English Literature – Memoir ☆ दस्तावेज़ # 48 – Musings on My Birthday under the Harvest Moon  ☆ Shri Jagat Singh Bisht ☆ 

Shri Jagat Singh Bisht

(Master Teacher: Happiness & Well-Being, Laughter Yoga Master Trainer, Author, Blogger, Educator, and Speaker.)

The ‘दस्तावेज’ series is an effort to preserve old, invaluable, and historical memories.

While the present is being recorded on the internet in various forms, stories from earlier times — about our parents, grandparents, and great-grandparents, and events from their lifetimes — are gradually fading and being forgotten.

It is our responsibility to document these memories in time. Our generation still has the opportunity to do this. Otherwise, no one will know anything, and everything will be lost to oblivion.

We seek your support in including such historical narratives in this दस्तावेज.

In the next part of this series, we present a memoir by Shri Jagat Singh Bisht Ji “Musings on My Birthday under the Harvest Moon.

☆ दस्तावेज़ # 48 – ✍ Musings on My Birthday under the Harvest Moon💐☆ Shri Jagat Singh Bisht 

Today, ladies and gentlemen, is no ordinary full moon. Oh no—this one is called the Harvest Moon. But lest you think it’s the only lunar celebrity in the firmament, allow me to remind you of her numerous cousins: the Blue Moon, the Blood Moon, the Super Moon, the Wolf Moon, the Snow Moon, the Worm Moon (a personal favourite, as it sounds like something out of a horror novel), the Pink Moon, the Flower Moon, the Strawberry Moon, the Buck Moon, the Sturgeon Moon, the Corn Moon, the Hunter’s Moon, the Beaver Moon, and the Cold Moon. Frankly, the Moon has more aliases than a con artist evading Scotland Yard.

In India, we know this particular one as Sharad Purnima, a luminous occasion drenched in auspiciousness. It was on such a night, the story goes, that I decided to make my dramatic descent upon this planet. If the world seemed a little brighter that night, it wasn’t the moon—it was me.

Now, tradition demands that my wife makes kheer, the Indian porridge that is both humble and heavenly. She lovingly sets it under the full moon, where it is believed to be sprinkled with celestial nectar. By morning, we eat it, half-convinced we are dining on divine ambrosia. On Buddha Purnima she repeats the ritual, as a devout lady once offered kheer to the Buddha under a tree. My wife, however, considers me a “pseudo-Buddha”—a flattering title, though one which obliges me to sit cross-legged with an air of serene detachment when, in truth, I am only calculating how many helpings of kheer I can safely consume without alarming my doctor.

But let me clarify: this is only one of my birthdays. Great men, as you know, are not constrained by such trifles as a single date of birth. We emerge in instalments.

My English calendar birthday falls on the 11th of October. It is the very day when Amitabh Bachchan—the Shahenshah of Bollywood—was born. We share the date, though, alas, I do not share his height, his bank balance, or his acquaintance with Rekha.

My third and most bureaucratic birthday is the 11th of August, courtesy of my dear uncle. When he escorted me for school admission, he got the year right but the month wrong—proof, if ever one needed, that in India even your birthday can be subject to clerical error. Thus, I am blessed with three opportunities to celebrate life, though none have yet resulted in a Swiss bank account.

Birthdays, as you know, acquire different flavours with the years. My daughter-in-law insists I should celebrate in some exotic land—preferably one where they serve cocktails with umbrellas in them. My son, with his customary wit, once remarked: “Arrey yaar, papa, what was the need for your birthday at all? I would have been better off if I was born in the Adani or Ambani family!” A sentiment, I confess, I share when the bills arrive.

Last year, we celebrated in Auckland, at a restaurant charmingly called 1947, right next to the Sky Tower. The restaurant is named after India’s independence, though I noticed the paneer still remained under British rule—charcoal-grilled and helpless. We ate jalebas (a flamboyant cousin of the jalebi), while my young friend Appu and I discussed whether life had improved since 1947. The jury is still out.

But my fondest memory takes me back to my tenth birthday, when I celebrated with just two friends, Mukundan and Jude. The menu was modest—samosas and laddoos—but the joy was unqualified. Mukundan gave me chocolates, Jude presented a shirt piece, and then sang “Happy Birthday to You” with such gusto that the tabla-like pounding on the desk nearly caused structural damage. We were kings for a day, with oil-stained fingers and laughter echoing down the school corridors.

In my childhood, my father always took me to the temple on my birthday. My mother prepared a royal spread—puri, aloo ki sabji, kheerey ka raita, and suji ka halwa. With a tilak on my forehead, I felt not just blessed but positively presidential.

Now, as I sit reflecting in the twilight of my life, with the Harvest Moon glowing outside and a bowl of celestial kheer waiting patiently in the fridge, I cannot predict how my family and friends will remember me when the final curtain falls. Perhaps as a man who could have been great but remained happily ordinary. Perhaps as a pseudo-Buddha with a sweet tooth. Or perhaps just as that fellow who had the rare privilege of three birthdays and the good fortune of always having kheer on at least one of them.

And between you and me, that is greatness enough.

♥ ♥ ♥ ♥

© Jagat Singh Bisht

Master Teacher: Happiness & Well-Being, Laughter Yoga Master Trainer, Author, Blogger, Educator, and Speaker

FounderLifeSkills

A Pathway to Authentic Happiness, Well-Being & A Fulfilling Life! We teach skills to lead a healthy, happy and meaningful life.

The Science of Happiness (Positive Psychology), Meditation, Yoga, Spirituality and Laughter Yoga. We conduct talks, seminars, workshops, retreats and training.

≈ Editor – Shri Hemant Bawankar/Editor (English) – Captain Pravin Raghuvanshi, NM

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English Literature – Weekly Column ☆ Witful Warmth # 65 – When LOL Became the Epitaph of Education… ☆ Dr. Suresh Kumar Mishra ‘Uratript’ ☆

Dr. Suresh Kumar Mishra ‘Uratript’

Dr. Suresh Kumar Mishra, widely known in the world of satire by his pen name ‘Uratipt’, expresses his emotions and thoughts with profound honesty and depth. His multifaceted talent is evident in his contributions across various literary genres. He is not only a renowned satirist but also a poet and a children’s author.

His satirical writings have earned him a special place in the literary world. His satire, ‘Shikshak Ki Mout’, went massively viral on the Sahitya Aajtak channel, garnering over a million views and reads—a monumental achievement in the history of Hindi satire. His collection of satires, ‘Ek Tinka Ikyavan Aankhen’ (A Straw and Fifty-One Eyes), is also highly acclaimed and includes his timeless work, ‘Kitabon Ki Antim Yatra’ (The Last Journey of Books). Other celebrated collections include ‘Mayaan Ek, Talwar Anek’ (One Sheath, Many Swords), ‘Gapodi Adda’ (The Gossiper’s Den), and ‘Sab Rang Mein Mere Rang’ (My Colors in Every Hue). His satirical novel, ‘Idhar-Udhar Ke Beech Mein’ (In Between Here and There), is a unique and groundbreaking work focused on the third world.

His significant contributions to literature have been widely recognized. He was honored with the Best Young Creator Award, 2021 by the Telangana Hindi Academy and the Government of Telangana, an award presented by Chief Minister K. Chandrasekhar Rao. The Rajasthan Children’s Literature Academy also honored him for his children’s book, ‘Nanhon Ka Srijan Aasmaan’ (The Creative Sky of Little Ones). Additionally, he has received the Vyanga Yatra Ravindranath Tyagi Sopaan Samman and the Sahitya Srijan Samman from Prime Minister Narendra Modi.

