English Literature – Weekly Column ☆ Witful Warmth # 64 – The 1% Terror: A Gen-Z Horror Story… ☆ Dr. Suresh Kumar Mishra ‘Uratript’ ☆

Dr. Suresh Kumar Mishra ‘Uratript’

Dr. Suresh Kumar Mishra, known for his wit and wisdom, is a prolific writer, renowned satirist, children’s literature author, and poet. He has undertaken the monumental task of writing, editing, and coordinating a total of 55 books for the Telangana government at the primary school, college, and university levels. His editorial endeavors also include online editions of works by Acharya Ramchandra Shukla.

As a celebrated satirist, Dr. Suresh Kumar Mishra has carved a niche for himself, with over eight million viewers, readers, and listeners tuning in to his literary musings on the demise of a teacher on the Sahitya AajTak channel. His contributions have earned him prestigious accolades such as the Telangana Hindi Academy’s Shreshtha Navyuva Rachnakaar Samman in 2021, presented by the honorable Chief Minister of Telangana, Mr. Chandrashekhar Rao. He has also been honored with the Vyangya Yatra Ravindranath Tyagi Stairway Award and the Sahitya Srijan Samman, alongside recognition from Prime Minister Narendra Modi and various other esteemed institutions.

Dr. Suresh Kumar Mishra’s journey is not merely one of literary accomplishments but also a testament to his unwavering dedication, creativity, and profound impact on society. His story inspires us to strive for excellence, to use our talents for the betterment of others, and to leave an indelible mark on the world.

Some precious moments of life

  1. Honoured with ‘Shrestha Navayuvva Rachnakar Samman’ by former Chief Minister of Telangana Government, Shri K. Chandrasekhar Rao.
  2. Honoured with Oscar, Grammy, Jnanpith, Sahitya Akademi, Dadasaheb Phalke, Padma Bhushan and many other awards by the most revered Gulzar sahab (Sampurn Singh Kalra), the lighthouse of the world of literature and cinema, during the Sahitya Suman Samman held in Mumbai.
  3. Meeting the famous litterateur Shri Vinod Kumar Shukla Ji, honoured with Jnanpith Award.
  4. Got the privilege of meeting Mr. Perfectionist of Bollywood, actor Aamir Khan.
  5. Meeting the powerful actor Vicky Kaushal on the occasion of being honoured by Vishva Katha Rangmanch.

Today we present his SatireThe 1% Terror: A Gen-Z Horror Story 

☆ Witful Warmth# 64 ☆

☆ Satire ☆ The 1% Terror: A Gen-Z Horror Story… ☆ Dr. Suresh Kumar Mishra ‘Uratript’ ☆ 

AFor today’s youth, “Moksha” or peace is not about reaching heaven. It is simply finding a charging point next to their table in a cafe. For a Gen-Z boy like Aryan, the world does not stop because of a big war. It stops when the top-right corner of his phone turns red and screams—”Battery 1%.” This 1% feels like a ticking bomb, and he has no idea who is holding the remote.

The moment the phone hits 1%, a “Mahabharat” starts at home. Aryan, who usually ignores his mom calling him ten times by saying “Hmm… coming,” suddenly jumps up. He leaps like Spiderman whose web has just snapped. You can see a deep fear in his eyes, like a climber stuck alone on a mountain. He runs from his room to the hall like he is running a 100-meter race in the Olympics.

The real comedy happens when he finds the charger, but the cable is “cheating” on him. It only works if he bends it at a very weird angle. Now, our Gen-Z hero stands like a frozen statue, holding the wire at a perfect angle. If he even breathes too fast, the charging stops! For thirty minutes, he stands as still as an old saint. The only difference is that the saint wanted God, but Aryan just wants his Instagram Reels.

The elders of the house watch this and hold their heads in frustration. His grandfather, Dadaji, says, “In our days, we used to study under a small lamp!” Aryan thinks to himself, “Dadaji, at least the lamp didn’t have buffering issues!” For Gen-Z, a ‘Low Battery’ is like the climax of a horror movie. He feels that if the phone turns off, the world will forget him, his Snapchat Streaks will break, and he will die a “digital death.”

When the phone finally hits 2%, a calm look comes over Aryan’s face. It is like a thirsty person finding water in a desert. This 1% fear is the biggest truth of today’s world— “Life may go, but the plug must stay!”

****

© Dr. Suresh Kumar Mishra ‘Uratript’

Contact : Mo. +91 73 8657 8657, Email : drskm786@gmail.com

≈ Blog Editor – Shri Hemant Bawankar/Editor (English) – Captain Pravin Raghuvanshi, NM ≈

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English Literature – Poetry ☆ Horizon… ☆ Captain Pravin Raghuvanshi, NM ☆

Captain Pravin Raghuvanshi, NM

(Captain Pravin Raghuvanshi —an ex Naval Officer, possesses a multifaceted personality. He served as a Senior Advisor in prestigious Supercomputer organisation C-DAC, Pune. He was involved in various Artificial Intelligence and High-Performance Computing projects of national and international repute. He has got a long experience in the field of ‘Natural Language Processing’, especially, in the domain of Machine Translation. He has taken the mantle of translating the timeless beauties of Indian literature upon himself so that it reaches across the globe. He has also undertaken translation work for Shri Narendra Modi, the Hon’ble Prime Minister of India, which was highly appreciated by him. He is also a member of ‘Bombay Film Writer Association’.

