English Literature – Satire ☆ Witful Warmth # 132 – The Symphony of Rain… ☆ Dr. Suresh Kumar Mishra ‘Uratript’ ☆

Dr. Suresh Kumar Mishra ‘Uratript’

Dr. Suresh Kumar Mishra, widely known in the world of satire by his pen name ‘Uratipt’, expresses his emotions and thoughts with profound honesty and depth. His multifaceted talent is evident in his contributions across various literary genres. He is not only a renowned satirist but also a poet and a children’s author.

His satirical writings have earned him a special place in the literary world. His satire, ‘Shikshak Ki Mout’, went massively viral on the Sahitya Aajtak channel, garnering over a million views and reads—a monumental achievement in the history of Hindi satire. His collection of satires, ‘Ek Tinka Ikyavan Aankhen’ (A Straw and Fifty-One Eyes), is also highly acclaimed and includes his timeless work, ‘Kitabon Ki Antim Yatra’ (The Last Journey of Books). Other celebrated collections include ‘Mayaan Ek, Talwar Anek’ (One Sheath, Many Swords), ‘Gapodi Adda’ (The Gossiper’s Den), and ‘Sab Rang Mein Mere Rang’ (My Colors in Every Hue). His satirical novel, ‘Idhar-Udhar Ke Beech Mein’ (In Between Here and There), is a unique and groundbreaking work focused on the third world.

His significant contributions to literature have been widely recognized. He was honored with the Best Young Creator Award, 2021 by the Telangana Hindi Academy and the Government of Telangana, an award presented by Chief Minister K. Chandrasekhar Rao. The Rajasthan Children’s Literature Academy also honored him for his children’s book, ‘Nanhon Ka Srijan Aasmaan’ (The Creative Sky of Little Ones). Additionally, he has received the Vyanga Yatra Ravindranath Tyagi Sopaan Samman and the Sahitya Srijan Samman from Prime Minister Narendra Modi.

Dr. Uratript has also played a pivotal role in writing, editing, and coordinating a total of 55 books for the Government of Telangana for primary school, college, and university levels. His work is included in university textbooks in Bihar, Chhattisgarh, and Telangana, where his satirical creations are part of the curriculum. This recognition underscores that young readers can identify and appreciate quality and impactful writing.

Key Accolades and Works

  • Viral Satire: ‘Teacher’s Death’ (over 1 million views)
  • Satire Collections: ‘Ek Tinka Ikyavan Aankhen’, ‘Mayaan Ek, Talwar Anek’, ‘Gapodi Adda’
  • Unique Satirical Novel: ‘Idhar-Udar Ke Beech Mein’
  • Awards: Shreshtha Navyuva Samman (Telangana), Sahitya Srijan Samman (PM Modi), and more.
  • Educational Contribution: Authored and edited 55 books for the Telangana government.

Some precious moments of life

  1. Honoured with ‘Shrestha Navayuvva Rachnakar Samman’ by former Chief Minister of Telangana Government, Shri K. Chandrasekhar Rao.
  2. Honoured with Oscar, Grammy, Jnanpith, Sahitya Akademi, Dadasaheb Phalke, Padma Bhushan and many other awards by the most revered Gulzar sahab (Sampurn Singh Kalra), the lighthouse of the world of literature and cinema, during the Sahitya Suman Samman held in Mumbai.
  3. Meeting the famous litterateur Shri Vinod Kumar Shukla Ji, honoured with Jnanpith Award.
  4. Got the privilege of meeting Mr. Perfectionist of Bollywood, actor Aamir Khan.
  5. Meeting the powerful actor Vicky Kaushal on the occasion of being honoured by Vishva Katha Rangmanch.

Today we present his satire The Symphony of Rain.  

☆ Witful Warmth# 132 ☆

☆ Satire ☆ The Symphony of Rain… ☆ Dr. Suresh Kumar Mishra ‘Uratript’ ☆

The evening rain began to tap a delicate, rhythmic melody against the windowpane, blurring the distant city neon lights into soft pools of amethyst and gold. In the warm, amber glow of the bedside lamp, every movement felt suspended in slow motion, wrapped in a velvet cocoon of quiet intimacy.

Your fingers traced the contour of my palm with a tenderness that made the rest of the world vanish into absolute insignificance. The ambient hum of the city outside dissolved, replaced entirely by the slow, steady cadence of our breathing matching the rhythm of the storm. In that fleeting suspension of time, words became utterly redundant; communication transcended speech, spoken instead through the gentle brush of skin against skin and the unspoken promises reflected in our eyes.

It was an ephemeral masterpiece of human connection, a quiet sanctuary carved out of the chaotic rush of modern life, where every single second felt infinite, sacred, and entirely our own.

****

© Dr. Suresh Kumar Mishra ‘Uratript’

Contact : Mo. +91 73 8657 8657, Email : drskm786@gmail.com

≈ Blog Editor – Shri Hemant Bawankar/Editor (English) – Captain Pravin Raghuvanshi, NM ≈

Please share your Post !

Shares

English Literature – Satire ☆ Witful Warmth # 131 – The Midnight Corridor… ☆ Dr. Suresh Kumar Mishra ‘Uratript’ ☆

Dr. Suresh Kumar Mishra ‘Uratript’

Dr. Suresh Kumar Mishra, widely known in the world of satire by his pen name ‘Uratipt’, expresses his emotions and thoughts with profound honesty and depth. His multifaceted talent is evident in his contributions across various literary genres. He is not only a renowned satirist but also a poet and a children’s author.

His satirical writings have earned him a special place in the literary world. His satire, ‘Shikshak Ki Mout’, went massively viral on the Sahitya Aajtak channel, garnering over a million views and reads—a monumental achievement in the history of Hindi satire. His collection of satires, ‘Ek Tinka Ikyavan Aankhen’ (A Straw and Fifty-One Eyes), is also highly acclaimed and includes his timeless work, ‘Kitabon Ki Antim Yatra’ (The Last Journey of Books). Other celebrated collections include ‘Mayaan Ek, Talwar Anek’ (One Sheath, Many Swords), ‘Gapodi Adda’ (The Gossiper’s Den), and ‘Sab Rang Mein Mere Rang’ (My Colors in Every Hue). His satirical novel, ‘Idhar-Udhar Ke Beech Mein’ (In Between Here and There), is a unique and groundbreaking work focused on the third world.

His significant contributions to literature have been widely recognized. He was honored with the Best Young Creator Award, 2021 by the Telangana Hindi Academy and the Government of Telangana, an award presented by Chief Minister K. Chandrasekhar Rao. The Rajasthan Children’s Literature Academy also honored him for his children’s book, ‘Nanhon Ka Srijan Aasmaan’ (The Creative Sky of Little Ones). Additionally, he has received the Vyanga Yatra Ravindranath Tyagi Sopaan Samman and the Sahitya Srijan Samman from Prime Minister Narendra Modi.

Dr. Uratript has also played a pivotal role in writing, editing, and coordinating a total of 55 books for the Government of Telangana for primary school, college, and university levels. His work is included in university textbooks in Bihar, Chhattisgarh, and Telangana, where his satirical creations are part of the curriculum. This recognition underscores that young readers can identify and appreciate quality and impactful writing.

Key Accolades and Works

  • Viral Satire: ‘Teacher’s Death’ (over 1 million views)
  • Satire Collections: ‘Ek Tinka Ikyavan Aankhen’, ‘Mayaan Ek, Talwar Anek’, ‘Gapodi Adda’
  • Unique Satirical Novel: ‘Idhar-Udar Ke Beech Mein’
  • Awards: Shreshtha Navyuva Samman (Telangana), Sahitya Srijan Samman (PM Modi), and more.
  • Educational Contribution: Authored and edited 55 books for the Telangana government.

Some precious moments of life

  1. Honoured with ‘Shrestha Navayuvva Rachnakar Samman’ by former Chief Minister of Telangana Government, Shri K. Chandrasekhar Rao.
  2. Honoured with Oscar, Grammy, Jnanpith, Sahitya Akademi, Dadasaheb Phalke, Padma Bhushan and many other awards by the most revered Gulzar sahab (Sampurn Singh Kalra), the lighthouse of the world of literature and cinema, during the Sahitya Suman Samman held in Mumbai.
  3. Meeting the famous litterateur Shri Vinod Kumar Shukla Ji, honoured with Jnanpith Award.
  4. Got the privilege of meeting Mr. Perfectionist of Bollywood, actor Aamir Khan.
  5. Meeting the powerful actor Vicky Kaushal on the occasion of being honoured by Vishva Katha Rangmanch.

Today we present his satire The Midnight Corridor.  

☆ Witful Warmth# 131 ☆

☆ Satire ☆ The Midnight Corridor… ☆ Dr. Suresh Kumar Mishra ‘Uratript’ ☆

The corridor stretched ahead like the throat of a bottomless beast, swallowed entirely by an oppressive, ink-black darkness. Every single floorboard beneath my combat boots groaned with a sharp, metallic screech, echoing through the abandoned hospital wing like a warning from the grave. My pulse hammered against my ribs like a trapped bird, each beat sounding deafeningly loud in the suffocating stillness.

Suddenly, a cold draft swept past my neck, carrying the faint, unmistakable scent of copper and decay. A shadow detached itself from the peeling wallpaper twenty paces ahead, shifting with a fluid, unnatural grace that defied human anatomy. My hand flew to the holster at my hip, fingers wrapping tightly around the cold steel of the grip.

“Who’s there?” I whispered, my voice trembling despite my years of tactical training. The shadow didn’t answer; it only tilted its head at an impossible angle as a pair of luminescent yellow eyes blinked open in the dark, fixing their predatory gaze squarely upon me. The chase was no longer about escape; it was a desperate battle for survival in the abyss.

****

© Dr. Suresh Kumar Mishra ‘Uratript’

Contact : Mo. +91 73 8657 8657, Email : drskm786@gmail.com

≈ Blog Editor – Shri Hemant Bawankar/Editor (English) – Captain Pravin Raghuvanshi, NM ≈

Please share your Post !

Shares

English Literature – Satire ☆ Witful Warmth # 130 – The Forgotten Photograph… ☆ Dr. Suresh Kumar Mishra ‘Uratript’ ☆

Dr. Suresh Kumar Mishra ‘Uratript’

Dr. Suresh Kumar Mishra, widely known in the world of satire by his pen name ‘Uratipt’, expresses his emotions and thoughts with profound honesty and depth. His multifaceted talent is evident in his contributions across various literary genres. He is not only a renowned satirist but also a poet and a children’s author.