Dr. Uratript has also played a pivotal role in writing, editing, and coordinating a total of 55 books for the Government of Telangana for primary school, college, and university levels. His work is included in university textbooks in Bihar, Chhattisgarh, and Telangana, where his satirical creations are part of the curriculum. This recognition underscores that young readers can identify and appreciate quality and impactful writing.

Key Accolades and Works

  • Viral Satire: ‘Teacher’s Death’ (over 1 million views)
  • Satire Collections: ‘Ek Tinka Ikyavan Aankhen’, ‘Mayaan Ek, Talwar Anek’, ‘Gapodi Adda’
  • Unique Satirical Novel: ‘Idhar-Udar Ke Beech Mein’
  • Awards: Shreshtha Navyuva Samman (Telangana), Sahitya Srijan Samman (PM Modi), and more.
  • Educational Contribution: Authored and edited 55 books for the Telangana government.

Some precious moments of life

  1. Honoured with ‘Shrestha Navayuvva Rachnakar Samman’ by former Chief Minister of Telangana Government, Shri K. Chandrasekhar Rao.
  2. Honoured with Oscar, Grammy, Jnanpith, Sahitya Akademi, Dadasaheb Phalke, Padma Bhushan and many other awards by the most revered Gulzar sahab (Sampurn Singh Kalra), the lighthouse of the world of literature and cinema, during the Sahitya Suman Samman held in Mumbai.
  3. Meeting the famous litterateur Shri Vinod Kumar Shukla Ji, honoured with Jnanpith Award.
  4. Got the privilege of meeting Mr. Perfectionist of Bollywood, actor Aamir Khan.
  5. Meeting the powerful actor Vicky Kaushal on the occasion of being honoured by Vishva Katha Rangmanch.

Today we present his satire When LOL Became the Epitaph of Education 

☆ Witful Warmth# 65 ☆

☆ Satire ☆ When LOL Became the Epitaph of Education… ☆ Dr. Suresh Kumar Mishra ‘Uratript’ ☆

The farman, the decree, arrived not with the majestic roll of royal drums, nor the grave rustle of parchment, but with a cheerful little ping and a blue tick. The esteemed Education Board, in its infinite wisdom, declared the Maha-Kranti of Brevity: henceforth, students were to submit their weighty dissertations and philosophical essays not in the dusty, dilapidated language of their forefathers, but in the vibrant, abbreviated vernacular of the instant messenger—the language of WhatsApp. It was a moment of tear-rolling, mind-blowing revelation, a demisical tragedy dressed up as progressive reform. The order was simple: ditch the commas, execute the semicolons, exile the full stop, and welcome the reign of ‘k,’ ‘gr8,’ and the omnipresent LOL. The traditional Gurus, the keepers of the sacred texts of grammar, felt their life’s blood drain away, their souls replaced by a blinking cursor. The essay on existential despair had been reduced to three lines and an emoji of a crying face. This was not merely a change in medium; it was the ceremonial cremation of depth, where profound thought was deemed an unnecessary attachment, and the length of a sentence became directly proportional to the shortness of the collective attention span. The heart wept, but the finger—that modern deity—kept typing, fast and furious, because who has time for sadness when there are status updates to check?

The instant the decree landed, the libraries of the mind went bankrupt. Centuries of literary inheritance—the grand architecture of the sentence, the nuanced vocabulary that could describe a single shade of human misery, the dard (pain) of a well-placed metaphor—were instantly reduced to rubble. Why bother with “The inherent socio-economic inequalities perpetuated by colonial legacies” when you could just type “Colonial legacy bad, LOL.” The poor, persecuted adjective, the elegant adverb, and the complex relative clause found themselves jobless, replaced by the sheer, unadulterated efficiency of the acronym. Teachers who had spent decades teaching the delicate dance between subject and verb were now forced to learn the brutal shorthand of the street: Subject + Verb = K. This wasn’t communication; it was conceptual teleportation, jumping from idea to idea without the burdensome bridge of logic or explanation. The language, once a flowing river nurturing the fields of thought, was now a dried-up tap dripping out monosyllabic contempt. Where could the soul hide when even the word for soul was probably reduced to ‘SL’? The tragedy was that the students, the supposed beneficiaries, didn’t feel liberated; they simply felt emptier, writing a language that required no engagement from the dil (heart).

The student body reacted with a strange, cynical relief. For years, they had been tormented by the archaic demands of coherence, structure, and evidence. The formal essay was a fortress they were forced to storm, armed only with a weak dictionary and a weaker will. Now, the fortress walls had crumbled, not to be replaced by a park, but by a sprawling, chaotic bazaar of signs and symbols. The pressure to articulate a complex thought, to marshal facts into a persuasive battalion, was gone. Why research when you can summarize a historical event with a series of dramatic emojis? The very act of contemplation—that slow, difficult process of intellectual gestation—was rendered obsolete. The essay was no longer a journey of discovery but a hastily snapped selfie of a thought: quick, filtered, and instantly forgettable. The tears we shed were not for the language lost, but for the minds that would never learn how to fight for a complex idea, how to wrestle with ambiguity, or how to experience the heart-touching triumph of clarity. They were taught to summarize life, not to live it; to react instantly, not to reflect deeply. The essay became a series of punchlines, and the punchline, sadly, was the education system itself.

And what of the teachers, the poor, heartbroken Gurus? Their plight was the most demisical of all. They sat hunched over glowing screens, grading essays written entirely in phonetic soup and emoji hieroglyphics. Imagine the English professor, whose life was Jane Austen and T.S. Eliot, trying to decipher a thesis on The Wasteland that read: “April cruelest month. Plants dead. So sad. WTF.” Their red pens, once instruments of surgical precision, were now blunt axes, incapable of marking anything but a faint, existential despair. The most painful irony was the attempt to apply academic rigor to the inherently careless. “This is a weak ROFL, student,” the history teacher might sigh. “It lacks the nuanced emotional depth of a full LMAO.” Their tear-rolling agony was silent, internal—a private shok (mourning) for the generation they were sworn to protect from intellectual atrophy. Their paychecks were the only thing that kept them tethered to this floating island of digital insanity, but their souls were already packed, ready for the next life where a metaphor was still a metaphor, and a full stop actually meant something had ended, rather than just an opportunity for the next text bubble to begin.

This academic decay is but a microcosm of the larger societal drainage, the great digital siphon sucking the depth out of every human interaction. We have entered the era of the Digital Narcotic, where only the instant, the summarized, and the highly filtered can survive. Our political debates are now conducted via 280 characters, our spiritual crises are solved by inspirational quotes overlaid on scenic backgrounds, and our deep, complex relationships are defined by reaction GIFs. The demand for the WhatsApp essay is merely the institutional acknowledgment that society has lost its patience for the long view, for the slow burn of wisdom, and for anything that takes more than three seconds to process. The educational system, which should have been the fortress against this wave of intellectual surrender, instead threw open its gates and served chai to the invaders. The resulting wisdom is thin, weak, and instantly soluble, designed to pass through the mind without leaving any residue of thought or heart-touching reflection. It is the language of efficiency, and efficiency, as the old philosophers knew, is the enemy of the soul.

Language is not merely a tool for exchanging information; it is the sacred vessel that contains the soul of a culture, the intricate map of human emotion. The words we use, their arrangement, the cadence of a sentence—these are the vibrations that allow us to feel the dil ka dard (the heart’s pain) of a character 200 years dead. When we reduce language to a string of abbreviated sounds and hastily chosen icons, we are not just saving keystrokes; we are sealing off the deepest chambers of our communal heart. How do you describe the sublime dread of mortality with a :O? How do you capture the profound love of a parent with a <3? The WhatsApp essay, therefore, is a philosophical void. It is the official endorsement of emotional illiteracy, teaching children that anything too complex to be abbreviated is probably not worth feeling or thinking about in the first place. The mind-blowing realization is that we are willingly constructing a shallow future, a future where the ability to convey nuance is considered a waste of bandwidth, and where the silence between words, where true meaning often resides, is replaced by the deafening chime of a new notification.