We present Capt. Pravin Raghuvanshi ji’s amazing poem “~ Horizon ~.  We extend our heartiest thanks to the learned author Captain Pravin Raghuvanshi Ji (who is very well conversant with Hindi, Sanskrit, English and Urdu languages) and his artwork.) 

? ~ Horizon… ??

Small canvases,

they say,

are my poems.

And she, in her

   innocent wonder,

believes I shape

only her

into my verses…

Little do they know

If only I could write

her completely—

the canvas of my poetry

would expand

beyond the horizon

into infinite consciousness..!

 

(Inspired by Shri Sanjay Bhardwaj Ji’s poem क्षितिज

हिन्दी साहित्य – मनन चिंतन ☆ संजय दृष्टि –  क्षितिज ☆ श्री संजय भारद्वाज ☆

~Pravin Raghuvanshi

 © Captain Pravin Raghuvanshi, NM

Pune

≈ Editor – Shri Hemant Bawankar/Editor (English) – Captain Pravin Raghuvanshi, NM ≈

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English Literature – Weekly Column ☆ Witful Warmth # 63 – The Sovereignty of the Privet… ☆ Dr. Suresh Kumar Mishra ‘Uratript’ ☆

Dr. Suresh Kumar Mishra ‘Uratript’

Dr. Suresh Kumar Mishra, known for his wit and wisdom, is a prolific writer, renowned satirist, children’s literature author, and poet. He has undertaken the monumental task of writing, editing, and coordinating a total of 55 books for the Telangana government at the primary school, college, and university levels. His editorial endeavors also include online editions of works by Acharya Ramchandra Shukla.

As a celebrated satirist, Dr. Suresh Kumar Mishra has carved a niche for himself, with over eight million viewers, readers, and listeners tuning in to his literary musings on the demise of a teacher on the Sahitya AajTak channel. His contributions have earned him prestigious accolades such as the Telangana Hindi Academy’s Shreshtha Navyuva Rachnakaar Samman in 2021, presented by the honorable Chief Minister of Telangana, Mr. Chandrashekhar Rao. He has also been honored with the Vyangya Yatra Ravindranath Tyagi Stairway Award and the Sahitya Srijan Samman, alongside recognition from Prime Minister Narendra Modi and various other esteemed institutions.

Dr. Suresh Kumar Mishra’s journey is not merely one of literary accomplishments but also a testament to his unwavering dedication, creativity, and profound impact on society. His story inspires us to strive for excellence, to use our talents for the betterment of others, and to leave an indelible mark on the world.

Some precious moments of life

  1. Honoured with ‘Shrestha Navayuvva Rachnakar Samman’ by former Chief Minister of Telangana Government, Shri K. Chandrasekhar Rao.
  2. Honoured with Oscar, Grammy, Jnanpith, Sahitya Akademi, Dadasaheb Phalke, Padma Bhushan and many other awards by the most revered Gulzar sahab (Sampurn Singh Kalra), the lighthouse of the world of literature and cinema, during the Sahitya Suman Samman held in Mumbai.
  3. Meeting the famous litterateur Shri Vinod Kumar Shukla Ji, honoured with Jnanpith Award.
  4. Got the privilege of meeting Mr. Perfectionist of Bollywood, actor Aamir Khan.
  5. Meeting the powerful actor Vicky Kaushal on the occasion of being honoured by Vishva Katha Rangmanch.

Today we present his Satire – The Sovereignty of the Privet 

☆ Witful Warmth# 63 ☆

☆ Satire ☆ The Sovereignty of the Privet… ☆ Dr. Suresh Kumar Mishra ‘Uratript’ ☆ 

In the quiet cul-de-sac of Lower Willowbrook, where the grass is legally required to be exactly 2.5 inches tall, lived Arthur Pringle and Barnaby Fitch. They had been best friends for twenty years until the Great Encroachment of Tuesday morning.

The dispute began when Arthur noticed a single, rebellious twig from Barnaby’s privet hedge crossing the invisible, federally unmapped line of their property border. It wasn’t just a twig; it was a statement. To Arthur, that half-inch of leafy intrusion was a calculated land grab, akin to the annexation of a small European principality. Rather than speaking—which is what people with “too much free time” do—Arthur responded with Passive-Aggressive Landscaping. He installed a “No Trespassing” sign specifically facing Barnaby’s birdfeeder, a move Barnaby countered by aiming his industrial-grade leaf blower at Arthur’s driveway for forty-five minutes every morning at 7:01 AM.

By Thursday, three different land surveying companies were on the scene. They spent six hours squinting through transit levels to determine if the hedge was, in fact, 0.004 centimeters over the line. The results were inconclusive, mostly because the surveyors were distracted by the catered lunch Barnaby provided to influence the neighborhood’s court of public opinion.