His satirical writings have earned him a special place in the literary world. His satire, ‘Shikshak Ki Mout’, went massively viral on the Sahitya Aajtak channel, garnering over a million views and reads—a monumental achievement in the history of Hindi satire. His collection of satires, ‘Ek Tinka Ikyavan Aankhen’ (A Straw and Fifty-One Eyes), is also highly acclaimed and includes his timeless work, ‘Kitabon Ki Antim Yatra’ (The Last Journey of Books). Other celebrated collections include ‘Mayaan Ek, Talwar Anek’ (One Sheath, Many Swords), ‘Gapodi Adda’ (The Gossiper’s Den), and ‘Sab Rang Mein Mere Rang’ (My Colors in Every Hue). His satirical novel, ‘Idhar-Udhar Ke Beech Mein’ (In Between Here and There), is a unique and groundbreaking work focused on the third world.

His significant contributions to literature have been widely recognized. He was honored with the Best Young Creator Award, 2021 by the Telangana Hindi Academy and the Government of Telangana, an award presented by Chief Minister K. Chandrasekhar Rao. The Rajasthan Children’s Literature Academy also honored him for his children’s book, ‘Nanhon Ka Srijan Aasmaan’ (The Creative Sky of Little Ones). Additionally, he has received the Vyanga Yatra Ravindranath Tyagi Sopaan Samman and the Sahitya Srijan Samman from Prime Minister Narendra Modi.

Dr. Uratript has also played a pivotal role in writing, editing, and coordinating a total of 55 books for the Government of Telangana for primary school, college, and university levels. His work is included in university textbooks in Bihar, Chhattisgarh, and Telangana, where his satirical creations are part of the curriculum. This recognition underscores that young readers can identify and appreciate quality and impactful writing.

Key Accolades and Works

  • Viral Satire: ‘Teacher’s Death’ (over 1 million views)
  • Satire Collections: ‘Ek Tinka Ikyavan Aankhen’, ‘Mayaan Ek, Talwar Anek’, ‘Gapodi Adda’
  • Unique Satirical Novel: ‘Idhar-Udar Ke Beech Mein’
  • Awards: Shreshtha Navyuva Samman (Telangana), Sahitya Srijan Samman (PM Modi), and more.
  • Educational Contribution: Authored and edited 55 books for the Telangana government.

Some precious moments of life

  1. Honoured with ‘Shrestha Navayuvva Rachnakar Samman’ by former Chief Minister of Telangana Government, Shri K. Chandrasekhar Rao.
  2. Honoured with Oscar, Grammy, Jnanpith, Sahitya Akademi, Dadasaheb Phalke, Padma Bhushan and many other awards by the most revered Gulzar sahab (Sampurn Singh Kalra), the lighthouse of the world of literature and cinema, during the Sahitya Suman Samman held in Mumbai.
  3. Meeting the famous litterateur Shri Vinod Kumar Shukla Ji, honoured with Jnanpith Award.
  4. Got the privilege of meeting Mr. Perfectionist of Bollywood, actor Aamir Khan.
  5. Meeting the powerful actor Vicky Kaushal on the occasion of being honoured by Vishva Katha Rangmanch.

Today we present his satire The Forgotten Photograph.  

☆ Witful Warmth# 130 ☆

☆ Satire ☆ The Forgotten Photograph… ☆ Dr. Suresh Kumar Mishra ‘Uratript’ ☆

In the corner of the dusty attic lies a framed black-and-white photograph of a smiling family sitting on a porch, bathed in the golden sunlight of a long-dead afternoon. The edges of the paper are curled like autumn leaves, and the faces have begun to fade into a ghostly sepia blur, as if the people themselves are slowly retreating from memory.

No one remembers who took the picture, nor can anyone accurately name all the children staring into the camera lens with such innocent, wide-eyed wonder. Their dreams of changing the world, of building empires, and of loving forever have all been compressed into a silent square of cardboard, gathering dust beneath discarded cardboard boxes and broken Christmas ornaments.

Time is a quiet thief that does not break windows or steal silver; it simply erases names and replaces passionate heartbeats with silence. Looking at those forgotten smiles brings a heavy, hollow ache to the chest, reminding us of how effortlessly our own frantic existence will one day dissolve into nothingness, leaving behind nothing more than a stray image in a forgotten box.

****

© Dr. Suresh Kumar Mishra ‘Uratript’

Contact : Mo. +91 73 8657 8657, Email : drskm786@gmail.com

≈ Blog Editor – Shri Hemant Bawankar/Editor (English) – Captain Pravin Raghuvanshi, NM ≈

Please share your Post !

Shares

English Literature – Satire ☆ Witful Warmth # 129 – The Modern Gym Membership… ☆ Dr. Suresh Kumar Mishra ‘Uratript’ ☆

Dr. Suresh Kumar Mishra ‘Uratript’

Dr. Suresh Kumar Mishra, widely known in the world of satire by his pen name ‘Uratipt’, expresses his emotions and thoughts with profound honesty and depth. His multifaceted talent is evident in his contributions across various literary genres. He is not only a renowned satirist but also a poet and a children’s author.

His satirical writings have earned him a special place in the literary world. His satire, ‘Shikshak Ki Mout’, went massively viral on the Sahitya Aajtak channel, garnering over a million views and reads—a monumental achievement in the history of Hindi satire. His collection of satires, ‘Ek Tinka Ikyavan Aankhen’ (A Straw and Fifty-One Eyes), is also highly acclaimed and includes his timeless work, ‘Kitabon Ki Antim Yatra’ (The Last Journey of Books). Other celebrated collections include ‘Mayaan Ek, Talwar Anek’ (One Sheath, Many Swords), ‘Gapodi Adda’ (The Gossiper’s Den), and ‘Sab Rang Mein Mere Rang’ (My Colors in Every Hue). His satirical novel, ‘Idhar-Udhar Ke Beech Mein’ (In Between Here and There), is a unique and groundbreaking work focused on the third world.

His significant contributions to literature have been widely recognized. He was honored with the Best Young Creator Award, 2021 by the Telangana Hindi Academy and the Government of Telangana, an award presented by Chief Minister K. Chandrasekhar Rao. The Rajasthan Children’s Literature Academy also honored him for his children’s book, ‘Nanhon Ka Srijan Aasmaan’ (The Creative Sky of Little Ones). Additionally, he has received the Vyanga Yatra Ravindranath Tyagi Sopaan Samman and the Sahitya Srijan Samman from Prime Minister Narendra Modi.

Dr. Uratript has also played a pivotal role in writing, editing, and coordinating a total of 55 books for the Government of Telangana for primary school, college, and university levels. His work is included in university textbooks in Bihar, Chhattisgarh, and Telangana, where his satirical creations are part of the curriculum. This recognition underscores that young readers can identify and appreciate quality and impactful writing.

Key Accolades and Works

  • Viral Satire: ‘Teacher’s Death’ (over 1 million views)
  • Satire Collections: ‘Ek Tinka Ikyavan Aankhen’, ‘Mayaan Ek, Talwar Anek’, ‘Gapodi Adda’
  • Unique Satirical Novel: ‘Idhar-Udar Ke Beech Mein’
  • Awards: Shreshtha Navyuva Samman (Telangana), Sahitya Srijan Samman (PM Modi), and more.
  • Educational Contribution: Authored and edited 55 books for the Telangana government.

Some precious moments of life

  1. Honoured with ‘Shrestha Navayuvva Rachnakar Samman’ by former Chief Minister of Telangana Government, Shri K. Chandrasekhar Rao.
  2. Honoured with Oscar, Grammy, Jnanpith, Sahitya Akademi, Dadasaheb Phalke, Padma Bhushan and many other awards by the most revered Gulzar sahab (Sampurn Singh Kalra), the lighthouse of the world of literature and cinema, during the Sahitya Suman Samman held in Mumbai.
  3. Meeting the famous litterateur Shri Vinod Kumar Shukla Ji, honoured with Jnanpith Award.
  4. Got the privilege of meeting Mr. Perfectionist of Bollywood, actor Aamir Khan.
  5. Meeting the powerful actor Vicky Kaushal on the occasion of being honoured by Vishva Katha Rangmanch.

Today we present his satire The Modern Gym Membership.  

☆ Witful Warmth# 129 ☆

☆ Satire ☆ The Modern Gym Membership… ☆ Dr. Suresh Kumar Mishra ‘Uratript’ ☆

Gym memberships are essentially a monthly subscription fee we pay to feel guilty in a larger, air-conditioned room. We sign up on January 1st with the fierce enthusiasm of a conquering Spartan, convinced that within six weeks we will possess the abdominal definition of a Greek god. For the first four days, we treat the treadmill like our personal runway, snapping selfies while pretending to jog at a leisurely pace of four kilometers per hour.

By week two, the novelty wears off. The iron weights suddenly look heavier, the protein shakes taste suspiciously like liquid chalk, and our couch back home starts calling our name with the seductive whisper of a siren. Yet, we continue paying for twelve consecutive months, operating under the delightful delusion that our mere financial contribution somehow transfers magical fitness energy directly from the dumbbell rack into our bloodstream.

The bank account shrinks, the waistline remains remarkably loyal to its original dimensions, and the corporate gym owners happily finance their third yacht using our collective procrastination. It is the ultimate tax on optimism—a brilliant capitalist masterpiece where paying money for a service and refusing to use it is considered a lifestyle choice.

****

© Dr. Suresh Kumar Mishra ‘Uratript’

Contact : Mo. +91 73 8657 8657, Email : drskm786@gmail.com

≈ Blog Editor – Shri Hemant Bawankar/Editor (English) – Captain Pravin Raghuvanshi, NM ≈

Please share your Post !

Shares

English Literature – Satire ☆ Witful Warmth # 128 – The Threadless Charkha… ☆ Dr. Suresh Kumar Mishra ‘Uratript’ ☆

Dr. Suresh Kumar Mishra ‘Uratript’

Dr. Suresh Kumar Mishra, widely known in the world of satire by his pen name ‘Uratipt’, expresses his emotions and thoughts with profound honesty and depth. His multifaceted talent is evident in his contributions across various literary genres. He is not only a renowned satirist but also a poet and a children’s author.