The most insidious, mind-blowing truth behind the WhatsApp essay mandate lies not in pedagogical theory, but in the cold, hard logic of the market. Education has ceased to be an act of enlightenment and has become a KPI (Key Performance Indicator) factory. The goal is not deep learning, but fast output; the measure of success is not wisdom gained, but degrees obtained. The formal, well-structured essay was an impediment to this efficiency. It took time to write, time to read, and time to grade. The WhatsApp essay, however, is quick, quantifiable, and instantly assessable. It aligns perfectly with the capitalist dogma of optimization and engagement. The institutions surrendered because they feared being labeled ‘old-fashioned’ or ‘inefficient’ in the digital marketplace. They chose the path of least resistance, mistaking instant gratification for innovation. This heart-touching tragedy is the ultimate act of institutional surrender, where the pursuit of truth is sacrificed on the altar of technological trendiness. The modern Gurus now serve the god of speed, and the students are simply the fast-food consumers of this new, diminished educational meal.

****

© Dr. Suresh Kumar Mishra ‘Uratript’

Contact : Mo. +91 73 8657 8657, Email : drskm786@gmail.com

≈ Blog Editor – Shri Hemant Bawankar/Editor (English) – Captain Pravin Raghuvanshi, NM ≈

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English Literature – Articles ☆ The Magic of Creative Destruction: How Old Gives Way to the New ☆ Shri Jagat Singh Bisht ☆


Shri Jagat Singh Bisht

(Master Teacher: Happiness & Well-Being, Laughter Yoga Master Trainer, Author, Blogger, Educator, and Speaker.)

Authored six books on happiness: Cultivating Happiness, Nirvana – The Highest Happiness, Meditate Like the Buddha, Mission Happiness, A Flourishing Life, and The Little Book of HappinessHe served in a bank for thirty-five years and has been propagating happiness and well-being among people for the past twenty years. He is on a mission – Mission Happiness!

🌷The Magic of Creative Destruction: How Old Gives Way to the New 🌷

Every year, the Nobel Prize in Economics honours ideas that shape how we understand the world. This year’s award celebrated the concept of “creative destruction” — a fascinating and, at times, ruthless force that drives progress in our economies and our lives.

So, what exactly is this idea that sounds like an oxymoron — creation and destruction in the same breath?

🌷What Is Creative Destruction?

Imagine a forest after a wildfire. It seems tragic — old trees burn down, animals flee, and the land looks barren. Yet, soon enough, green shoots emerge. The soil, nourished by ash, gives birth to new life. Economies work in a similar way.

In economics, creative destruction refers to the process through which new innovations replace old ways of doing things. It’s the constant cycle of renewal where progress often comes at the cost of what existed before.

The “creative” part stands for new ideas, inventions, and improvements. The “destruction” part represents how these new things make older technologies, products, or even entire industries obsolete.

Yes, it can cause disruption — some businesses fail, and certain jobs vanish — but in the long run, it fuels economic growth, raises living standards, and expands consumer choice.

🌷The Everyday Examples All Around Us

🌱1. From Film Cameras to Digital Memories:

For nearly a century, Kodak was a household name. Everyone from holidaymakers to wedding photographers relied on film rolls and printed photographs. Then came digital cameras, and soon after, smartphones. The entire process of taking, storing, and sharing pictures transformed overnight. Kodak, slow to adapt, filed for bankruptcy — while digital imaging companies flourished.

A classic case of creative destruction: one era ended, another began.

🌱2. From Video Rentals to Streaming Giants:

Remember Friday nights at Blockbuster, picking out DVDs or VHS tapes? That ritual disappeared when Netflix arrived with an idea: “Why not watch movies online, whenever you want?”

As streaming became the norm, Blockbuster faded into nostalgia, and Netflix became an entertainment empire. One business model was destroyed, but in its place, a far more efficient and convenient one emerged.

🌱3. From Shopping Malls to Online Carts:

Amazon, Flipkart, and other e-commerce platforms changed how people shop. Why drive to a store when you can order almost anything with a click? Many traditional shops and malls struggled to survive, but creative destruction didn’t stop there — it created new jobs in logistics, technology, digital marketing, and home delivery.

🌱4. From Basic Phones to Smart Worlds:

There was a time when a phone was only for calling or texting. Then came smartphones — small computers in our pockets. They redefined communication, entertainment, and even work. Companies that made only simple mobile phones had to reinvent themselves or fade away.

🌱5. From Fossil Fuels to Green Energy:

A quieter but equally powerful revolution is unfolding in the energy world. Coal and gas plants are gradually giving way to solar panels and wind turbines. While some traditional jobs are being lost, new ones are created in clean energy manufacturing, installation, and research — paving the way for a more sustainable planet.

🌷The Cycle of Progress

Creative destruction is not chaos — it’s a sign of a healthy, dynamic economy. It rewards innovation, efficiency, and adaptability. When we cling too tightly to the past, we risk stagnation. But when we allow change, even painful change, societies grow stronger in the long term.

Yes, the process can be unsettling — industries close, people lose jobs, and beloved products disappear. But new opportunities also arise: new companies, new technologies, new forms of employment, and better living standards.

In short, every time an old door closes, creative destruction builds a smarter, faster, and more efficient one.

🌷In the End

The story of creative destruction is, in essence, the story of human progress. From the steam engine to the smartphone, from horse carriages to electric cars — every invention that shaped our lives came at the cost of something that came before.

It’s not destruction for the sake of destruction. It’s evolution — the very heartbeat of modern economies.

As the Nobel laureates showed us this year, growth is not just about adding more; it’s about daring to replace the old with the new — to destroy creatively so that we can build beautifully again.

♥ ♥ ♥ ♥

© Jagat Singh Bisht

Master Teacher: Happiness & Well-Being, Laughter Yoga Master Trainer, Author, Blogger, Educator, and Speaker

FounderLifeSkills

A Pathway to Authentic Happiness, Well-Being & A Fulfilling Life! We teach skills to lead a healthy, happy and meaningful life.

The Science of Happiness (Positive Psychology), Meditation, Yoga, Spirituality and Laughter Yoga. We conduct talks, seminars, workshops, retreats and training.

≈ Editor – Shri Hemant Bawankar/Editor (English) – Captain Pravin Raghuvanshi, NM

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English Literature – Weekly Column ☆ Witful Warmth # 64 – The Funeral of the Blue Light… ☆ Dr. Suresh Kumar Mishra ‘Uratript’ ☆

Dr. Suresh Kumar Mishra ‘Uratript’

Dr. Suresh Kumar Mishra, widely known in the world of satire by his pen name ‘Uratipt’, expresses his emotions and thoughts with profound honesty and depth. His multifaceted talent is evident in his contributions across various literary genres. He is not only a renowned satirist but also a poet and a children’s author.

His satirical writings have earned him a special place in the literary world. His satire, ‘Shikshak Ki Mout’, went massively viral on the Sahitya Aajtak channel, garnering over a million views and reads—a monumental achievement in the history of Hindi satire. His collection of satires, ‘Ek Tinka Ikyavan Aankhen’ (A Straw and Fifty-One Eyes), is also highly acclaimed and includes his timeless work, ‘Kitabon Ki Antim Yatra’ (The Last Journey of Books). Other celebrated collections include ‘Mayaan Ek, Talwar Anek’ (One Sheath, Many Swords), ‘Gapodi Adda’ (The Gossiper’s Den), and ‘Sab Rang Mein Mere Rang’ (My Colors in Every Hue). His satirical novel, ‘Idhar-Udhar Ke Beech Mein’ (In Between Here and There), is a unique and groundbreaking work focused on the third world.