The conflict reached its zenith at the Monthly Homeowners Association Meeting. The agenda usually consisted of “Why the Mailman Walks Too Fast,” but tonight, it was the Shrubbery Summit. Arthur presented a 42-slide PowerPoint presentation titled Sovereignty and Shrubbery, arguing that if Barnaby’s hedge was allowed to remain, the very fabric of the neighborhood would unravel. “Today it’s a twig,” Arthur whispered dramatically into the microphone, “tomorrow, it’s a communal fire pit in my breakfast nook!” Barnaby countered with a physical exhibit: a jar of “Dust and Debris” allegedly blown from Arthur’s unkempt porch onto Barnaby’s prize-winning petunias.

The HOA board, composed of three retirees who lived for this kind of high-stakes drama, delivered a Solomon-like verdict. The hedge would be trimmed by a neutral third party—a local teenager who didn’t care about borders—and both men were required to share a symbolic pitcher of lemonade on the disputed boundary.

As they sat on their folding chairs, exactly three feet apart, a single leaf from a nearby oak tree—owned by the city—drifted down and landed perfectly across both of their laps. They spent the next four hours discussing which one of them had the legal jurisdiction to move it.

****

© Dr. Suresh Kumar Mishra ‘Uratript’

Contact : Mo. +91 73 8657 8657, Email : drskm786@gmail.com

≈ Blog Editor – Shri Hemant Bawankar/Editor (English) – Captain Pravin Raghuvanshi, NM ≈

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English Literature – Poetry ☆ Glacier of the Unspoken… ☆ Captain Pravin Raghuvanshi, NM ☆

Captain Pravin Raghuvanshi, NM

(Captain Pravin Raghuvanshi —an ex Naval Officer, possesses a multifaceted personality. He served as a Senior Advisor in prestigious Supercomputer organisation C-DAC, Pune. He was involved in various Artificial Intelligence and High-Performance Computing projects of national and international repute. He has got a long experience in the field of ‘Natural Language Processing’, especially, in the domain of Machine Translation. He has taken the mantle of translating the timeless beauties of Indian literature upon himself so that it reaches across the globe. He has also undertaken translation work for Shri Narendra Modi, the Hon’ble Prime Minister of India, which was highly appreciated by him. He is also a member of ‘Bombay Film Writer Association’.

We present Capt. Pravin Raghuvanshi ji’s amazing poem “~ Glacier of the Unspoken… ~.  We extend our heartiest thanks to the learned author Captain Pravin Raghuvanshi Ji (who is very well conversant with Hindi, Sanskrit, English and Urdu languages) and his artwork.) 

? ~ Glacier of the Unspoken… ??

Within me rests a

timeless stillness

Layer upon layer

of unshed epochs

 

It appears frozen yet

beneath its crystal hush

something moves

Not with the noise

nor with any urgency

But with the patience of

mountains recounting time

 

You wait for thunders

for the triumph of words

I dwell like an iceberg

where silence ripens

Where truth stands bare

untouched by the mist

 

In this white immensity

even quietude burns

Flow is not of frenzy of motion

It is the continuity of being

Unrushed and unbroken

Still —ceaselessly and

forever in its endless way…!

~Pravin Raghuvanshi

 © Captain Pravin Raghuvanshi, NM

Pune

20 February 2026

≈ Editor – Shri Hemant Bawankar/Editor (English) – Captain Pravin Raghuvanshi, NM ≈

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English Literature – Articles ☆ From New York ~ The Sweetness of Krishna, the Restraint of Rama: Spiritual Indications ☆ Mr. Vivek Ranjan Shrivastava ☆

Mr. Vivek Ranjan Shrivastava

 

🌌 From New York ~ The Sweetness of Krishna, the Restraint of Rama: Spiritual Indications 🌌 Mr. Vivek Ranjan Shrivastava 🌌

If we do not judge Bhagavan Krishna’s multi‑marriage “lila” and Shri Rama’s vow of monogamy on the criteria of “history” or “social conduct”, but understand them as “philosophical–spiritual symbols”, then both the profound difference and the inner harmony between them become clear. 

The Difference of Incarnational Mode: Lila and Maryada 

In the Vaishnava tradition, Shri Krishna is called the complete Lila‑Purushottama, and Shri Rama is called the Maryada‑Purushottama. 

In the Rama‑avatar, God presents Himself as the ideal human being, so that ordinary house holders may learn rules of conduct from His life. Therefore we see strict adherence in His behaviour to monogamy, duty of a king, duty of a son, devotion to parents, and so on. 

In the Krishna‑avatar, that same Supreme Being appears as the pinnacle of an unbound, spontaneous, rasa‑filled consciousness. 

Here, the goal of the divine lila is only to unveil the mystery of the highest summit of “infinite love”. 

One form of the same God takes maryada (ethical restraint) as the ideal, the other takes madhurya(sweet, intimate love) as the ideal , philosophically, together they compose the completeness of dharma and love. 

Krishna’s Many Wives: Symbol and Meaning 

In the Puranas, Rukmini is described as the chief queen of Krishna in Dwarka. 