His satirical writings have earned him a special place in the literary world. His satire, ‘Shikshak Ki Mout’, went massively viral on the Sahitya Aajtak channel, garnering over a million views and reads—a monumental achievement in the history of Hindi satire. His collection of satires, ‘Ek Tinka Ikyavan Aankhen’ (A Straw and Fifty-One Eyes), is also highly acclaimed and includes his timeless work, ‘Kitabon Ki Antim Yatra’ (The Last Journey of Books). Other celebrated collections include ‘Mayaan Ek, Talwar Anek’ (One Sheath, Many Swords), ‘Gapodi Adda’ (The Gossiper’s Den), and ‘Sab Rang Mein Mere Rang’ (My Colors in Every Hue). His satirical novel, ‘Idhar-Udhar Ke Beech Mein’ (In Between Here and There), is a unique and groundbreaking work focused on the third world.

His significant contributions to literature have been widely recognized. He was honored with the Best Young Creator Award, 2021 by the Telangana Hindi Academy and the Government of Telangana, an award presented by Chief Minister K. Chandrasekhar Rao. The Rajasthan Children’s Literature Academy also honored him for his children’s book, ‘Nanhon Ka Srijan Aasmaan’ (The Creative Sky of Little Ones). Additionally, he has received the Vyanga Yatra Ravindranath Tyagi Sopaan Samman and the Sahitya Srijan Samman from Prime Minister Narendra Modi.

Dr. Uratript has also played a pivotal role in writing, editing, and coordinating a total of 55 books for the Government of Telangana for primary school, college, and university levels. His work is included in university textbooks in Bihar, Chhattisgarh, and Telangana, where his satirical creations are part of the curriculum. This recognition underscores that young readers can identify and appreciate quality and impactful writing.

Key Accolades and Works

  • Viral Satire: ‘Teacher’s Death’ (over 1 million views)
  • Satire Collections: ‘Ek Tinka Ikyavan Aankhen’, ‘Mayaan Ek, Talwar Anek’, ‘Gapodi Adda’
  • Unique Satirical Novel: ‘Idhar-Udar Ke Beech Mein’
  • Awards: Shreshtha Navyuva Samman (Telangana), Sahitya Srijan Samman (PM Modi), and more.
  • Educational Contribution: Authored and edited 55 books for the Telangana government.

Some precious moments of life

  1. Honoured with ‘Shrestha Navayuvva Rachnakar Samman’ by former Chief Minister of Telangana Government, Shri K. Chandrasekhar Rao.
  2. Honoured with Oscar, Grammy, Jnanpith, Sahitya Akademi, Dadasaheb Phalke, Padma Bhushan and many other awards by the most revered Gulzar sahab (Sampurn Singh Kalra), the lighthouse of the world of literature and cinema, during the Sahitya Suman Samman held in Mumbai.
  3. Meeting the famous litterateur Shri Vinod Kumar Shukla Ji, honoured with Jnanpith Award.
  4. Got the privilege of meeting Mr. Perfectionist of Bollywood, actor Aamir Khan.
  5. Meeting the powerful actor Vicky Kaushal on the occasion of being honoured by Vishva Katha Rangmanch.

Today we present his satire The Threadless Charkha.  

☆ Witful Warmth# 128 ☆

☆ Satire ☆ The Threadless Charkha… ☆ Dr. Suresh Kumar Mishra ‘Uratript’ ☆

Leaning against the damp, flaking wall of the town’s oldest Sarvodaya Ashram and Khadi Village Industries pavilion was an antique teakwood spinning wheel. It had languished there for twenty years, its wheel conspicuously stripped of every scrap of spun yarn. The iron spindle rested in faded disrepair, though the smoothed, buffed indentations on its wooden handle still offered mute testimony to calloused fingers that once spun dreams of economic self-reliance.

Directly below the veranda, perched on a cracked cement plinth, sat old Pandit Gangadhar every morning at seven sharp, anchored by his seasoned bamboo cane. Draped in a torn white khadi kurta with a grimy rag thrown over his shoulder, Gangadhar spent entire days locked in an unblinking staring contest with the threadless relic.

Meanwhile, just past the portico, the grounds buzzed with the high-octane pageantry of Gandhi Jayanti. A glittering motorcade of luxury sedans disgorged haute couture fashion designers peddling “organic linen,” high-ranking Khadi Board mandarins, and spotless, starch-creased politicians. From the decorated stage, massive loudspeakers bombarded the lawns with deafening sermons celebrating the humble spinning wheel and the gospel of self-reliance. Naturally, neither the bespoke corporate delegates nor the crisp administrative directors spared a glance for the cobwebbed timber tucked away in the corridor.

Whenever Dayaram, the veteran peon, hurried past clutching a basket of raw cotton, the old man’s motionless vigil would send a shiver through him. Gangadhar would invariably ask in a raspy, quavering croak: “Tell me, Dayaram, on this grand circus of Gandhi Jayanti, has any decree arrived to thread this naked spindle with a poor weaver’s yarn? Or are we strictly rationing out silk-threaded podium homilies to the flock today?”

Dayaram would merely lower his eyes, let out a well-rehearsed administrative sigh, and shuffle quietly into the bureaucratic haze.

The Khadi Promotion Board had recently acquired a brand-new Regional Chief Executive Director straight from the central ministry: Dr. Animesh Vajpayee, a notoriously stiff martinet, an evangelist of corporate textiles, and an absolute worshiper of administrative spit-and-polish. Whenever Vajpayee stepped out of his gleaming state sedan to inspect the newly air-conditioned digital boutique, his eyes unfailingly snagged on old Gangadhar parked on the cracked cement, staring devoutly at a discarded piece of carpentry.

To a modern bureaucrat curating global sustainable-fashion weeks, a tattered geriatric folding his hands before a lump of antique scrap looked less like reverence and more like unauthorized architectural loitering.

When the ceremonial spinning session wrapped up and the luminaries retired to the air-conditioned VIP lounge to graze on salted cashews and exchange performance metrics, Vajpayee dismissed his security detail and marched straight up to Gangadhar.

“Look here, old man,” the Director barked in his best administrative bass. “Why choke the main veranda day in and day out? If you are looking for a freedom fighter’s dependent pension or a festive Khadi rebate coupon, join the queue at the clerk’s window inside. Staring a hole through an obsolete contraption won’t wipe out the poverty of this nation’s weavers.”

Gangadhar joined his palms with maddening serenity. “Director Sahib, I am not here to hustle for welfare crumbs or rebate tokens. I am merely keeping vigil for the day when this wheel recovers the stolen self-respect that was ripped from this very doorstep years ago.”

Vajpayee scoffed at the riddle. “What stolen self-respect? The ministry burns through millions every Gandhi Jayanti offering festive discounts and handing out motorized solar spinning wheels. What grand cosmic mystery could possibly cling to this flea-market timber?”

Pandit Someshwar, a retired master spinner who had spent forty years cataloging every frayed thread, squeaking spindle, and budget reallocation in the ashram, stepped forward. “Do not dismiss him as a crank, Director. Twenty years ago, when imported polyester and cheap synthetics snuffed out the hearths of traditional village spinners, Gangadhar’s only son, Satyakama, stood right on this veranda and lit the fiercest torch for indigenous self-reliance this province had ever seen.”

Vajpayee raised an eyebrow. “And what did this prodigy accomplish that supposedly ties him to a threadless spool?”

“He was the state’s brightest, most uncompromising young Gandhian researcher,” Someshwar recalled with a heavy sigh. “When commercial mills bled artisans dry by paying pennies for their sweat, Satyakama spent nights coaching destitute weavers at this very wheel. He turned this frame and swore a solemn oath: until the last unclothed laborer in this town wore homespun cloth, he would never bend the knee to corporate textile cartels.”

Gangadhar reached out, his trembling fingertips lightly grazing the dry circumference of the wheel. “Yes, Sahib. My Satyakama stood on these bricks and told me: ‘Bapu, this isn’t just a frame of wood; it is the gear that turns freedom into bread for the hungry.’ He swore that the day he returned from Delhi with the National Commission’s charter granting complete village autonomy, he would mount the sacred yarn upon this wheel himself and seat me as the guest of honor on the nation’s grandest nonviolence pavilion.”

Pricked by administrative curiosity, Vajpayee marched into the dusty archives to unearth the twenty-year-old case file of the Weavers’ Cooperative Union. Flipping through the brittle, classified pages, the ground vanished beneath his polished oxfords.

The archival trail laid bare a classic corporate buyout: twenty years ago, just as Satyakama’s crusade threatened to blow the lid off the counterfeit-khadi syndicates, an international cartel of synthetic fashion houses and luxury pret-a-porter brands stepped in with standard corporate leverage. Rather than fight the movement, they bought the crusader: an appointment as Managing Director of their global sustainable-apparel subsidiary, sweetened with a discreet twenty-five percent equity stake.

Satyakama promptly junked his vows, forgot the wooden wheel, signed the non-disclosure agreements, and reinvented himself into the country’s premier billionaire luxury-khadi tycoon. Today, his high-end overseas boutiques sold artisanal kurtas for thousands of dollars apiece to global fashionistas, while the traditional artisans who inspired the brand starved in forgotten alleys.

Vajpayee walked back out into the sun with wobbly knees, his executive swagger completely liquidated. “Old man…” he stammered, his throat dry, “your savior of the looms didn’t emancipate the weavers. He became their boutique auctioneer.”

Tears carved silent tracks down the old man’s face, though his gaze remained anchored to the barren wheel.

“I have known he was bought for a very long time, Sahib,” Gangadhar whispered softly. “I only sit here every day to check one simple thing: when our decorated grandees gather on stage to perform their tearful tributes to Gandhian simplicity, after having traded their own heritage and their own spinner father’s yarn for high-fashion profit margins—does this deaf society catch even the faintest whiff of rot rising from the shroud of monetized freedom? Or are the cashews in the VIP lounge simply too savory to notice?”

Vajpayee stood completely paralyzed, staring at the naked, threadless wheel, as the entire high-tech Khadi pavilion choked on the suffocating, shameful silence of an old father’s quiet grief.

****

© Dr. Suresh Kumar Mishra ‘Uratript’

Contact : Mo. +91 73 8657 8657, Email : drskm786@gmail.com

≈ Blog Editor – Shri Hemant Bawankar/Editor (English) – Captain Pravin Raghuvanshi, NM ≈

Please share your Post !