His significant contributions to literature have been widely recognized. He was honored with the Best Young Creator Award, 2021 by the Telangana Hindi Academy and the Government of Telangana, an award presented by Chief Minister K. Chandrasekhar Rao. The Rajasthan Children’s Literature Academy also honored him for his children’s book, ‘Nanhon Ka Srijan Aasmaan’ (The Creative Sky of Little Ones). Additionally, he has received the Vyanga Yatra Ravindranath Tyagi Sopaan Samman and the Sahitya Srijan Samman from Prime Minister Narendra Modi.

Dr. Uratript has also played a pivotal role in writing, editing, and coordinating a total of 55 books for the Government of Telangana for primary school, college, and university levels. His work is included in university textbooks in Bihar, Chhattisgarh, and Telangana, where his satirical creations are part of the curriculum. This recognition underscores that young readers can identify and appreciate quality and impactful writing.

Key Accolades and Works

  • Viral Satire: ‘Teacher’s Death’ (over 1 million views)
  • Satire Collections: ‘Ek Tinka Ikyavan Aankhen’, ‘Mayaan Ek, Talwar Anek’, ‘Gapodi Adda’
  • Unique Satirical Novel: ‘Idhar-Udar Ke Beech Mein’
  • Awards: Shreshtha Navyuva Samman (Telangana), Sahitya Srijan Samman (PM Modi), and more.
  • Educational Contribution: Authored and edited 55 books for the Telangana government.

Some precious moments of life

  1. Honoured with ‘Shrestha Navayuvva Rachnakar Samman’ by former Chief Minister of Telangana Government, Shri K. Chandrasekhar Rao.
  2. Honoured with Oscar, Grammy, Jnanpith, Sahitya Akademi, Dadasaheb Phalke, Padma Bhushan and many other awards by the most revered Gulzar sahab (Sampurn Singh Kalra), the lighthouse of the world of literature and cinema, during the Sahitya Suman Samman held in Mumbai.
  3. Meeting the famous litterateur Shri Vinod Kumar Shukla Ji, honoured with Jnanpith Award.
  4. Got the privilege of meeting Mr. Perfectionist of Bollywood, actor Aamir Khan.
  5. Meeting the powerful actor Vicky Kaushal on the occasion of being honoured by Vishva Katha Rangmanch.

Today we present his satire The Funeral of the Blue Light 

☆ Witful Warmth# 64 ☆

☆ Satire ☆ The Funeral of the Blue Light… ☆ Dr. Suresh Kumar Mishra ‘Uratript’ ☆

The great fast began not with a government decree, nor a terrorist’s plot, but with a universal, existential shudder—the light on the router simply turned blue, then stopped. It was a digital sannyas, a sudden retreat from the world of incessant pings and instant validation. The Internet, that ubiquitous, invisible deity to whom we had outsourced our memory, our opinions, and our very breath, simply decided it was tired. The nation, having outsourced its consciousness to this shimmering glass, found itself staring blankly at its own reflection. The shock was clinical, profound, and deeply ridiculous. People gathered on the streets, holding their dead smartphones aloft like sacrificial offerings, their thumbs mechanically swiping at thin air, a nervous tic of the modern age. The profound sadness was not due to the loss of connectivity, but the horrifying realization that without the Internet, they had no alibi for their existence. Who were they, if not a curated feed of opinions and filtered selfies? The collective depression that followed was not the noble melancholy of philosophy, but the panic of a clerk who has lost the only key to his filing cabinet. We had become a society of sophisticated puppets, and the strings were now slack, leaving us in a heap of technological debris and existential angst. The mind, trained only for immediate notification, found the silence a cruel and deafening judgment.

The ensuing depression was not the poetic, melancholic kind that inspires great art; it was a practical, bureaucratic, and deeply humiliating despair. The first great institution to crumble was the nuclear family, which suddenly found itself staring across the dinner table at its cohabitants. Husbands and wives, previously connected by 4G, were now confronted by the terrifying analog reality of shared silence. “What do you think about…?” one would start, only to realize the other had no instant, shareable, politically correct opinion downloaded from a reputable source. The children, those tiny, digital natives, began weeping, not from hunger, but from the inability to confirm their existence via a stream of “likes.” Their self-worth, calculated in engagement metrics, plummeted to zero. They were statues awaiting their dedication plaque. Without the Internet to maintain their carefully constructed online personalities, the nation’s citizens shed their curated skins like old snakes, revealing the frightened, insecure animal beneath. The true tragedy was not the economic ruin, but the fact that nobody had practiced being a person in real life for over a decade. The mind, deprived of its daily dose of external affirmation, turned inward, only to find the interior decorated with cobwebs and the faint, unsettling echo of their original, unedited self.

Bureaucracy, that ancient, mold-covered deity of the Indian landscape, staged a magnificent, vengeful comeback. With email defunct and video conferencing a mythical memory, the government was forced to communicate using the methods of its ancestors: handwritten chits, slow-moving peons, and the devastating power of the unverified rumor. The neighborhood gossip broker, long relegated to the status of a social pariah, suddenly became the most powerful source of information, a human news aggregator. Facts, starved of the oxygen of instant verification, mutated into spectacular fictions. A local power outage became an alien invasion, and a minister’s slight cough became a national health emergency. This proved a profound truth: we crave information not for its veracity, but for its transmission. The inefficiency was glorious to behold. Transactions were done with shaky hands and doubtful ledgers. The stock market devolved into men shouting numbers at each other, their faces contorted by the effort of genuine calculation. We discovered that our great, streamlined system was merely a complex house of cards, held together by nothing more than the constant availability of Wi-Fi. The national sorrow was amplified by the sheer, staggering ineptitude of having to operate machinery with one’s own untrained hands.

The Agony of Memory inflicted a unique form of torment upon the population. People found they could not recall the simplest detail—a recipe, a phone number, the name of a distant relative—without the umbilical cord of the search engine. Our brains, like retired civil servants, had forgotten how to perform their basic duties, having delegated all functions to the cloud. Creativity, too, suffered a debilitating stroke. The modern artist, accustomed to generating ideas by endlessly scrolling through a visual database of existing art, suddenly found their well dry. They were left only with their own, meager, un-collated thoughts. The writers, deprived of their plagiarism checkers and instant synonym finders, struggled to string together two original sentences, their hands trembling over the blank paper. This demonstrated a cruel irony: we had created a device that promised infinite knowledge, yet it had rendered us collectively illiterate and forgetful. The sadness here was the realization that our intelligence was merely a function of our broadband speed. To be forced to think, truly think, without the aid of an external prompt, was a humiliation the modern mind was simply not equipped to bear. We cried genuine tears for the loss of our digital crutches.

Perhaps the most “tear-rolling” aspect of the Digital Fast was the forced confrontation with self-reliance, a concept as terrifying as eternal darkness to the modern urban dweller. People were suddenly faced with the necessity of solving problems that had once been trivial: reading a physical map, talking to a stranger for directions, or, God forbid, having a hobby that did not require a subscription or a rechargeable battery. The simple act of waiting became an ordeal. Queues formed not for resources, but for the comforting sensation of being told what to do next. When the traffic signals failed, the chaos was not due to mechanical error, but to the drivers’ inability to proceed without a turn-by-turn navigation voice dictating their movement. We had become so dependent on the external script that our internal navigational systems had atrophied entirely. This vulnerability, this profound helplessness in the face of simple reality, was truly “mindblowing.” It was a collective admission of failure, proving that we were not masters of technology, but its pathetic, utterly dependent pets, mewling for our digital milk. The true tragedy was the discovery that the simplest elements of human autonomy had been sold off for the price of convenience.