She is the daughter of Bhishmaka, king of Vidarbha, and the “lawful wife” of Krishna. 

Rukmini and the other queens indicate the fullness of household dharma, social responsibilities, and worldly order. 

The polity of Dwarka, the family structure, the honour of the lineage ,  all these are organized through them. 

Here, the many queens do not point towards sensuous indulgence, but to the truth that the Supreme Being is the shelter of countless individual souls. 

Each jiva establishes a “relationship” with Him in its own way , someone like a queen, someone like a friend, someone like a disciple. 

In this sense, Krishna’s multi‑marriage is not the tendency of an ordinary man, but a symbol of His infinite relationships with infinite beings, souls. 

Radha–Gopis and the Summit of Devotion 

Radha’s name may not appear prominently and explicitly in the Bhagavata and similar texts, but she is central in later Vaishnava traditions, especially Gaudiya, Nimbarka, Radha‑Vallabha, and others, where she is regarded as the supreme embodiment of devoted love for Krishna. 

In many traditions, the relation between Radha and Krishna is explained in two ways: 

– Svakiya– like husband and wife, 

– Parakiya – beyond social bonds, a purely emotional, love‑based relationship. 

Gaudiya Vaishnavism considers parakiya‑bhava to be the highest, where only love and surrender remain above all social injunctions. 

When the gopis, though being householders, abandon everything and run to Krishna, it is not worldly adultery. 

It is the teaching that, when the question is of “supreme love” for the Divine, all worldly insistences become secondary. 

Hence, in the philosophy of bhakti, the love of Radha and the gopis , the “beloved”  is considered more important than that of Rukmini as “wife”. 

For it is spiritual love that springs not from rules, but from pure overflowing of the heart. 

Radha–Krishna and Rukmini–Krishna: Philosophical Reading of Relationship 

From a philosophical standpoint, Rukmini–Krishna and Radha–Krishna are not two separate relationships, but two dimensions of the same devin. 

The relationship of Rukmini–Krishna is the ideal of a “righteous household bond sanctioned by dharma”. 

This is necessary for instruction in the world, so that humans may understand that marriage is a bond of responsibility, protection, and compassion. 

The relationship of Radha–Krishna is the allegory of “supreme love”, where no distance or formality remains between the soul and the Supreme. 

Vaishnava acharyas have described Radha as Krishna’s own shakti, the manifest form of His love itself ,meaning that lover and beloved are not ultimately two, but one single reality of ultimate love. 

Therefore, it is said that Krishna is connected with Rukmini as “wife”, but He stands on the peak of love with Radha. 

Rukmini strengthens dharma, whereas Radha gives the highest form to bhakti and rasa. 

Shri Rama’s Vow of One Wife: The Philosophical Need of Maryada 

Scriptures present Ramachandra as the ideal of one‑wife‑vow, throughout His life He did not take any wife or physical relation with any woman other than Goddess Sita. 

This vow is not just personal morality, but a powerful social message for that age, when it was common for kings and upper classes to have several wives. 

Rama’s conduct establishes an ideal of household dharma and honour of womanhood. 

Many Vaishnava authors call the Ramayana the “Veda of Surrender (Sharanagati‑Veda)”. 

Its central teaching is that a person must first become an “excellent human being”. 

One who learns maryada from Rama becomes qualified later to understand the emotional lila of Krishna. 

That is, Rama‑charita is the grammar of dharma, and Krishna‑charita is the poetic beauty of love. 

Without grammar, poetry too cannot be understood, in the same way, only along with Rama’s restraint can one truly grasp the inner essence of Krishna’s lila. 

Vivek Ranjan Shrivastava

♥ ♥ ♥ ♥

© Mr. Vivek Ranjan Shrivastava 

Contact: 87, Monitor Street, Jersey City, Opposite Liberty Park, 07304 Mo. +917000375798

≈ Editor – Shri Hemant Bawankar/Editor (English) – Captain Pravin Raghuvanshi, NM

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English Literature – Poetry ☆ Inimitable… ☆ Captain Pravin Raghuvanshi, NM ☆

Captain Pravin Raghuvanshi, NM

(Captain Pravin Raghuvanshi —an ex Naval Officer, possesses a multifaceted personality. He served as a Senior Advisor in prestigious Supercomputer organisation C-DAC, Pune. He was involved in various Artificial Intelligence and High-Performance Computing projects of national and international repute. He has got a long experience in the field of ‘Natural Language Processing’, especially, in the domain of Machine Translation. He has taken the mantle of translating the timeless beauties of Indian literature upon himself so that it reaches across the globe. He has also undertaken translation work for Shri Narendra Modi, the Hon’ble Prime Minister of India, which was highly appreciated by him. He is also a member of ‘Bombay Film Writer Association’.

We present Capt. Pravin Raghuvanshi ji’s amazing poem “~ Inimitable ~.  We extend our heartiest thanks to the learned author Captain Pravin Raghuvanshi Ji (who is very well conversant with Hindi, Sanskrit, English and Urdu languages) and his artwork.) 

? ~ Inimitable… ??