Shares

English Literature – Satire ☆ Witful Warmth # 127 – The Rusted Iron Cage… ☆ Dr. Suresh Kumar Mishra ‘Uratript’ ☆

Dr. Suresh Kumar Mishra ‘Uratript’

Dr. Suresh Kumar Mishra, widely known in the world of satire by his pen name ‘Uratipt’, expresses his emotions and thoughts with profound honesty and depth. His multifaceted talent is evident in his contributions across various literary genres. He is not only a renowned satirist but also a poet and a children’s author.

His satirical writings have earned him a special place in the literary world. His satire, ‘Shikshak Ki Mout’, went massively viral on the Sahitya Aajtak channel, garnering over a million views and reads—a monumental achievement in the history of Hindi satire. His collection of satires, ‘Ek Tinka Ikyavan Aankhen’ (A Straw and Fifty-One Eyes), is also highly acclaimed and includes his timeless work, ‘Kitabon Ki Antim Yatra’ (The Last Journey of Books). Other celebrated collections include ‘Mayaan Ek, Talwar Anek’ (One Sheath, Many Swords), ‘Gapodi Adda’ (The Gossiper’s Den), and ‘Sab Rang Mein Mere Rang’ (My Colors in Every Hue). His satirical novel, ‘Idhar-Udhar Ke Beech Mein’ (In Between Here and There), is a unique and groundbreaking work focused on the third world.

His significant contributions to literature have been widely recognized. He was honored with the Best Young Creator Award, 2021 by the Telangana Hindi Academy and the Government of Telangana, an award presented by Chief Minister K. Chandrasekhar Rao. The Rajasthan Children’s Literature Academy also honored him for his children’s book, ‘Nanhon Ka Srijan Aasmaan’ (The Creative Sky of Little Ones). Additionally, he has received the Vyanga Yatra Ravindranath Tyagi Sopaan Samman and the Sahitya Srijan Samman from Prime Minister Narendra Modi.

Dr. Uratript has also played a pivotal role in writing, editing, and coordinating a total of 55 books for the Government of Telangana for primary school, college, and university levels. His work is included in university textbooks in Bihar, Chhattisgarh, and Telangana, where his satirical creations are part of the curriculum. This recognition underscores that young readers can identify and appreciate quality and impactful writing.

Key Accolades and Works

  • Viral Satire: ‘Teacher’s Death’ (over 1 million views)
  • Satire Collections: ‘Ek Tinka Ikyavan Aankhen’, ‘Mayaan Ek, Talwar Anek’, ‘Gapodi Adda’
  • Unique Satirical Novel: ‘Idhar-Udar Ke Beech Mein’
  • Awards: Shreshtha Navyuva Samman (Telangana), Sahitya Srijan Samman (PM Modi), and more.
  • Educational Contribution: Authored and edited 55 books for the Telangana government.

Some precious moments of life

  1. Honoured with ‘Shrestha Navayuvva Rachnakar Samman’ by former Chief Minister of Telangana Government, Shri K. Chandrasekhar Rao.
  2. Honoured with Oscar, Grammy, Jnanpith, Sahitya Akademi, Dadasaheb Phalke, Padma Bhushan and many other awards by the most revered Gulzar sahab (Sampurn Singh Kalra), the lighthouse of the world of literature and cinema, during the Sahitya Suman Samman held in Mumbai.
  3. Meeting the famous litterateur Shri Vinod Kumar Shukla Ji, honoured with Jnanpith Award.
  4. Got the privilege of meeting Mr. Perfectionist of Bollywood, actor Aamir Khan.
  5. Meeting the powerful actor Vicky Kaushal on the occasion of being honoured by Vishva Katha Rangmanch.

Today we present his satire The Rusted Iron Cage.  

☆ Witful Warmth# 127 ☆

☆ Satire ☆ The Rusted Iron Cage… ☆ Dr. Suresh Kumar Mishra ‘Uratript’ ☆

Hanging from a hefty wooden peg against the barbed-wire perimeter of the town’s oldest national wildlife sanctuary checkpost was a battered, iron-barred cage. It had dangled there for twenty years, its small door perpetually swung wide open. The flaking, corroded bars had once symbolized the frontline rescue of wounded wilderness; now, weathered by two decades of sun and downpours, they merely looked like a tetanus trap blackened by grime.

Directly below the checkpost, perched on a cracked masonry ledge, sat old Dharampal every morning at seven sharp, anchored to the pavement by an ancient rosewood staff. Clad in a frayed white khadi kurta with a grimy towel slung over his shoulder, Dharampal spent whole days locked in an unblinking staring contest with the empty iron cage.

Out by the main sanctuary gates, an endless parade of safari gypsies, air-conditioned luxury sedans, and high-ranking forestry brass clogged the driveway. From the decorated stage, massive loudspeakers rattled the trees with grandiloquent homilies on compassion for dumb beasts and the sacred duty of forest conservation. Naturally, neither the fresh crop of slick wildlife consultants nor the bespoke-suited directors had the slightest interest in a heap of scrap metal dangling on a fence.

Whenever Manglu, the veteran forest guard, hurried past with a steaming kettle of sweet tea, the old man’s motionless vigil would give him the chills. Dharampal would invariably ask in a raspy, feeble croak: “Tell me, Manglu, on this grand circus of Wildlife Week, has any government circular arrived commanding someone to comfort a dying creature through this open door? Or are we strictly rationing out recycled podium rhetoric to pasture the crowds today?”

Manglu would only lower his gaze, exhale an administrative sigh, and shuffle quietly into the underbrush.

The sanctuary had recently acquired a brand-new Regional Chief Conservator of Forests straight from the central ministry in the capital: Dr. Animesh Agnihotri, a notoriously stern martinet, an evangelist of drone monitoring and GPS analytics, and a worshiper of bureaucratic spit-and-polish. Whenever Agnihotri stepped out of his gleaming state sedan to inspect the new digital surveillance command center, his eyes unfailingly snagged on old Dharampal parked on the broken bricks, staring devoutly at a piece of discarded fencing.

To a modern conservationist celebrating Wildlife Week amidst geo-tagging seminars and luxury eco-tourism panels, a tattered geriatric folding his hands before a lump of antique junk looked less like reverence and more like unauthorized architectural squatting.

When the morning’s ribbon-cutting ceremonies wrapped up and the luminaries retired to the air-conditioned VIP lounge to graze on salted cashews and exchange performative pleasantries, Agnihotri dismissed his security detail and marched straight up to Dharampal.

“Look here, old man,” the Chief Conservator barked in his best administrative bass. “Why choke the main checkpoint day in and day out? If you need a forest-dweller pension or a firewood gathering permit, go see the clerk inside. Staring a hole through a derelict iron box isn’t going to save the endangered fauna of this republic.”

Dharampal joined his weathered palms with infuriating calm. “Conservator Sahib, I am not here to hustle for welfare crumbs or deadwood scraps. I am merely keeping vigil for the day when that cage recovers the trust that was stolen from this very threshold years ago.”

Agnihotri scoffed at the riddle. “What trust? The ministry burns through millions every Wildlife Week carving out high-tech ecological corridors. What grand cosmic mystery could possibly cling to this junkyard relic?”

Pandit Someshwar, a retired ranger who had spent forty years cataloging every limping leopard, poached tusker, and administrative cover-up in the reserve, stepped forward. “Do not dismiss him as a lunatic, Conservator. Twenty years ago, when poachers and timber cartels were gutting this entire valley, Dharampal’s only son, Samaresh, stood right on this veranda and lit the fiercest torch for forest defense this province had ever seen.”

Agnihotri raised an eyebrow. “And what did this prodigy pull off that supposedly ties him to a rusted birdcage?”

“He was the state’s most brilliant, incorruptible young zoologist,” Someshwar recalled with a heavy sigh. “When commercial syndicates were skinning leopards and running velvet antlers out the back door, Samaresh spent nights stalking the deep scrub, hauling mangled predators into this very cage to nurse them back to health. He kept that door unlatched and took an oath: until the last wild beast in this forest could breathe free of fear, he would never surrender to the commercial safari lobby.”

Dharampal reached out, his trembling fingertips lightly grazing an oxidized bar. “Yes, Sahib. My Samaresh stood on these bricks and told me: ‘Bapu, this isn’t just an iron box; it is a doorway safeguarding the border between captivity and freedom.’ He swore that the day he returned from Delhi with the National Wildlife Board’s definitive sanctuary declaration, he would carry this cage to a museum with his own hands and seat me as the guest of honor on the nation’s grandest ecological stage.”

Pricked by bureaucratic curiosity, Agnihotri marched into the dusty archives to unearth the twenty-year-old project dossier. Flipping through the brittle, classified pages, the ground vanished beneath his polished oxfords.

The archival trail laid bare a classic corporate buyout: twenty years ago, just as Samaresh’s crusade threatened to shut down illegal concessions, a global syndicate of luxury safari chains and exotic private menageries stepped in with a standard corporate solution. Rather than break his movement, they bought the crusader: an appointment as Managing Director of their international wildlife tourism firm, sweetened with a discreet twenty-five percent equity stake.

Samaresh promptly tossed his principles, forgot the open cage, signed the confidential clearances, and reinvented himself into the country’s premier billionaire safari-resort tycoon. Today, his high-end compounds held the jungle’s finest predators behind discreet electrified fences, charging foreign oligarchs exorbitant fortunes for private glamping and bespoke big-game photo ops.

Agnihotri walked back out into the sun with hollow eyes and wobbly knees, his administrative swagger completely liquidated. “Old man…” he stammered, his throat dry, “your savior of the jungle didn’t free the beasts. He built the private zoo.”

Tears carved silent tracks down the old man’s face, though his gaze remained anchored to the iron latch.

“I have known he was bought for a very long time, Sahib,” Dharampal whispered softly. “I only sit here every day to check one simple thing: when our decorated grandees gather on stage to perform their tearful tributes to mother nature, after having traded their own roots and their own father’s open cage to turn the king of the forest into a parlor trinket—does this deaf society catch even the faintest whiff of rot rising from the shroud of monetized conservation? Or are the cashews in the VIP lounge simply too savory to notice?”