The economic collapse was aesthetically pleasing in its swiftness. Money, which had long existed as a purely digital hallucination, evaporated instantly. The great, gleaming towers of finance became mausoleums of useless hardware. The only thing of value was what one could physically hold: water, rice, and the grudging patience of one’s neighbor. The nation briefly regressed to a system of localized, emotionally charged barter, trading a slightly dented transistor radio for a week’s supply of lentils. The rich, whose wealth was merely a massive, unattainable number in a distant, unreachable server, found themselves as penniless as the peasant, proving that true poverty is the loss of function, not the lack of zeros. The profound sadness here was the recognition that the entire structure of the modern world was an elaborate shared fantasy, a communal agreement sustained only by electricity and fiber optic cable. When the light went out, the fantasy died, leaving everyone shivering in the cold, hard realism of immediate, manual survival. The tears were for the lost convenience, the vanished ease of purchasing instant comfort with a tap; a heartbreaking discovery that nothing was real.

The government, in its infinite and predictable wisdom, decided the national depression was not a result of technological withdrawal, but a “failure of patriotic spirit.” They launched a massive, analog propaganda campaign urging citizens to “Connect with Your Soil, Not Your Screen!” The messages, delivered by actors wearing historically inaccurate national dress, were broadcast over antique radio frequencies and physically painted onto large, wooden billboards—a monumental feat of manual labor. The irony, of course, was spectacular: the government was using the most archaic, inefficient methods to scold the populace for relying on efficiency. The political class, however, thrived magnificently. With no social media to fact-check their every utterance or record their blatant hypocrisy, they became majestic, unassailable orators once more. Their lies, broadcast unchallenged, took on the gravity of divine scripture. The Digital Fast had, accidentally, created the perfect environment for political regression, proving that the tools of liberation, when removed, leave behind only the familiar, sturdy infrastructure of control and self-serving falsehood, dusted off and used with renewed vigor. The people, in their despair, had no platform to complain.

And then, with the gentle flicker of a green light, the fast ended. The Internet returned, not with a fanfare, but with the quiet, addictive hum of a constant need being fulfilled. The national depression lifted instantly, replaced by a frenzied, desperate rush back to the screens. No one rushed to rebuild the financial system; they rushed to check their missed notifications and compare the tragic events of the last week with the perfectly curated tragedy posts of their friends. The brief, terrifying glimpse of an analog life—the awkward conversations, the rediscovered books, the profound silence—was instantly scrubbed from the collective memory. The great lesson had been offered and immediately rejected. We had proved that we were not merely addicted to the Internet; we were fundamentally defined by it, and without it, we were nothing. The nation’s tears had dried the moment the blue light returned, revealing the true, heartbreaking emptiness beneath. We did not cry for the world we lost; we cried for the feeds we missed. The funeral of the blue light was immediately canceled, replaced by the eternal, unthinking worship of its glow. We are empty, and the screen is our perfect container, sealing our fate.

****

© Dr. Suresh Kumar Mishra ‘Uratript’

Contact : Mo. +91 73 8657 8657, Email : drskm786@gmail.com

≈ Blog Editor – Shri Hemant Bawankar/Editor (English) – Captain Pravin Raghuvanshi, NM ≈

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English Literature – Articles ☆ My Experience at the Lucknow International Airport ☆ Shri Jagat Singh Bisht ☆


Shri Jagat Singh Bisht

(Master Teacher: Happiness & Well-Being, Laughter Yoga Master Trainer, Author, Blogger, Educator, and Speaker.)

Authored six books on happiness: Cultivating Happiness, Nirvana – The Highest Happiness, Meditate Like the Buddha, Mission Happiness, A Flourishing Life, and The Little Book of HappinessHe served in a bank for thirty-five years and has been propagating happiness and well-being among people for the past twenty years. He is on a mission – Mission Happiness!

🌌 My Experience at the Lucknow International Airport 🌌

Airports are usually places of rush and routine: queues at check-ins, hurried meals at food courts, and the mechanical movement of passengers from one gate to another. But last week, during my travels between Indore and Lucknow, I found myself pausing at Lucknow International Airport—not because of delay or boredom, but because of an unmistakable change in the air.

From the entrance to the airline counters, from the food joints to the washrooms, there was a quiet efficiency and warmth. Staff were courteous, service was prompt, and the whole experience felt unusually seamless. I even stopped to compliment a shopkeeper. His reply explained it all: “Sir, the airport is now managed by the Adani group.”

That simple sentence opened a window to a larger transformation story.

🌱The Story Behind the Change

Lucknow airport’s makeover did not happen by accident. Under Adani’s management, massive investments have been channelled into modernising facilities, upgrading infrastructure, and introducing new operational models. Over ₹2,400 crore has already been invested in building a new terminal and improving access roads, as part of a larger ₹10,000 crore phased plan.

This includes:

Technology and efficiency:

“Swing operations” now allow domestic and international flights to share infrastructure depending on demand, improving turnaround times.

Enhanced capacity: Passenger handling is set to grow from 8 million to 14 million annually, with 42 direct domestic and international routes.

Hospitality and design: Aesthetic touches reflecting local culture, improved lounges, and retail upgrades make the airport experience more pleasant.

Economic impact:

Job creation, better connectivity, and city-side developments add value beyond the terminal walls.

🌱How Airports Earn, and Why It Matters

Interestingly, Adani’s approach goes beyond collecting fees from airlines and passengers (the traditional aeronautical revenue). Increasingly, their focus is on retail, food courts, lounges, car parking, advertising, and city-side developments like hotels and malls. By 2030, as much as 70% of airport revenue is projected to come from these non-traditional sources.

For passengers, this model translates into more professional services, better-maintained amenities, and a traveller-friendly atmosphere. For the city, it means improved infrastructure and economic opportunities.

🌱A Traveller’s Reflection

As I sipped my coffee in the departure lounge, I realised that this wasn’t just about an airport looking shinier or feeling smoother. It was a reminder that sometimes private participation, when done responsibly, can lift public experiences to a higher standard.

We may carry doubts about such changes, but as I experienced first-hand in Lucknow, transformation is best judged not in reports or numbers—but in the simple smile of the staff at the washroom, or the ease with which a traveller finds his way to the gate.

And for me, that was enough to call it a journey worth noting.

#LucknowAirport #AdaniAirports #AirportLife #Lucknow #Travel

♥ ♥ ♥ ♥

© Jagat Singh Bisht

Master Teacher: Happiness & Well-Being, Laughter Yoga Master Trainer, Author, Blogger, Educator, and Speaker

FounderLifeSkills

A Pathway to Authentic Happiness, Well-Being & A Fulfilling Life! We teach skills to lead a healthy, happy and meaningful life.

The Science of Happiness (Positive Psychology), Meditation, Yoga, Spirituality and Laughter Yoga. We conduct talks, seminars, workshops, retreats and training.

≈ Editor – Shri Hemant Bawankar/Editor (English) – Captain Pravin Raghuvanshi, NM

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English Literature – Memoir ☆ दस्तावेज़ # 45 ☆ The TATA Memorial Hospital (TMH) Parel, Mumbai ☆ Shri Hemant Tarey ☆ 

Shri Hemant Tarey

 

(This is an effort to preserve old invaluable and historical memories through e-abhivyakti’s “दस्तावेज़” series. In the words of Shri Jagat Singh Bisht Ji – “The present is being recorded on the Internet in some form or the other. But some earlier memories related to parents, grandparents, their lifetime achievements are slowly fading and getting forgotten. It is our responsibility to document them in time. Our generation can do this else nobody will know the history and everything will be forgotten.”

In the next part of this series, we present a memoir by Shri Hemant Tarey Ji The TATA Memorial Hospital (TMH) Parel, Mumbai.“)

☆ दस्तावेज़ # 27 – The TATA Memorial Hospital (TMH) Parel, Mumbai. ☆ Shri Hemant Tarey ☆

This pioneer institution in the area of Prevention, treatment and research of Cancer disease came into being on 28/2/1941.