He never became

A parable to be cited

Nor a copy to be emulated

When crowds moved

to borrowed rhythms…

He chose to walk

by his own breath

When people chimed

others’ songs

He sang his own melody

in his own voice…

Where thrones

were raised

from endless comparisons

He quietly claimed

his own ground…

No names borrowed

No faces worn

No voices imitated

He remained whole

Within what he

truly was…

Time changed

Many masks

Yet his being

Stood unmoved

in its own place…!

~Pravin Raghuvanshi

 © Captain Pravin Raghuvanshi, NM

Pune

≈ Editor – Shri Hemant Bawankar/Editor (English) – Captain Pravin Raghuvanshi, NM ≈

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English Literature – Weekly Column ☆ Witful Warmth # 62 – The Cholesterol… ☆ Dr. Suresh Kumar Mishra ‘Uratript’ ☆

Dr. Suresh Kumar Mishra ‘Uratript’

Dr. Suresh Kumar Mishra, known for his wit and wisdom, is a prolific writer, renowned satirist, children’s literature author, and poet. He has undertaken the monumental task of writing, editing, and coordinating a total of 55 books for the Telangana government at the primary school, college, and university levels. His editorial endeavors also include online editions of works by Acharya Ramchandra Shukla.

As a celebrated satirist, Dr. Suresh Kumar Mishra has carved a niche for himself, with over eight million viewers, readers, and listeners tuning in to his literary musings on the demise of a teacher on the Sahitya AajTak channel. His contributions have earned him prestigious accolades such as the Telangana Hindi Academy’s Shreshtha Navyuva Rachnakaar Samman in 2021, presented by the honorable Chief Minister of Telangana, Mr. Chandrashekhar Rao. He has also been honored with the Vyangya Yatra Ravindranath Tyagi Stairway Award and the Sahitya Srijan Samman, alongside recognition from Prime Minister Narendra Modi and various other esteemed institutions.

Dr. Suresh Kumar Mishra’s journey is not merely one of literary accomplishments but also a testament to his unwavering dedication, creativity, and profound impact on society. His story inspires us to strive for excellence, to use our talents for the betterment of others, and to leave an indelible mark on the world.

Some precious moments of life

  1. Honoured with ‘Shrestha Navayuvva Rachnakar Samman’ by former Chief Minister of Telangana Government, Shri K. Chandrasekhar Rao.
  2. Honoured with Oscar, Grammy, Jnanpith, Sahitya Akademi, Dadasaheb Phalke, Padma Bhushan and many other awards by the most revered Gulzar sahab (Sampurn Singh Kalra), the lighthouse of the world of literature and cinema, during the Sahitya Suman Samman held in Mumbai.
  3. Meeting the famous litterateur Shri Vinod Kumar Shukla Ji, honoured with Jnanpith Award.
  4. Got the privilege of meeting Mr. Perfectionist of Bollywood, actor Aamir Khan.
  5. Meeting the powerful actor Vicky Kaushal on the occasion of being honoured by Vishva Katha Rangmanch.

Today we present his SatireThe Cholesterol.

☆ Witful Warmth# 62 ☆

☆ Satire ☆ The Cholesterol… ☆ Dr. Suresh Kumar Mishra ‘Uratript’ ☆ 

In our great republic, the weighing scale is a tool of the weak, used only by those who have nothing better to do than count the grams of their own insignificance. Here, prosperity is measured not by digits, but by the magnificent circumference of one’s midsection. To call a man “obese” in the hallowed corridors of our local tehsil is not an insult; it is a character certificate. It implies that the man has successfully navigated the treacherous waters of public service and has emerged with enough “surplus” to require a specialized tailor. A thin man, by contrast, is viewed with deep suspicion. If you are thin, you are clearly either a revolutionary, a victim of extreme honesty, or someone whose digestive tract has been compromised by a guilty conscience. A thin man looks like he might actually run to get work done, which is a gross violation of local administrative protocol.

A truly substantial belly commands respect. It is a physical manifestation of a life lived in stationary glory. It says, “I have sat in this plastic chair for twenty years, and I have moved for no one.” It is the ultimate status symbol of the non-performer. Take, for instance, Gaya Deen, whose belly has achieved a sort of sovereign status. It doesn’t just sit on him; it presides over him. When he sits, his belly rests comfortably on his thighs like a loyal pet that has forgotten its own size. Walking, for Gaya Deen, is not a movement; it is a logistical challenge—a rhythmic swaying, a slow-motion tectonic shift. The humble kurta performs a heroic feat of engineering every day, its side-slits gasping for air as they attempt to bridge the gap between front and back.

Modern doctors—those killjoys with their stethoscopes and their obsession with “cholesterol”—try to tell us that this is a “health crisis.” They speak of Body Mass Index as if life were a mathematics exam. But in Chhangamalpur, we know better. Cholesterol is simply the lubricant that keeps the wheels of the soul from grinding too hard against the harsh realities of the world. The primary fuel for this physical expansion is the Samosa, a triangular deity dipped in the holy water of green chutney. In our village, nutrition is a foreign concept, likely imported by some misguided NGO. We believe in the “Deep-Fry Theory of Longevity.” If it has been submerged in oil hot enough to melt lead, it is surely purified of all sins.