Agnihotri stood completely frozen, staring at the empty, gaping cage, as the entire high-tech sanctuary pavilion choked on the suffocating, shameful silence of an old father’s quiet grief.

****

© Dr. Suresh Kumar Mishra ‘Uratript’

Contact : Mo. +91 73 8657 8657, Email : drskm786@gmail.com

≈ Blog Editor – Shri Hemant Bawankar/Editor (English) – Captain Pravin Raghuvanshi, NM ≈

Please share your Post !

Shares

English Literature – Satire ☆ Witful Warmth # 126 – The Relic on the Doorpost… ☆ Dr. Suresh Kumar Mishra ‘Uratript’ ☆

Dr. Suresh Kumar Mishra ‘Uratript’

Dr. Suresh Kumar Mishra, widely known in the world of satire by his pen name ‘Uratipt’, expresses his emotions and thoughts with profound honesty and depth. His multifaceted talent is evident in his contributions across various literary genres. He is not only a renowned satirist but also a poet and a children’s author.

His satirical writings have earned him a special place in the literary world. His satire, ‘Shikshak Ki Mout’, went massively viral on the Sahitya Aajtak channel, garnering over a million views and reads—a monumental achievement in the history of Hindi satire. His collection of satires, ‘Ek Tinka Ikyavan Aankhen’ (A Straw and Fifty-One Eyes), is also highly acclaimed and includes his timeless work, ‘Kitabon Ki Antim Yatra’ (The Last Journey of Books). Other celebrated collections include ‘Mayaan Ek, Talwar Anek’ (One Sheath, Many Swords), ‘Gapodi Adda’ (The Gossiper’s Den), and ‘Sab Rang Mein Mere Rang’ (My Colors in Every Hue). His satirical novel, ‘Idhar-Udhar Ke Beech Mein’ (In Between Here and There), is a unique and groundbreaking work focused on the third world.

His significant contributions to literature have been widely recognized. He was honored with the Best Young Creator Award, 2021 by the Telangana Hindi Academy and the Government of Telangana, an award presented by Chief Minister K. Chandrasekhar Rao. The Rajasthan Children’s Literature Academy also honored him for his children’s book, ‘Nanhon Ka Srijan Aasmaan’ (The Creative Sky of Little Ones). Additionally, he has received the Vyanga Yatra Ravindranath Tyagi Sopaan Samman and the Sahitya Srijan Samman from Prime Minister Narendra Modi.

Dr. Uratript has also played a pivotal role in writing, editing, and coordinating a total of 55 books for the Government of Telangana for primary school, college, and university levels. His work is included in university textbooks in Bihar, Chhattisgarh, and Telangana, where his satirical creations are part of the curriculum. This recognition underscores that young readers can identify and appreciate quality and impactful writing.

Key Accolades and Works

  • Viral Satire: ‘Teacher’s Death’ (over 1 million views)
  • Satire Collections: ‘Ek Tinka Ikyavan Aankhen’, ‘Mayaan Ek, Talwar Anek’, ‘Gapodi Adda’
  • Unique Satirical Novel: ‘Idhar-Udar Ke Beech Mein’
  • Awards: Shreshtha Navyuva Samman (Telangana), Sahitya Srijan Samman (PM Modi), and more.
  • Educational Contribution: Authored and edited 55 books for the Telangana government.

Some precious moments of life

  1. Honoured with ‘Shrestha Navayuvva Rachnakar Samman’ by former Chief Minister of Telangana Government, Shri K. Chandrasekhar Rao.
  2. Honoured with Oscar, Grammy, Jnanpith, Sahitya Akademi, Dadasaheb Phalke, Padma Bhushan and many other awards by the most revered Gulzar sahab (Sampurn Singh Kalra), the lighthouse of the world of literature and cinema, during the Sahitya Suman Samman held in Mumbai.
  3. Meeting the famous litterateur Shri Vinod Kumar Shukla Ji, honoured with Jnanpith Award.
  4. Got the privilege of meeting Mr. Perfectionist of Bollywood, actor Aamir Khan.
  5. Meeting the powerful actor Vicky Kaushal on the occasion of being honoured by Vishva Katha Rangmanch.

Today we present his satire The Relic on the Doorpost.  

☆ Witful Warmth# 126 ☆

☆ Satire ☆ The Relic on the Doorpost… ☆ Dr. Suresh Kumar Mishra ‘Uratript’ ☆

Near the doorway of the main veranda at the town’s oldest state veterinary hospital, a weathered leather strap fitted with an iron horseshoe had hung from a rusty nail for twenty solid years. Its hand-stitched seams had long unraveled under decades of damp winds and relentless sun. Once upon a time, that coarse horseshoe had carried the tender devotion of someone determined to shield the cracked hooves of abandoned bullocks and draft horses; now, it was simply an antique dust-trap buried under flaking lime.

Directly below the doorway, perched on a cracked brick plinth, sat old Hardev every morning at seven sharp, anchored to the pavement by an ancient bamboo staff. Clad in a frayed white khadi kurta and sporting a grubby towel over his shoulder, Hardev spent entire days staring down that rusty horseshoe with hollow, petrified eyes.

Meanwhile, just past the veranda steps, the hospital grounds were choked with a gleaming fleet of modern livestock ambulances, glossy brochures for imported pedigree dog spa products, and chauffeur-driven sedans carrying the high-ranking mandarins of the Animal Welfare Board. From the raised pavilion, blaring PA horns sprayed the crowd with interminable, honey-glazed sermons on compassion for our mute, four-legged brethren. Naturally, neither the fresh crop of clinical interns nor the bespoke-suited directors had any intention of acknowledging a moldering leather strip in the corner.

Whenever Sukhram, the aging herdsman, shuffled past clutching a bale of green fodder, the old man’s motionless vigil would give him the chills. Hardev would invariably ask in a raspy, feeble croak: “Tell me, Sukhram, on this glorious World Animal Day, has any grand decree arrived to measure the agony in an old bullock’s split hoof using this horseshoe? Or are the delegates strictly being fed recycled podium rhetoric for pasture today?”

Sukhram would drop his gaze, let out a well-rehearsed administrative sigh, and shuffle quietly into the haze.

The hospital had recently acquired a brand-new Chief Veterinary Officer straight from the capital’s animal husbandry secretariat: Dr. Animesh Agnihotri, a notoriously stiff martinet, an authority on laparoscopic veterinary surgery, and a worshiper of antiseptic protocol. Whenever Dr. Agnihotri stepped out of his state-issued sedan to inspect the newly air-conditioned operation theaters, his eyes unfailingly collided with old Hardev stationed on the bricks, locked in silent communion with the junk on the doorframe.

To a modern bureaucrat celebrating World Animal Day amidst boutique pet clinics and pedigree grooming vans, a tattered geriatric folding his hands before a scrap of corroded iron looked less like devotion and more like unauthorized architectural squatting.

When the inaugural speeches finally wrapped and the dignitaries filed into the air-conditioned VIP pavilion to graze on salted cashews and government-funded buffets, Agnihotri left his security detail behind and marched straight up to Hardev.

“Look here, old man,” the Chief Officer barked, deploying his best administrative bass. “Why block the main thoroughfare day in and day out? If you need a rural livestock pension or a complimentary vaccine voucher, join the queue at the OPD counter inside. Staring a hole through a piece of rusty scrap won’t fill the stomachs of the stray cattle roaming this country’s highways.”

Hardev joined his palms with maddening composure. “Officer Sahib, I am not here to hustle for free vaccines or pension doles. I am merely keeping watch for the day when that horseshoe recovers the compassion that was stolen from this very threshold years ago.”

Agnihotri scoffed at the riddle. “What stolen compassion? The ministry burns through millions every World Animal Day erecting state-of-the-art shelters. What grand mystery could possibly cling to this flea-market horseshoe?”

Pandit Someshwar, a retired livestock extension officer who had spent forty years examining every limping hoof and infected laceration in the district, stepped forward. “Do not dismiss him as a lunatic, Director. Twenty years ago, when the local trade was routinely shipping sick, worn-out bullocks directly to the abattoirs, Hardev’s only son, Manas, stood right on this veranda and lit the fiercest torch for animal rights this state had ever seen.”

Agnihotri raised an eyebrow. “And what did this prodigy accomplish that ties him to a strip of rotting leather?”

“He was the state’s brightest, most empathetic young veterinary surgeon,” Someshwar recalled with a heavy sigh. “When commercial traders abandoned broken workhorses to starve in the gutters, Manas spent sleepless nights cleaning their bleeding hooves and binding them with that very shoe. He nailed it to this doorway and took an oath: until the last voiceless beast in this town was granted the right to live, he would never surrender to the corporate lobbies.”

Hardev reached out, his trembling fingertips lightly grazing the dry, cracked hide. “Yes, Sahib. My Manas stood on these bricks and told me: ‘Bapu, this isn’t just a lump of iron; it is a shield for the tears of the defenseless.’ He swore that the day he returned from the capital with a sanctioned sanctuary charter from the National Animal Board, he would rub mustard oil into this strap with his own hands and seat me as the guest of honor on the nation’s grandest stage.”

Pricked by bureaucratic curiosity, Agnihotri retreated into the records room to exhume the twenty-year-old case file. Flipping through the brittle, classified pages, the ground vanished beneath his polished leather oxfords.

The archival trail laid bare a classic corporate buyout. Twenty years ago, just as Manas’s grassroots campaign threatened to choke the illicit livestock pipelines, a multinational syndicate of pet-food conglomerates and leather exporters stepped in with a standard corporate solution. Rather than break his movement, they bought the crusader: an appointment as Managing Director of their international pet-nutrition subsidiary, sweetened with a discreet twenty-five percent equity stake.

Manas promptly junked his vows, forgot the horseshoe, signed on the dotted line, and reinvented himself into the country’s premier billionaire meat-processing tycoon. Today, his automated slaughterhouses consumed the town’s spent bullocks by the thousands, tinning their flesh into gourmet pâté for high-pedigree foreign house pets.

Agnihotri walked back out into the sun with wobbly knees, his clinical swagger completely drained. “Old man…” he stammered, his throat dry, “your savior of the voiceless didn’t liberate the cattle. He built the slaughterhouse.”

Tears carved silent tracks down the old man’s face, though his gaze remained anchored to the iron shoe.