In the year 1931, Sir Dorabji Tata ( Chairman of TATA Sons ) had lost his wife, Lady Meherbai Tata of Leukaemia, after treatment abroad. The tragic incidence touched the man deeply and he resolved to develop medical facility in India itself for treatment of this dreaded disease. Though, Sir Dorabji Tata expired in 1932, the clear vision of Sir Dorab Tata Trust and commitment from the house of TATA eventually culminated in the birth of TMH in 1941. Since then, the Institution has attained many milestones. From 1962, the administrative control of this institution vests with the Department of Atomic Energy, GOI. Currently, the Institution receives about 64000 patients annually and it’s annual expenditure budget is close to Rs 200 crore.

In 1990, I too fell prey to the disease and visited the Hospital many times in a spell of following 2- 3 years. The Institution can really boast of world class treatment facilities and highly professional team of Doctors, other medical staff and administrative support staff. They all deserve kudos for the wholehearted service (with very high ethical and moral values) of the mankind 🙏🏼

♥♥♥♥

Photo courtesy – https://tmc.gov.in/TMH/Home

© Hemant Tarey

मो.  8989792935

≈ Editor – Shri Hemant Bawankar/Editor (English) – Captain Pravin Raghuvanshi, NM ≈

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English Literature – Articles ☆ The River That Remembers ☆ Shri Jagat Singh Bisht ☆


Shri Jagat Singh Bisht

(Master Teacher: Happiness & Well-Being, Laughter Yoga Master Trainer, Author, Blogger, Educator, and Speaker.)

Authored six books on happiness: Cultivating Happiness, Nirvana – The Highest Happiness, Meditate Like the Buddha, Mission Happiness, A Flourishing Life, and The Little Book of HappinessHe served in a bank for thirty-five years and has been propagating happiness and well-being among people for the past twenty years. He is on a mission – Mission Happiness

A village in Uttarakhand

🌱The River That Remembers ☆

In the folds of the Himalaya, where terraced fields rise like green steps to the sky, a river flows. The river has no beginning that anyone can name, and no end that anyone can see. It flows like memory itself — carrying voices, footsteps, and laughter through generations.

 It is here, in a small hamlet by the river, that the story of one family begins — a story that stretches across more than a century, from the 1880s till today.

🌱The Ancestor

The first name that echoes in the valley is that of Narpat, the sturdy root from which the tree of life would grow. He had four children — Heera, Sher, Bag, and Roop. Each of them carried his strength into their own households, and through them the story began to branch like the mighty oak.

🌱Heera’s Branch

Heera, the daughter, married into another family of the hills. With her husband Roop, she raised three children — Inder, Gopal, and Kunti. Their laughter mingled with the mountain winds, carrying the first echoes of a new generation.

🌱Sher’s Branch — The Heart of the Saga

Among Narpat’s children, Sher stands tall as the central figure of our story. He married Nandi, a woman of grace and quiet strength.

Their household was full of life, with seven children — Jaswant, Jagat, Mahendra, Govindi, Leela, Saraswati, and Dan. Each of them became a stream, flowing outwards, yet always returning in memory to the same hearth.

🌱Jaswant

Jaswant married Shobha, daughter of a respected family of the hills. They had two sons, Nitin and Nitesh.

🌱Jagat

Jagat, the thoughtful one, married Radhika, a woman with eyes like mountain springs. They were blessed with a son, Anurag. Anurag in time married Sneha, daughter of Kamal and Anju. Thus the branches of Sher and Nandi’s tree and the newer lineage came together in union, weaving the past and present into one stream.

🌱Mahendra

Mahendra married Jayshree, and they had a daughter, Ritu.

🌱Govindi

Govindi married Prahlad, and their children were Neeraj, Divas, and Vibha.

🌱Leela

Leela married Anand, and their daughters were Bhagyashree and Tanushree.

🌱Saraswati

Saraswati married Rajat. They had two daughters, Geetika and Yuthika.

🌱Dan

Dan married Bhagavati. They had a son, Virendra.

🌱The Wider Ties of Nandi

Nandi came with her own lineage. Her parents were Diwan and Khimuli, and her brothers and sister carried their own stories into the valley.

Prem married Govindi; their daughters were Maheshi, Uma, and Usha.

Mohan married Saraswati; their children were Godavari, Sukumar, Shiv Narayan, and Harendra.

Chatur married Pratima; they raised Prakash, Devi, Lakshman, Dharam Pal, and Narmada.

Chandan married Madhulika; their home was blessed with Devendra, Indira, Rekha, and Ajay.

Swaroop married Radha; their children were Sanjeev, Manju, and Naresh.

And Chana, the sister, married Kundan; their children were Madhi, Chandan, Govindi, Surendra, and Nandan.

🌱Bag’s Branch

Bag married Khimuli, and together they had five children — Bhopal, Bahadur, Inder, Joguli, and Nandan.

🌱Roop’s Branch

Roop married Debuli. Their home was alive with children — Kaushalya, Chandan, Radha, Shankar, Mahendra, Leela, Kusum, Lakshmi, Pushpa, Rekha, and Gudiya. Theirs was a house where the evenings were filled with songs, and where the next generation learned the old ways.

🌱Radhika’s Lineage

Radhika, wife of Jagat, was the daughter of Bag and Saraswati. She had siblings — Rajani, Kuldeep, Pradeep, and Deepa.

Rajani married Gajendra, and they had two children, Bhanu and Shrishti.

Kuldeep married Jyoti, and they had Priyanka and Gaurav.

Deepa married Mahendra, and their children were Meghna, Abhinav, and Karan.

🌱Sneha’s Family

Sneha, now wife of Anurag, was born to Kamal and Anju, and she had a brother, Rohan. Kamal was the son of Shiwratan and Sita, and he had siblings — Binod, Naresh, Babita, and Dinesh.

Anju, Sneha’s mother, was the daughter of Om and Lakshmi. Her siblings were Pawan, Asha, Ved, and Shashi.

Thus, Sneha’s ties extended beyond the valleys, into families with trading and cultural roots.

🌱The River Today

From Narpat to Anurag and Sneha, from Heera to Ritu, from the eldest to the youngest — each is a drop in the flowing river. None is greater, none is lesser. Each carries a piece of the story, and without them the song would be incomplete.

The hills still stand. The river still sings. And the family — in its many names, homes, and branches — flows on like the river that remembers.

♥ ♥ ♥ ♥

© Jagat Singh Bisht

Master Teacher: Happiness & Well-Being, Laughter Yoga Master Trainer, Author, Blogger, Educator, and Speaker

FounderLifeSkills

A Pathway to Authentic Happiness, Well-Being & A Fulfilling Life! We teach skills to lead a healthy, happy and meaningful life.

The Science of Happiness (Positive Psychology), Meditation, Yoga, Spirituality and Laughter Yoga. We conduct talks, seminars, workshops, retreats and training.

≈ Editor – Shri Hemant Bawankar/Editor (English) – Captain Pravin Raghuvanshi, NM

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English Literature – Articles ☆ The Buddha’s Way of Meditation: A First Step for Beginners ☆ Shri Jagat Singh Bisht ☆


Shri Jagat Singh Bisht

(Master Teacher: Happiness & Well-Being, Laughter Yoga Master Trainer, Author, Blogger, Educator, and Speaker.)

Authored six books on happiness: Cultivating Happiness, Nirvana – The Highest Happiness, Meditate Like the Buddha, Mission Happiness, A Flourishing Life, and The Little Book of HappinessHe served in a bank for thirty-five years and has been propagating happiness and well-being among people for the past twenty years. He is on a mission – Mission Happiness!

