard (the heart’s pain) of a character 200 years dead. When we reduce language to a string of abbreviated sounds and hastily chosen icons, we are not just saving keystrokes; we are sealing off the deepest chambers of our communal heart. How do you describe the sublime dread of mortality with a :O? How do you capture the profound love of a parent with a <3? The WhatsApp essay, therefore, is a philosophical void. It is the official endorsement of emotional illiteracy, teaching children that anything too complex to be abbreviated is probably not worth feeling or thinking about in the first place. The mind-blowing realization is that we are willingly constructing a shallow future, a future where the ability to convey nuance is considered a waste of bandwidth, and where the silence between words, where true meaning often resides, is replaced by the deafening chime of a new notification.

The most insidious, mind-blowing truth behind the WhatsApp essay mandate lies not in pedagogical theory, but in the cold, hard logic of the market. Education has ceased to be an act of enlightenment and has become a KPI (Key Performance Indicator) factory. The goal is not deep learning, but fast output; the measure of success is not wisdom gained, but degrees obtained. The formal, well-structured essay was an impediment to this efficiency. It took time to write, time to read, and time to grade. The WhatsApp essay, however, is quick, quantifiable, and instantly assessable. It aligns perfectly with the capitalist dogma of optimization and engagement. The institutions surrendered because they feared being labeled ‘old-fashioned’ or ‘inefficient’ in the digital marketplace. They chose the path of least resistance, mistaking instant gratification for innovation. This heart-touching tragedy is the ultimate act of institutional surrender, where the pursuit of truth is sacrificed on the altar of technological trendiness. The modern Gurus now serve the god of speed, and the students are simply the fast-food consumers of this new, diminished educational meal.

****

© Dr. Suresh Kumar Mishra ‘Uratript’

Contact : Mo. +91 73 8657 8657, Email : drskm786@gmail.com

≈ Blog Editor – Shri Hemant Bawankar/Editor (English) – Captain Pravin Raghuvanshi, NM ≈

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