When the Block Development Officer arrives, we do not offer him a salad. To offer a man of his stature a salad would be an act of war. We offer him Jalebis—coils of pure sugar that mimic the complexity of our legal system. As the BDO consumes these, his chin begins to multiply. By the third Jalebi, he has three chins. This is seen as a sign of intellectual depth; a man with multiple chins clearly has more layers to his personality. As the local wisdom goes: “A man who counts his calories is a man who cannot be trusted with a secret. If he is so stingy with his own stomach, imagine how stingy he will be with the public funds!”

Obesity in our context is the highest form of non-violence. A fat man cannot chase you. He cannot engage in physical brawls. He can only sit and glare. In a country obsessed with “progress,” the obese man stands—or sits—as a monument to stillness. He is the ultimate practitioner of Dharna. While the West creates “gyms,” those strange torture chambers where people pay to run on belts that go nowhere, we have perfected the art of the “Banya-Lean.” This involves reclining against a gao-takiya at a 45-degree angle, allowing gravity to do the work of distributing one’s mass evenly across the mattress. This is not laziness; it is Strategic Inertia. In the grand scheme of the universe, everything is moving too fast. The obese man, with his labored breathing and his refusal to climb a single flight of stairs, is the only one truly in sync with the slow, grinding pace of Indian justice.

As the sun sets over the stagnant pond of Chhangamalpur, one sees the silhouettes of the village elders. They look like a row of earthen pots, round and sturdy. We are told the world is worried about an “obesity epidemic,” but as long as there is a government subsidy to be skimmed and a chair that doesn’t collapse under the weight of “prosperity,” these great bellies will continue to expand. They are the only things in the village that are actually growing. After all, in a world where everything is uncertain, a man’s weight is the only thing he can truly call his own. It is his private property, his accumulated wealth, and his most visible achievement. To lose weight would be to lose one’s standing in society. And in Chhangamalpur, nobody wants to be a lightweight.

****

© Dr. Suresh Kumar Mishra ‘Uratript’

Contact : Mo. +91 73 8657 8657, Email : drskm786@gmail.com

≈ Blog Editor – Shri Hemant Bawankar/Editor (English) – Captain Pravin Raghuvanshi, NM ≈

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English Literature – Poetry ☆ Trishna, —the Cravings… ☆ Captain Pravin Raghuvanshi, NM ☆

Captain Pravin Raghuvanshi, NM

(Captain Pravin Raghuvanshi —an ex Naval Officer, possesses a multifaceted personality. He served as a Senior Advisor in prestigious Supercomputer organisation C-DAC, Pune. He was involved in various Artificial Intelligence and High-Performance Computing projects of national and international repute. He has got a long experience in the field of ‘Natural Language Processing’, especially, in the domain of Machine Translation. He has taken the mantle of translating the timeless beauties of Indian literature upon himself so that it reaches across the globe. He has also undertaken translation work for Shri Narendra Modi, the Hon’ble Prime Minister of India, which was highly appreciated by him. He is also a member of ‘Bombay Film Writer Association’.

We present Capt. Pravin Raghuvanshi ji’s amazing poem “~ Trishna, —the Cravings ~.  We extend our heartiest thanks to the learned author Captain Pravin Raghuvanshi Ji (who is very well conversant with Hindi, Sanskrit, English and Urdu languages) and his artwork.) 

? ~ Trishna, —the Cravings… ??

The more you see the world

the more you understand it

More you know the world

more you unravel the truth

Unquenchable thirst has no shoreline

each fulfillment opens another hunger

Mirages keep multiplying in daylight

desires rampantly echo inside desires

Crowns grow heavy on restless heads

applause fades into distant silence

Every victory demands another victory

every arrival invents a new journey

I watched souls barter with tomorrow

gather unfinished dreams like relics

Then materialized the silent exception

when truth dawned, cravings vanished

~Pravin Raghuvanshi

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≈ Editor – Shri Hemant Bawankar/Editor (English) – Captain Pravin Raghuvanshi, NM ≈

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English Literature – Articles ☆ From New York ~ India in USA ☆ Mr. Vivek Ranjan Shrivastava ☆

Mr. Vivek Ranjan Shrivastava

🌌 From New York ~ India in USA 🌌 Mr. Vivek Ranjan Shrivastava 🌌

India’s presence in America is not confined to a single event, monument, or immigrant community. It is an expansive cultural, intellectual, and social landscape shaped gradually over time. This presence sometimes appears in the form of a statue installed in a garden, sometimes in lectures delivered in university halls, sometimes in collaborative research inside laboratories, and sometimes in the rhythm of a tabla or the echo of devotional songs in a small town cultural center.

The bust of Mahatma Gandhi installed in the North Lawn Garden of the United Nations Headquarters in New York stands as a powerful symbol of this presence. Unveiled in December 2022 by India’s External Affairs Minister and the United Nations Secretary General, it is the first permanent statue of Gandhi within the UN परिसर. It is noteworthy that Gandhi himself never visited America, yet the country hosts the largest number of his statues and memorials outside India. This reality reflects not a formal diplomatic decision but an ideological acceptance developed within American society for Gandhi’s principles of truth and nonviolence. From the American civil rights movement to various peace movements, the imprint of Gandhi’s ideas is clearly visible.