☘️The Buddha’s Way of Meditation: A First Step for Beginners☘️

Meditation is the very heart of the Buddha’s teaching. It is not a mere theory or a philosophy but the living, breathing experience of truth itself. The Buddha attained enlightenment through meditation, and what he shared with the world were not abstract ideas, but the fruits of his own inner journey. His words are like footprints on the path he walked—records of his experiences and detailed instructions on how each of us may walk the same path.

At its core, the Buddha’s meditation offers us two great systems of practice. The first is serenity meditation (samatha), which leads to deep concentration (samādhi). The second is insight meditation (vipassanā), which leads to wisdom (paññā). Together, they form a balanced way of training the mind—calmness that steadies us, and wisdom that liberates us.

☘️Serenity: The Path of Calmness

The instructions for serenity meditation are beautifully preserved in the Anapanasati Sutta—the discourse on mindfulness of breathing. Long before the Buddha, Indian contemplatives practised meditation and discovered profound states of tranquillity. But the Buddha perfected and redefined the practice, making it both accessible and transformative.

Mindfulness of breathing is simple, always available, and deeply profound. The Buddha himself said:

> “Mindfulness of in-and-out breathing, when developed and pursued, is of great fruit, of great benefit.”

To begin, one only needs to:

  • Sit comfortably.
  • Relax the body.
  • Watch the breath.
  • Experience the feelings.
  • Calm the mental waves.
  • Observe the mind.
  • Allow the mind to be free.
  • Let wisdom naturally unfold.

This simplicity holds within it great power. Mindfulness of breathing can lead through the four jhanas—states of deep concentration—and also serve as the foundation for insight.

The Anapanasati Sutta describes sixteen contemplations. The first four focus on the breath in relation to the body. The next four examine feelings, all that we perceive through our senses. The following four turn to the mind itself, its moods and movements. Finally, the last four open the doorway to insight (vipassanā), revealing the universal laws underlying all phenomena. In every stage, the breath remains our anchor, a gentle reminder to stay present.

☘️Insight: The Path of Wisdom

While serenity meditation calms the mind, insight meditation (vipassanā) reveals the truth of existence. In samatha practice, one trains by fixing the mind on a single object, such as the breath. But in vipassanā, the meditator turns attention to the flux of moment-to-moment experience—thoughts, feelings, sensations—observing them as they arise and pass away.

Here lies the key: to see clearly, with detachment, the impermanent and conditioned nature of all things. This clarity leads to wisdom, and wisdom leads to freedom.

The Buddha’s principal guide for insight is the Satipatthāna Sutta—the Discourse on the Foundations of Mindfulness. It teaches us to be mindful of the body, feelings, mind, and the laws of reality. Together, these four foundations form the basis for a life of clarity and awakening.

☘️A Pleasant Abiding

The Buddha never dismissed the value of serenity. In fact, he described the deep absorption of concentration as a “pleasant abiding here and now”—a state of peace and joy. Yet he also emphasised that serenity should be coupled with insight, for calm alone does not lead to final liberation. It steadies the boat, but wisdom shows us the shore.

☘️Beginning the Journey

Meditation is not a matter of instant results. It is the work of a lifetime, a path of deepening awareness. Every step forward, however small, is valuable. With patience and steady practice, understanding ripens, just as a seed becomes a tree.

As the old saying goes, “A journey of a thousand miles begins with a single step.” The Buddha has left us a clear map, drawn from his own awakening. All we need is the courage to take that first step—sit quietly, breathe, and allow the mind to open.

The path awaits, timeless and ever fresh. Shall we begin?

♥ ♥ ♥ ♥

© Jagat Singh Bisht

Master Teacher: Happiness & Well-Being, Laughter Yoga Master Trainer, Author, Blogger, Educator, and Speaker

FounderLifeSkills

A Pathway to Authentic Happiness, Well-Being & A Fulfilling Life! We teach skills to lead a healthy, happy and meaningful life.

The Science of Happiness (Positive Psychology), Meditation, Yoga, Spirituality and Laughter Yoga. We conduct talks, seminars, workshops, retreats and training.

≈ Editor – Shri Hemant Bawankar/Editor (English) – Captain Pravin Raghuvanshi, NM

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English Literature – Weekly Column ☆ Witful Warmth # 60 – Surveillance Circus: Big Brother’s Mistress… ☆ Dr. Suresh Kumar Mishra ‘Uratript’ ☆

Dr. Suresh Kumar Mishra ‘Uratript’

Dr. Suresh Kumar Mishra, known for his wit and wisdom, is a prolific writer, renowned satirist, children’s literature author, and poet. He has undertaken the monumental task of writing, editing, and coordinating a total of 55 books for the Telangana government at the primary school, college, and university levels. His editorial endeavors also include online editions of works by Acharya Ramchandra Shukla.

As a celebrated satirist, Dr. Suresh Kumar Mishra has carved a niche for himself, with over eight million viewers, readers, and listeners tuning in to his literary musings on the demise of a teacher on the Sahitya AajTak channel. His contributions have earned him prestigious accolades such as the Telangana Hindi Academy’s Shreshtha Navyuva Rachnakaar Samman in 2021, presented by the honorable Chief Minister of Telangana, Mr. Chandrashekhar Rao. He has also been honored with the Vyangya Yatra Ravindranath Tyagi Stairway Award and the Sahitya Srijan Samman, alongside recognition from Prime Minister Narendra Modi and various other esteemed institutions.

Dr. Suresh Kumar Mishra’s journey is not merely one of literary accomplishments but also a testament to his unwavering dedication, creativity, and profound impact on society. His story inspires us to strive for excellence, to use our talents for the betterment of others, and to leave an indelible mark on the world.

Some precious moments of life

  1. Honoured with ‘Shrestha Navayuvva Rachnakar Samman’ by former Chief Minister of Telangana Government, Shri K. Chandrasekhar Rao.
  2. Honoured with Oscar, Grammy, Jnanpith, Sahitya Akademi, Dadasaheb Phalke, Padma Bhushan and many other awards by the most revered Gulzar sahab (Sampurn Singh Kalra), the lighthouse of the world of literature and cinema, during the Sahitya Suman Samman held in Mumbai.
  3. Meeting the famous litterateur Shri Vinod Kumar Shukla Ji, honoured with Jnanpith Award.
  4. Got the privilege of meeting Mr. Perfectionist of Bollywood, actor Aamir Khan.
  5. Meeting the powerful actor Vicky Kaushal on the occasion of being honoured by Vishva Katha Rangmanch.

Today we present his satire Surveillance Circus: Big Brother’s Mistress 

☆ Witful Warmth# 60 ☆

☆ Satire ☆ Surveillance Circus: Big Brother’s Mistress… ☆ Dr. Suresh Kumar Mishra ‘Uratript’ ☆

In the grand theatre of life, where privacy once danced freely like a shy bride, the Surveillance Circus now parades arrogantly, with Big Brother as its stern ringmaster and every citizen transformed into performers under his unblinking gaze. The show is open to all, and the tickets are mandatory—sold without choice or consent, wrapped in glossy promises of security and protection. Cameras, drones, data trackers, and unseen algorithms choreograph this relentless spectacle, turning every gesture, whisper, and click into a prize-winning act for an insatiable audience. The world has become a vast coliseum where personal space is auctioned to the highest bidder, and secrets no longer whisper but scream under neon lights. The circus tent is vast, but its scent is suffocating, and the spectators, once curious, now weep in silent despair behind forced smiles.

Here, laughter is recorded, and tears are streamed for the endless database. The joke is on the citizens, who, invited under the guise of safety, find themselves stripped of dignity and autonomy. “Big Brother cares,” they chant, as their lives become scripts rewritten by unseen scribes thirsting for control. The ringmaster boasts of order and peace, but the true show is a tragic comedy—a ballet of fear and submission where dissent is the jester silenced by digital shackles. Children grow up knowing their play is watched; lovers whisper knowing the microphones lurk. The circus pets are no longer exotic creatures but ordinary people—tracked, catalogued, analyzed, and often forgotten amid the data flood.