“I have known he was bought for a very long time, Sahib,” Hardev whispered quietly. “I only sit here every day to check one simple thing: when our decorated grandees gather on stage to perform their tearful tributes to dumb beasts, after having traded their own heritage and their own herdsman father’s work for an export quota—does this deaf society catch even the faintest whiff of rot rising from the shroud of monetized compassion? Or are the snacks in the VIP lounge simply too savory to notice?”

Agnihotri stood entirely paralyzed, staring up at the rusted horseshoe, as the grand veterinary pavilion choked on the suffocating, shameful silence of an old father’s quiet grief.

****

© Dr. Suresh Kumar Mishra ‘Uratript’

Contact : Mo. +91 73 8657 8657, Email : drskm786@gmail.com

≈ Blog Editor – Shri Hemant Bawankar/Editor (English) – Captain Pravin Raghuvanshi, NM ≈

Please share your Post !

Shares

English Literature – Satire ☆ Witful Warmth # 125 – The Parched Duster… ☆ Dr. Suresh Kumar Mishra ‘Uratript’ ☆

Dr. Suresh Kumar Mishra ‘Uratript’

Dr. Suresh Kumar Mishra, widely known in the world of satire by his pen name ‘Uratipt’, expresses his emotions and thoughts with profound honesty and depth. His multifaceted talent is evident in his contributions across various literary genres. He is not only a renowned satirist but also a poet and a children’s author.

His satirical writings have earned him a special place in the literary world. His satire, ‘Shikshak Ki Mout’, went massively viral on the Sahitya Aajtak channel, garnering over a million views and reads—a monumental achievement in the history of Hindi satire. His collection of satires, ‘Ek Tinka Ikyavan Aankhen’ (A Straw and Fifty-One Eyes), is also highly acclaimed and includes his timeless work, ‘Kitabon Ki Antim Yatra’ (The Last Journey of Books). Other celebrated collections include ‘Mayaan Ek, Talwar Anek’ (One Sheath, Many Swords), ‘Gapodi Adda’ (The Gossiper’s Den), and ‘Sab Rang Mein Mere Rang’ (My Colors in Every Hue). His satirical novel, ‘Idhar-Udhar Ke Beech Mein’ (In Between Here and There), is a unique and groundbreaking work focused on the third world.

His significant contributions to literature have been widely recognized. He was honored with the Best Young Creator Award, 2021 by the Telangana Hindi Academy and the Government of Telangana, an award presented by Chief Minister K. Chandrasekhar Rao. The Rajasthan Children’s Literature Academy also honored him for his children’s book, ‘Nanhon Ka Srijan Aasmaan’ (The Creative Sky of Little Ones). Additionally, he has received the Vyanga Yatra Ravindranath Tyagi Sopaan Samman and the Sahitya Srijan Samman from Prime Minister Narendra Modi.

Dr. Uratript has also played a pivotal role in writing, editing, and coordinating a total of 55 books for the Government of Telangana for primary school, college, and university levels. His work is included in university textbooks in Bihar, Chhattisgarh, and Telangana, where his satirical creations are part of the curriculum. This recognition underscores that young readers can identify and appreciate quality and impactful writing.

Key Accolades and Works

  • Viral Satire: ‘Teacher’s Death’ (over 1 million views)
  • Satire Collections: ‘Ek Tinka Ikyavan Aankhen’, ‘Mayaan Ek, Talwar Anek’, ‘Gapodi Adda’
  • Unique Satirical Novel: ‘Idhar-Udar Ke Beech Mein’
  • Awards: Shreshtha Navyuva Samman (Telangana), Sahitya Srijan Samman (PM Modi), and more.
  • Educational Contribution: Authored and edited 55 books for the Telangana government.

Some precious moments of life

  1. Honoured with ‘Shrestha Navayuvva Rachnakar Samman’ by former Chief Minister of Telangana Government, Shri K. Chandrasekhar Rao.
  2. Honoured with Oscar, Grammy, Jnanpith, Sahitya Akademi, Dadasaheb Phalke, Padma Bhushan and many other awards by the most revered Gulzar sahab (Sampurn Singh Kalra), the lighthouse of the world of literature and cinema, during the Sahitya Suman Samman held in Mumbai.
  3. Meeting the famous litterateur Shri Vinod Kumar Shukla Ji, honoured with Jnanpith Award.
  4. Got the privilege of meeting Mr. Perfectionist of Bollywood, actor Aamir Khan.
  5. Meeting the powerful actor Vicky Kaushal on the occasion of being honoured by Vishva Katha Rangmanch.

Today we present his satire The Parched Duster.  

☆ Witful Warmth# 125 ☆

☆ Satire ☆ The Parched Duster… ☆ Dr. Suresh Kumar Mishra ‘Uratript’ ☆

Near the doorway of the main lecture hall in the town’s oldest Government Teacher Training College, a hefty, battered wooden duster had occupied a dusty alcove for twenty straight years. Time, alternating sunlight, and rising damp had petrified the thick encrustation of chalk dust on its felt pad into something resembling solid limestone. Imbued in its aged grain was the silent perfume of reverence and devotion that once shaped young minds—now thoroughly interred under layers of grime.

Every morning at seven sharp, Shivshankar Guruji would arrive, plant his weathered rosewood walking stick against the crumbling brick platform just below the veranda, and sit. Draped in a torn white khadi kurta with a stained cloth towel slung over his shoulder, the old teacher spent entire days gazing at the chalk-choked relic with petrified, unblinking eyes.

Across the campus grounds, a glittering procession of air-conditioned sedans rolled in, disgorging high-flying coaching cartel barons, sleek ed-tech company pitchmen, and top-tier educational bureaucrats. The loudspeakers rattled with sacred chants celebrating the teacher as God Incarnate, though naturally, none of the suited consultants and crisp administrators spared a glance for a dusty block of scrap timber tucked in a forgotten alcove.

Whenever Ramdeen, the aging orderly, hurried past clutching his tin tea kettle, he would shudder at the statue-like figure on the bricks. Guruji would invariably ask in a faint, trembling croak, “Tell me, Ramdeen, on this grand circus of World Teachers’ Day, has any government circular arrived commanding someone to wipe the ink clean off a child’s slate with that duster? Or are we sticking to wrapping dignitaries in ceremonial shawls and empty rhetoric from the podium today?”

Ramdeen would only drop his gaze, exhale a heavy sigh, and shuffle quietly into the administrative fog.

The college had recently welcomed its new Regional Director from the State Council of Educational Research and Training: Dr. Animesh Agnihotri, a notoriously stern martinet, an evangelist of smart-classroom pedagogy, and a champion of bureaucratic polish. Whenever Director Agnihotri stepped out of his gleaming official car to inspect the new digital broadcast studio, his glare inevitably snagged on the ragged master parked on the plinth, staring devoutly at a discarded eraser.

To Agnihotri’s modern sensibilities, a tattered relic of an old man folding his hands before a lump of antique junk amidst digital whiteboards, AI tutors, and a state-sponsored festival looked less like devotion and more like deliberate aesthetic sabotage.

Once the morning’s keynotes concluded and the luminaries retreated to the air-conditioned VIP lounge to devour salted cashews and exchange performative pleasantries, Agnihotri dismissed his security detail and marched straight up to Guruji.

“Master ji,” he snapped with institutional frost, “why must you choke the main corridor at your age? If you have pending pension claims or want a free prescription form, go see the clerk inside. Staring at an obsolete piece of rotten timber isn’t going to launch a pedagogical revolution in this country.”

Shivshankar Guruji pressed his palms together with quiet dignity. “Director Sahib, I am not begging for allowances or administrative crumbs. I am simply awaiting the day when the dignity stripped from this doorway returns to that block of wood.”

Agnihotri scoffed at the poetic melodrama. “What dignity? The ministry burns through millions every World Teachers’ Day distributing tablets and dispatching bureaucrats on foreign training junkets. What grand mystery does this junkyard duster supposedly hold?”

Pandit Someshwar, a retired lecturer who had witnessed forty years of blackboards and curriculum shifts, stepped forward. “Do not dismiss him so quickly, Director. Twenty years ago, when the state began shuttering public classrooms to clear the ground for coaching shops, Guruji’s only son, Manas, stood in this very veranda and ignited an uncompromised crusade for free learning.”

Agnihotri raised an eyebrow. “And what did this prodigy do that supposedly ties him to an unwashed blackboard eraser?”

“He was the finest, most principled young educator in the province,” Someshwar replied, exhaling heavily. “While private institutes fleeced impoverished families for exorbitant tuition, Manas spent nights beneath kerosene lamps teaching hundreds of destitute children for nothing, furiously wiping the blackboard clean with that very duster. He placed it upon that shelf and took a solemn oath: until the poorest child in this town received an education free of extortion, he would never bow to the private education cartels.”

Guruji gently reached out, his trembling fingertips brushing the chalk-hardened felt. “Yes, Sahib,” he murmured. “My Manas stood on this very plinth and proclaimed, ‘Father, this is no mere block of wood; it is an educator’s self-respect, destined to wipe away ignorance.’ He swore that when he returned from Delhi bearing the National Commission’s order protecting rural education, he would dust it off himself and crown me guest of honor on the nation’s grandest stage.”

Pricked by administrative curiosity, Agnihotri strode into the dusty archives to unearth the twenty-year-old case file. Flipping through the yellowed confidential sheets, his professional swagger evaporated.

The final pages spelled out a modern corporate acquisition: twenty years ago, when Manas’s grassroots movement posed an existential threat to the tuition cartels, an international ed-tech conglomerate simply neutralized the threat with standard corporate leverage. They handed the fiery young reformer a covert twenty-five percent equity stake and installed him as Chief Executive Officer.

Manas tossed his chalk, his father’s duster, and his revolutionary vows straight out the window to become the country’s most celebrated digital education tycoon—a titan whose current empire thrived on trapping desperate rural parents into mortgaging ancestral farmlands to purchase predatory online subscription courses.

Agnihotri walked back out with hollow eyes and unsteady steps. “Guruji…” he stammered, his bureaucratic cadence breaking, “your crusade-leading son didn’t save the classrooms. He became their top auctioneer.”

Tears carved paths down the old man’s lined face, though his expression remained unmoved.

“I have known he was bought for a long time, Sahib,” Guruji wept softly. “I only come here every day to witness a spectacle: when the grandees take the stage on World Teachers’ Day to perform their theatrical piety, hawking the soul of education to the highest bidder while snatching the duster from their own teaching fathers—does this deaf, self-congratulating society catch even a fleeting whiff of the stench rising from the shroud of commodified knowledge, or are the cashews in the VIP lounge simply too sweet?”