If one traces the historical beginnings of the intellectual relationship between America and India, Swami Vivekananda’s visit to Chicago in 1893 emerges as a decisive moment. His address at the World’s Parliament of Religions was not merely a speech but a formal introduction of Indian philosophy to the Western world. His vision based on religious tolerance, universality, and human unity was both new and deeply appealing to American audiences. Subsequently, Vivekananda traveled across American cities, propagated Vedanta philosophy, initiated disciples, and laid the institutional foundations of Vedanta Societies. The memorial associated with his spiritual practice at Thousand Island Park in New York State still bears witness to the fact that Indian spiritual tradition established lasting roots on American soil.

In the latter half of the twentieth century, the Indian diaspora in America shaped a new dimension of India’s image. Today, the population of people of Indian origin in the United States exceeds five million, and this community plays an influential role in education, science, medicine, information technology, business, and public life. This is not merely a story of economic success but also of cultural self confidence. By preserving their festivals, languages, arts, and social values, the Indian community has woven them into the American social fabric in a way that is participatory rather than isolated. In some states, state governments have even begun recognizing Diwali as a public holiday.

India Community Centers and cultural centers established across many American states are living examples of this confidence. Whether it is the India Community Center in Milpitas, California, or cultural centers in New Jersey, Utah, and New York, these spaces function like modern day village squares. Along with yoga classes, they offer language instruction for children, music and dance training, programs for senior citizens, and large scale cultural festivals. Here, second and third generation members of the Indian diaspora learn that being Indian and being American are not opposing identities but ones that enrich each other.

Hindu temples, Jain temples, and gurdwaras in America have also moved beyond being mere places of worship. They have become centers of cultural and social activity. Classical dance performances after prayers, plays and devotional singing during festivals, language classes, and community discussions transform these spaces into broader social platforms. In this process, Indian tradition moves beyond the religious sphere and becomes an integral part of cultural and social life. Organizations such as ISKCON, Akshardham, and several Indian spiritual teachers are actively engaged in significant work across many parts of America.

Alongside Mahatma Gandhi, statues of Dr Bhimrao Ambedkar in America also underline India’s ideological presence. The large statue installed in Maryland brings forth a tradition of social justice, equality, and constitutional values that form a shared legacy of both Indian and American democracies. It signals that India in America is not limited to spiritual or cultural symbols alone, but also represents modern democratic thought.

The presence of Indian art and history in American museums forms another important chapter of this narrative. Institutions such as the Metropolitan Museum of Art in New York and the Asian Art Museum in San Francisco present India as a visual classroom through their rich collections of sculpture, painting, and textile art. In these galleries, India appears not merely as an ancient civilization but as a living aesthetic tradition that continues to engage with modern artistic dialogues.

Beyond cultural symbols, collaboration between India and America in science and technology represents a less visible but extremely significant dimension of India’s presence. Platforms such as the Indo US Science and Technology Forum, joint clean energy research centers, and cooperation between ISRO and NASA in space science have deeply connected the scientific communities of both countries. Indian engineering experts working in laboratories alongside American scientists demonstrate that this relationship is not rooted only in the past or in culture, but is equally invested in shaping the future. Indian made clothing and other products are also readily available in American malls, becoming part of everyday consumer experience.

When all these elements are viewed together, it becomes clear that India in America is not a linear story. It is a multidimensional journey that begins with Gandhi and Vivekananda and extends through immigrant communities, cultural centers, temples, museums, and laboratories. On one side stands the world’s oldest modern democracy and on the other the world’s largest democracy. The dialogue between them appears sometimes as an exchange of ideas, sometimes through cultural celebrations, and sometimes through shared scientific projects.

India in America, therefore, is not merely a memory but a living experience. This experience exists wherever Indian values, ideas, and creativity engage in dialogue with American society and enrich it. It is this ongoing dialogue that keeps the relationship dynamic and oriented toward the future.

♥ ♥ ♥ ♥

© Mr. Vivek Ranjan Shrivastava 

Contact: 87, Monitor Street, Jersey City, Opposite Liberty Park, 07304 Mo. +917000375798

≈ Editor – Shri Hemant Bawankar/Editor (English) – Captain Pravin Raghuvanshi, NM

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English Literature – Weekly Column ☆ Witful Warmth # 61 – The ‘Viral’ Evolution of Reelpura… ☆ Dr. Suresh Kumar Mishra ‘Uratript’ ☆

Dr. Suresh Kumar Mishra ‘Uratript’

Dr. Suresh Kumar Mishra, known for his wit and wisdom, is a prolific writer, renowned satirist, children’s literature author, and poet. He has undertaken the monumental task of writing, editing, and coordinating a total of 55 books for the Telangana government at the primary school, college, and university levels. His editorial endeavors also include online editions of works by Acharya Ramchandra Shukla.