The clowns are technology companies, juggling profits with privacy, selling data in dazzling colors while masks of benevolence shield their greed. Promises abound of encryption and safeguards, yet every click baits another camera, every like feeds another drone. The audience applauds the convenience while ignoring the creeping loss of freedom, like rabbits hypnotized by the ringmaster’s flashing baton. Privacy policies shrink like a balloon in the hot sun, and consent is a puppet led by strings of legalese and confusion. Behind the scenes, algorithms decide who is trustworthy, who is suspicious, and who gets spotlighted under the harsh glare of scrutiny, often for the faintest reasons, or no reason at all.

In this circus, the tightrope walkers balance on thin lines of legality as governments and corporations perform dizzying acts, claiming transparency and compassion while ushering in relentless surveillance. Whistleblowers risk everything to reveal the tricks of the trade, only to be cast out as villains, warning that the performance endangers democracy itself. No ordinary citizen can choose to leave the show; opting out is an illusion, a disappearing act that vanishes under the weight of digital dependency. The crowd claps mechanically, both enthralled and terrified, trapped in a cycle where keystrokes are footprints in an open digital desert.

The audience’s laughter has long since turned into hollow echoes; the clapping is automated and scripted. Families dine with screens illuminating faces, unaware of the silent data harvesters shadowing each scroll and gesture. The illusion of privacy betrayed becomes an invisible yoke, yet many remain silent, numbed by the circus’s glare or distracted by its colorful lies. And in quiet moments, beneath the dazzling lights, tears fall—tears for the lost spaces where souls once wandered unfettered, for the fragile sanctuaries demolished by the voyeur’s lens. The spectacle has consumed humanity’s quiet corners as quietly as it stole its voices.

When the curtains finally fall, what remains of the spectacle? An empty ring littered with discarded freedoms, memories of a privacy that once was—a fallen mistress betrayed by her own captors. The cost of security is a cage where trust is shackled, and freedom is a faraway echo. The Surveillance Circus continues, relentless and unrepentant, reminding us that in this show, the greatest tragedy is not the spectacle itself but the audience that forgets it has the power to walk away. Only when the crowd weeps louder than it claps will the circus end, and the spirit of privacy return to dance once more in the open air.

****

© Dr. Suresh Kumar Mishra ‘Uratript’

Contact : Mo. +91 73 8657 8657, Email : drskm786@gmail.com

≈ Blog Editor – Shri Hemant Bawankar/Editor (English) – Captain Pravin Raghuvanshi, NM ≈

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English Literature – Articles ☆ The Rise and Fall of Buddhism in India – A Story of Glory, Struggles, and Survival ☆ Shri Jagat Singh Bisht ☆


Shri Jagat Singh Bisht

(Master Teacher: Happiness & Well-Being, Laughter Yoga Master Trainer, Author, Blogger, Educator, and Speaker.)

Authored six books on happiness: Cultivating Happiness, Nirvana – The Highest Happiness, Meditate Like the Buddha, Mission Happiness, A Flourishing Life, and The Little Book of HappinessHe served in a bank for thirty-five years and has been propagating happiness and well-being among people for the past twenty years. He is on a mission – Mission Happiness

🍀🌺The Rise and Fall of Buddhism in India – A Story of Glory, Struggles, and Survival🌺🍀

Let me take you on a journey—back to the time when the words of a simple prince-turned-sage, Siddhartha Gautama, echoed across India. His teachings of compassion, mindfulness, and freedom from suffering lit up the hearts of millions. Kings and commoners alike flocked to his path. Monasteries sprang up, universities thrived, and India became the radiant centre of Buddhist thought.

But, like all great stories, there came a turning point. The decline of Buddhism in India was not a single event—it was a slow unraveling, a tale filled with twists, betrayals, rivalries, and invasions. Let us walk through this story, chapter by chapter.

🍀The Golden Days and Their Fade🍀

The story begins with mighty emperors—Ashoka the Great, Kanishka, and later Harsha. Under their patronage, Buddhism blossomed. Ashoka, especially, became its torchbearer, sending missionaries far and wide—to Sri Lanka, Central Asia, and beyond.

But empires rise and fall. When the great patrons were gone, the lifeline of royal support began to weaken. Successor kings looked elsewhere—towards Hinduism, which was reasserting itself with new vigour. Without the steady hand of kings, Buddhist monasteries slowly lost their strength and resources.

🍀The Comeback of Hinduism🍀

This is where the story takes an interesting twist. Hinduism, which had once faced a challenge from Buddhism, staged a spectacular comeback. The Gupta rulers proudly upheld Brahmanical traditions, reviving Vedic rituals and philosophies.

Then came brilliant Hindu philosophers like Adi Shankara and Kumarila Bhatta. With sharp debates and eloquent arguments, they challenged Buddhist ideas and won back many followers. Hinduism, ever flexible, borrowed generously from Buddhism—values of non-violence, compassion, even reverence for the Buddha himself, who was now seen as an avatar of Vishnu. For the masses, returning to Hinduism felt less like a betrayal and more like a homecoming.

🍀The Shadows Within – Corruption and Division🍀

But not all wounds were caused from outside. Inside the Buddhist Sangha itself, cracks had begun to appear. Monasteries that once echoed with meditation and learning grew fat with wealth. Donations poured in, and with them came luxury, politics, and corruption. Discipline weakened, respect faded, and the common people turned away.

As if that was not enough, Buddhism itself broke into fragments—Hinayana, Mahayana, Vajrayana. Each sect claimed its own truth, often arguing bitterly with the others. What was once a simple, direct path taught by the Buddha became a maze of rituals, idols, and complexities, not very different from the Brahmanical practices it had once opposed. The unique identity of Buddhism blurred into the background.

🍀The Storms from Outside – Invasions🍀

And then came the storms. First, the Hunas. Their chief, Mihirakula, was notorious for his cruelty towards Buddhists. Monasteries burned, monks were slain, sacred centres reduced to rubble. Yet, Buddhism somehow survived these blows.

But the final strike came centuries later, with the Turkic invasions of the 11th and 12th centuries. They destroyed Nalanda, Vikramashila, and other great universities—beacons of Buddhist learning known across the world. Thousands of monks were killed; others fled to safer lands—Nepal, Tibet, Burma, and Southeast Asia. With the fall of these institutions, the very backbone of Buddhism in India collapsed.

🍀The Curtain Falls—but Not Completely🍀

So, was that the end? Not entirely. Buddhism never vanished from India; it lingered, like a gentle undercurrent. Pilgrimage sites like Bodh Gaya and Sarnath remained sacred. Later, reformers and movements—most notably Dr. B. R. Ambedkar in the 20th century—revived Buddhism, offering it as a path of dignity and equality to the oppressed.

The story of Buddhism in India is, therefore, not just of decline, but of resilience. It reminds us that even when empires crumble, ideas do not die. They travel, transform, and return in new forms.

Buddhism’s decline in India was a tale of lost patronage, inner corruption, rival faiths, and brutal invasions. But its spirit continues to shine across the world—in the chants of monks in Tibet, the meditation halls of Myanmar, the temples of Japan, and even in the quiet hearts of those who still sit in silence, following the simple path the Buddha once taught under the Bodhi tree.

♥ ♥ ♥ ♥

© Jagat Singh Bisht

Master Teacher: Happiness & Well-Being, Laughter Yoga Master Trainer, Author, Blogger, Educator, and Speaker

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≈ Editor – Shri Hemant Bawankar/Editor (English) – Captain Pravin Raghuvanshi, NM

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