Agnihotri stood immobilized, staring at the calcified duster, as the entire state-of-the-art training institute sank into the suffocating silence of an old master’s quiet humiliation.

****

© Dr. Suresh Kumar Mishra ‘Uratript’

Contact : Mo. +91 73 8657 8657, Email : drskm786@gmail.com

≈ Blog Editor – Shri Hemant Bawankar/Editor (English) – Captain Pravin Raghuvanshi, NM ≈

Please share your Post !

Shares

English Literature – Satire ☆ Witful Warmth # 124 – The Tricycle of Noble Hypocrisy… ☆ Dr. Suresh Kumar Mishra ‘Uratript’ ☆

Dr. Suresh Kumar Mishra ‘Uratript’

Dr. Suresh Kumar Mishra, widely known in the world of satire by his pen name ‘Uratipt’, expresses his emotions and thoughts with profound honesty and depth. His multifaceted talent is evident in his contributions across various literary genres. He is not only a renowned satirist but also a poet and a children’s author.

His satirical writings have earned him a special place in the literary world. His satire, ‘Shikshak Ki Mout’, went massively viral on the Sahitya Aajtak channel, garnering over a million views and reads—a monumental achievement in the history of Hindi satire. His collection of satires, ‘Ek Tinka Ikyavan Aankhen’ (A Straw and Fifty-One Eyes), is also highly acclaimed and includes his timeless work, ‘Kitabon Ki Antim Yatra’ (The Last Journey of Books). Other celebrated collections include ‘Mayaan Ek, Talwar Anek’ (One Sheath, Many Swords), ‘Gapodi Adda’ (The Gossiper’s Den), and ‘Sab Rang Mein Mere Rang’ (My Colors in Every Hue). His satirical novel, ‘Idhar-Udhar Ke Beech Mein’ (In Between Here and There), is a unique and groundbreaking work focused on the third world.

His significant contributions to literature have been widely recognized. He was honored with the Best Young Creator Award, 2021 by the Telangana Hindi Academy and the Government of Telangana, an award presented by Chief Minister K. Chandrasekhar Rao. The Rajasthan Children’s Literature Academy also honored him for his children’s book, ‘Nanhon Ka Srijan Aasmaan’ (The Creative Sky of Little Ones). Additionally, he has received the Vyanga Yatra Ravindranath Tyagi Sopaan Samman and the Sahitya Srijan Samman from Prime Minister Narendra Modi.

Dr. Uratript has also played a pivotal role in writing, editing, and coordinating a total of 55 books for the Government of Telangana for primary school, college, and university levels. His work is included in university textbooks in Bihar, Chhattisgarh, and Telangana, where his satirical creations are part of the curriculum. This recognition underscores that young readers can identify and appreciate quality and impactful writing.

Key Accolades and Works

  • Viral Satire: ‘Teacher’s Death’ (over 1 million views)
  • Satire Collections: ‘Ek Tinka Ikyavan Aankhen’, ‘Mayaan Ek, Talwar Anek’, ‘Gapodi Adda’
  • Unique Satirical Novel: ‘Idhar-Udar Ke Beech Mein’
  • Awards: Shreshtha Navyuva Samman (Telangana), Sahitya Srijan Samman (PM Modi), and more.
  • Educational Contribution: Authored and edited 55 books for the Telangana government.

Some precious moments of life

  1. Honoured with ‘Shrestha Navayuvva Rachnakar Samman’ by former Chief Minister of Telangana Government, Shri K. Chandrasekhar Rao.
  2. Honoured with Oscar, Grammy, Jnanpith, Sahitya Akademi, Dadasaheb Phalke, Padma Bhushan and many other awards by the most revered Gulzar sahab (Sampurn Singh Kalra), the lighthouse of the world of literature and cinema, during the Sahitya Suman Samman held in Mumbai.
  3. Meeting the famous litterateur Shri Vinod Kumar Shukla Ji, honoured with Jnanpith Award.
  4. Got the privilege of meeting Mr. Perfectionist of Bollywood, actor Aamir Khan.
  5. Meeting the powerful actor Vicky Kaushal on the occasion of being honoured by Vishva Katha Rangmanch.

Today we present his satire The Tricycle of Noble Hypocrisy.  

☆ Witful Warmth# 124 ☆

☆ Satire ☆ The Tricycle of Noble Hypocrisy… ☆ Dr. Suresh Kumar Mishra ‘Uratript’ ☆

Leaning against the damp, flaking wall of the town’s state-run Rehabilitation Center for the Disabled stood a battered, rusted tricycle—a relic from two decades ago, proudly sporting perished rubber tires and a crust of corrosion thick enough to double as armor. Once, its handlebar had absorbed the anxious, trembling sweat of children grappling with cerebral palsy; now, it served as a five-star motel for spiders and accumulated municipal dust.

Right below, perched on a crumbling brick plinth like an unwanted fixture of the architecture, sat old Somdatt every morning at seven sharp, anchored by his seasoned wooden cane. Draped in a torn khadi kurta and a weathered towel, the old man spent his days locked in an unblinking staring contest with the tricycle’s oxidized pedals.

Meanwhile, just beyond the veranda, the premises buzzed with the real festival: fleets of polished luxury sedans disgorging top-dollar neurologists, slick bureaucrats, and brand reps eager to showcase robotic wheelchairs, neuro-stimulation rigs, and therapies priced roughly per deep breath. Loudspeakers blasted thunderous sermonettes about “giving wings to the dreams of afflicted children.” Naturally, neither the suited dignitaries nor the modern clinicians spared a glance for the scrap heap rusting in the corridor.

Whenever Mangru, the peon, scurried past clutching his battered tea kettle, Somdatt would ask in a raspy, feeble voice: “Tell me, Mangru, on this glorious World Cerebral Palsy Day, has an official decree arrived to seat a stumbling child on these three wheels? Or are we strictly rationing out plastic rhetoric and hollow speeches from the podium again?” Mangru would merely lower his eyes, let out a well-rehearsed sigh, and vanish into the administrative haze.

Enter Dr. Animesh Bhardwaj—the newly anointed Project Director dispatched straight from the capital’s elite Directorate of Social Welfare. Armed with an obsession for neuro-rehab orthodoxy and bureaucratic spit-and-polish, Dr. Bhardwaj considered anything not bearing a barcode or an imported brand tag an eyesore. Watching a tattered patriarch fold his hands daily before a heap of junk struck him as an assault on state decorum.

Once the inaugural session wrapped up and the VIPs retreated to the air-conditioned lounge to devour salted cashews and cashew-funded pleasantries, Dr. Bhardwaj marched over.

“Look here, old man,” the Director barked, puffing out his chest. “Why block the corridor every single day? If you want an old-age pension or a complimentary crutch, go file Form 47-B with the clerk inside. Staring at an obsolete contraption won’t magically realign the legs of this nation’s spastic youth.”

Somdatt folded his hands with infuriating serenity. “Director Sahib, I am not begging for free sticks or welfare crumbs. I am merely keeping vigil for the return of that lost support which was snatched from this very threshold years ago.”

Bhardwaj sneered at the riddle. “What lost support? The Ministry bleeds crores every year distributing state-of-the-art contraptions. What grand mystery does this junkyard relic hold?”

Pandit Kripashankar, the center’s pensioned-off physiotherapist who had witnessed forty years of suffering and state press releases, stepped forward. “Do not dismiss him as a lunatic, Director. Twenty years ago, when families shoved cerebral palsy patients into dark closets out of shame, this old man’s only son, Manas, stood in this exact corridor to wage war for their dignity.”

Bhardwaj raised an eyebrow. “And what miraculous feat did this Manas pull off?”

“He was the state’s brightest occupational therapist,” Kripashankar recalled with a heavy sigh. “While private nursing homes squeezed destitute families dry, Manas pooled his own meager pennies, hired a village blacksmith and a carpenter, and welded this very tricycle so paralyzed children could learn to pedal on their own dignity. He planted it here, swearing he would never bend the knee to predatory medical cartels until the last impoverished child was granted free mobility.”

Somdatt ran a trembling finger over the rusted pedal. “Yes, Sahib. My boy stood right here and declared: ‘Bapu, this isn’t just scrap metal; it’s a chariot for stumbling childhoods.’ He promised that the day he secured the National Board’s mega-grant for universal, free rehabilitation, he would return, paint this carriage afresh, and seat me as the guest of honor on the nation’s grandest philanthropic stage.”

Spurred by bureaucratic intrigue, Dr. Bhardwaj stormed into the archives to exhume the twenty-year-old project dossier. Flipping through yellowed confidential memoranda, the ground crumbled beneath his polished oxfords.

The file told an all-too-modern fable: decades ago, when Manas’s grassroots crusade began rattling the market, a multinational syndicate peddling robotic mobility rigs and predatory therapy packages stepped in. Rather than fight him, they simply wrote a check. They handed the young crusader the title of Managing Director, a covert twenty-five percent equity stake, and an invitation to join the cartel.

Manas hadn’t freed the afflicted; he had merely cashed in on them.

Tossing his vows into the paper shredder, the messiah reinvented himself into the country’s premier billionaire neuro-rehab baron. Today, he presided over glass-and-steel healthcare empires that unceremoniously evicted the destitute at the gate while billing the elite twenty thousand rupees an hour to let their children breathe sterile clinic air.

Pale and visibly nauseated, Dr. Bhardwaj trudged back to the porch. “Old man…” he stammered, his bureaucratic swagger completely liquidated, “your heroic son didn’t save the vulnerable. He became their most ruthless auctioneer.”

Tears trickled down Somdatt’s wrinkled cheeks, though his voice bore no shock.

“I always knew my boy was bought and paid for, Sahib,” the father whispered softly. “I only come here every day to check a simple thing: when our decorated dignitaries sit on stages weeping theatrical tears for paralyzed children—while hawking their own fathers’ ideals and profiting off every faltering breath—can this deaf society finally smell the stench of monetization, or are the cashews in the VIP lounge simply too fragrant?”

Dr. Bhardwaj froze, tongue-tied, staring blankly at the dust-cloaked tricycle. For once, the entire pompous rehabilitation pavilion fell dead silent, thoroughly humiliated by the crushing weight of a father’s quiet grief.

****

© Dr. Suresh Kumar Mishra ‘Uratript’

Contact : Mo. +91 73 8657 8657, Email : drskm786@gmail.com

≈ Blog Editor – Shri Hemant Bawankar/Editor (English) – Captain Pravin Raghuvanshi, NM ≈

Please share your Post !

Shares

English Literature – Satire ☆ Witful Warmth # 123 – Right to Information… ☆ Dr. Suresh Kumar Mishra ‘Uratript’ ☆

Dr. Suresh Kumar Mishra ‘Uratript’

Dr. Suresh Kumar Mishra, widely known in the world of satire by his pen name ‘Uratipt’, expresses his emotions and thoughts with profound honesty and depth. His multifaceted talent is evident in his contributions across various literary genres. He is not only a renowned satirist but also a poet and a children’s author.

His satirical writings have earned him a special place in the literary world. His satire, ‘Shikshak Ki Mout’, went massively viral on the Sahitya Aajtak channel, garnering over a million views and reads—a monumental achievement in the history of Hindi satire. His collection of satires, ‘Ek Tinka Ikyavan Aankhen’ (A Straw and Fifty-One Eyes), is also highly acclaimed and includes his timeless work, ‘Kitabon Ki Antim Yatra’ (The Last Journey of Books). Other celebrated collections include ‘Mayaan Ek, Talwar Anek’ (One Sheath, Many Swords), ‘Gapodi Adda’ (The Gossiper’s Den), and ‘Sab Rang Mein Mere Rang’ (My Colors in Every Hue). His satirical novel, ‘Idhar-Udhar Ke Beech Mein’ (In Between Here and There), is a unique and groundbreaking work focused on the third world.

His significant contributions to literature have been widely recognized. He was honored with the Best Young Creator Award, 2021 by the Telangana Hindi Academy and the Government of Telangana, an award presented by Chief Minister K. Chandrasekhar Rao. The Rajasthan Children’s Literature Academy also honored him for his children’s book, ‘Nanhon Ka Srijan Aasmaan’ (The Creative Sky of Little Ones). Additionally, he has received the Vyanga Yatra Ravindranath Tyagi Sopaan Samman and the Sahitya Srijan Samman from Prime Minister Narendra Modi.

Dr. Uratript has also played a pivotal role in writing, editing, and coordinating a total of 55 books for the Government of Telangana for primary school, college, and university levels. His work is included in university textbooks in Bihar, Chhattisgarh, and Telangana, where his satirical creations are part of the curriculum. This recognition underscores that young readers can identify and appreciate quality and impactful writing.

Key Accolades and Works

  • Viral Satire: ‘Teacher’s Death’ (over 1 million views)
  • Satire Collections: ‘Ek Tinka Ikyavan Aankhen’, ‘Mayaan Ek, Talwar Anek’, ‘Gapodi Adda’
  • Unique Satirical Novel: ‘Idhar-Udar Ke Beech Mein’
  • Awards: Shreshtha Navyuva Samman (Telangana), Sahitya Srijan Samman (PM Modi), and more.
  • Educational Contribution: Authored and edited 55 books for the Telangana government.

Some precious moments of life

  1. Honoured with ‘Shrestha Navayuvva Rachnakar Samman’ by former Chief Minister of Telangana Government, Shri K. Chandrasekhar Rao.
  2. Honoured with Oscar, Grammy, Jnanpith, Sahitya Akademi, Dadasaheb Phalke, Padma Bhushan and many other awards by the most revered Gulzar sahab (Sampurn Singh Kalra), the lighthouse of the world of literature and cinema, during the Sahitya Suman Samman held in Mumbai.
  3. Meeting the famous litterateur Shri Vinod Kumar Shukla Ji, honoured with Jnanpith Award.
  4. Got the privilege of meeting Mr. Perfectionist of Bollywood, actor Aamir Khan.
  5. Meeting the powerful actor Vicky Kaushal on the occasion of being honoured by Vishva Katha Rangmanch.

Today we present his satire Right to Information.  

☆ Witful Warmth# 123 ☆

☆ Satire ☆ Right to Information… ☆ Dr. Suresh Kumar Mishra ‘Uratript’ ☆

On the grilled window of the main veranda of the town’s oldest State Chief Information Commissioner’s office, an old, tarnished brass bell had been hanging by a rough hemp rope for the last twenty years. The iron clapper inside had been removed long ago. The bell was once used to announce a hearing’s turn in the office, but the luster had faded completely under layers of dampness and dust, leaving it swinging soundlessly between the rusted bars of the window.

Right beneath the window, on a cracked cement platform, Dharamdas Kaka would arrive every morning at the strike of seven, leaning on his old tamarind walking stick. Dressed in a torn white khadi kurta with a soiled towel slung over his shoulder, Kaka would spend the entire day gazing fixedly at that mute bell with his clouded eyes.

From early morning, gleaming cars carrying high-ranking officials, lawyers, and politicians were pulling into the building complex to showcase modern transparency portals, digital complaint boxes, and high-tech surveillance systems. Boastful speeches pledging citizen rights and the triumph of truth echoed over the loudspeakers from the dais. Those modern spokespersons and suit-clad officers had nothing to do with the voiceless brass bell hanging in the corner of the window.

Whenever Mangru, the office’s veteran peon, passed by with a bundle of files in his hands, he would shudder at the sight of Kaka’s serene, motionless figure. In a trembling, feeble voice, Kaka would ask him, “Tell me, Mangru, in this grand carnival of the Right to Information, did any hope arise for the sound of truth to ring out from this mute bell? Or are they still merely distributing speech slips from the stage today?” Mangru would simply cast his eyes down, take a deep, quiet breath, and walk away in silence.

The newly appointed Chief Information Commissioner, Animesh Agnihotri—recently transferred from the Administrative Reforms Secretariat in the capital—was reputed to be a strict officer, an expert in modern digital tracking, and a firm believer in administrative discipline. Whenever Agnihotri stepped out of his shining official car to inspect the new online portal room, his gaze would invariably land on Dharamdas Kaka, who sat on the ledge with eyes fixed on the old hanging bell.

To Agnihotri, an impoverished old man sitting everyday before a useless bell with folded hands during such a grand government celebration of International Right to Know Day seemed regressive and disruptive to institutional discipline. When the inaugural session concluded and the VIPs moved into the air-conditioned lounge to partake in refreshments, Agnihotri left his security guards behind and walked straight up to Dharamdas Kaka.

In an imposing tone laced with sharp impatience, Agnihotri asked, “Kaka, why do you come and sit across the main walkway every day at this age? If you want to check the status of an RTI application or an appeal for an old-age pension, go inside to the counter and fill out a form. Sitting out here staring at a broken bell dangling from a window isn’t going to pull the truth out of this nation’s government files.”

Dharamdas Kaka joined his hands with profound dignity and replied in a quavering voice, “Commissioner Sahib, I am not sitting here for certified paper copies or alms of a pension. I am simply awaiting the day when the lost truth returns to this bell—the truth that was stolen from me right on this threshold years ago.”

Puzzled by this philosophical riddle, Agnihotri asked, “What lost truth are you speaking of, Kaka? The government releases a budget of crores every year on Right to Information Day to grant the public access to every file. What is the mystery behind this old brass bell?”

Pandit Someshwar, a retired senior clerk standing nearby who had witnessed every verdict and appeal in the commission over the past forty years, stepped forward and said, “Commissioner Sahib, please do not dismiss Kaka’s words as madness. Twenty years ago, when the RTI Act was first introduced in this town and government files were set ablaze to conceal the theft of rations meant for the poor, Kaka’s only son, Satyaprakash, stood right here in this courtyard and lit the brightest torch for the right to know the truth.”

Intrigued, Agnihotri asked, “What did Satyaprakash do that ties his memory to this brass bell?”

Pandit Someshwar took a deep breath and recounted, “Sahib, back then, Satyaprakash was the bravest, most upright youth and RTI activist in the entire district. When the ration mafia and corrupt contractors sat coiled like serpents over the rights of the poor, Satyaprakash tied this very bell to the window and took a vow: whenever a poor person’s file was suppressed, he would ring it to wake the entire town. He secured justice for hundreds of starving families and proclaimed that he would never bow to a corrupt system until the very last file in this office was as clear as glass.”

Carrying Someshwar’s words forward, Dharamdas Kaka touched the rough rope of the bell with trembling fingers and said in an anguished voice, “Yes, Sahib. My Satyaprakash stood on this platform that day and told me, ‘Father, this bell is not just a piece of brass; it is the voice of truth.’ He promised that the day he returned from Delhi with the highest public-interest order from the Central Transparency Commission, he would personally fit a new clapper into this bell and honor me as the chief guest on the nation’s biggest stage.”

A deep curiosity stirred within Agnihotri. He immediately headed to the archives to unearth that twenty-year-old RTI file.

As he turned to the final pages of the confidential record, the ground slipped beneath his feet. The file laid bare that two decades ago, when Satyaprakash blew the whistle on government scams worth crores, the country’s most powerful mining and real estate syndicate bought him out to crush the movement. They made him the Managing Director of their multinational corporate PR agency and handed him a twenty-five percent covert stake. Setting aside his ideals and the promise of that bell, Satyaprakash signed the orders burying those investigations. Armed with that illicit wealth, he turned into the country’s most formidable PR power broker, running lucrative contracts to sanitize the black deeds of governments and industrialists.

Shaken, Agnihotri walked back out. In a choked voice, he broke the truth to the old man: Satyaprakash was not a hero, but a merchant who traded away the truth.

Tears welled in Kaka’s eyes as he wept softly: “Sahib, I knew all along that my son had sold out. I only come here every day to see whether this deaf society can smell the stench rising from the shroud of a corrupted truth—especially when the very people preaching transparency from the stage have silenced their roots and their own father’s voice, locking it away in dark files.”

Numb with shock, Agnihotri stood staring at the mute bell, while the entire transparency headquarters stood silenced and disgraced in the grief of a helpless father’s tears.

****

© Dr. Suresh Kumar Mishra ‘Uratript’

Contact : Mo. +91 73 8657 8657, Email : drskm786@gmail.com

≈ Blog Editor – Shri Hemant Bawankar/Editor (English) – Captain Pravin Raghuvanshi, NM ≈

Please share your Post !

Shares