As a celebrated satirist, Dr. Suresh Kumar Mishra has carved a niche for himself, with over eight million viewers, readers, and listeners tuning in to his literary musings on the demise of a teacher on the Sahitya AajTak channel. His contributions have earned him prestigious accolades such as the Telangana Hindi Academy’s Shreshtha Navyuva Rachnakaar Samman in 2021, presented by the honorable Chief Minister of Telangana, Mr. Chandrashekhar Rao. He has also been honored with the Vyangya Yatra Ravindranath Tyagi Stairway Award and the Sahitya Srijan Samman, alongside recognition from Prime Minister Narendra Modi and various other esteemed institutions.

Dr. Suresh Kumar Mishra’s journey is not merely one of literary accomplishments but also a testament to his unwavering dedication, creativity, and profound impact on society. His story inspires us to strive for excellence, to use our talents for the betterment of others, and to leave an indelible mark on the world.

Some precious moments of life

  1. Honoured with ‘Shrestha Navayuvva Rachnakar Samman’ by former Chief Minister of Telangana Government, Shri K. Chandrasekhar Rao.
  2. Honoured with Oscar, Grammy, Jnanpith, Sahitya Akademi, Dadasaheb Phalke, Padma Bhushan and many other awards by the most revered Gulzar sahab (Sampurn Singh Kalra), the lighthouse of the world of literature and cinema, during the Sahitya Suman Samman held in Mumbai.
  3. Meeting the famous litterateur Shri Vinod Kumar Shukla Ji, honoured with Jnanpith Award.
  4. Got the privilege of meeting Mr. Perfectionist of Bollywood, actor Aamir Khan.
  5. Meeting the powerful actor Vicky Kaushal on the occasion of being honoured by Vishva Katha Rangmanch.

Today we present his SatireThe ‘Viral’ Evolution of Reelpura 

☆ Witful Warmth# 61 ☆

☆ Satire ☆ The ‘Viral’ Evolution of Reelpura… ☆ Dr. Suresh Kumar Mishra ‘Uratript’ ☆ 

In the heart of India lies ‘Reelpura,’ where the Saraswati Higher Secondary School is witnessing a sunrise not of education, but of the ring-light. Here, Master Gajadhar no longer uses chalk to script ‘The Greatness of Akbar’ on the blackboard; instead, he painstakingly mounts a phone on a tripod, lecturing his disciples on the sacred mysteries of ‘Hook Points’ and ‘Attention Spans.’ In Reelpura, the only deity that matters is the ‘Algorithm.’ The Principal has traded issuing ‘Character Certificates’ for auditing the ‘Engagement Rates’ of his students to judge their intellectual prowess. In a land where the hymns of the Upanishads once echoed, the future is now being measured by the ‘beat-drop’ of background music. Gajadhar Babu firmly believes that knowledge isn’t what shapes a life, but what secures a spot on the ‘Explore Page.’ Silence in class no longer signifies discipline; it’s merely a prerequisite for ‘Audio Syncing.’

The scene inside the classroom resembles a bizarre fusion of a tribal war and a modern studio. Yesterday’s child, who would grimace at the mention of ‘Metaphors’ and ‘Alliteration,’ has become such a pundit of ‘Transitions’ and ‘Color Grading’ that Sage Bharata himself might feel the urge to update his Natya Shastra. In one corner, a student—hunting for the ‘Education with Attitude’ hashtag—makes a slow-motion entry as if Lord Yama himself had secured a visa for an Earthly visit. Rather than scolding him, the Masterji advises him on his lighting, because ‘while the future may remain in the dark, the face must be crystal clear.’ Teachers of the old school used to turn students into ‘roosters’ for failing to memorize lessons; modern masters curse them with ‘Shadow-bans’ for low view counts. Here, Saraswati’s Veena is merely a prop, utilized solely to inject ‘Spiritual Vibes’ into ‘Aesthetic Content.’

Homework has morphed into something as terrifying and hilarious as a revolutionary manifesto. The Principal has pinned a notice: ‘Mandatory homework: Two Reels on Patriotism, three on Motivation, and one Dance Reel.’ Patriotism is no longer about martyring oneself at the border; it’s about puffing one’s chest out to the ‘Salaam Rocky Bhai’ BGM while holding the tricolor. As for motivation, the child who couldn’t tie his own shoelaces yesterday is now distributing ‘Secret Mantras for Success’ on camera. Masterji isn’t trailing behind either; he’s shaking a leg with students to everything from ‘Kacha Badam’ to ‘Gulabi Sharara’ just to boost his ‘Reach.’ The ‘Teacher-Disciple’ tradition has dissolved into a ‘Collaboration.’ The proverb has evolved: it’s no longer ‘The teacher is molasses, the student is sugar’; it’s now ‘The teacher is the camera, the student is the filter.’

Don’t even get me started on the exams! In Reelpura, a failure isn’t someone who doesn’t know the ‘Pythagorean Theorem,’ but the wretch who receives fewer ‘heart’ emojis. Instead of answer sheets, screenshots are being graded. The examiner, peering over his spectacles, checks if the student’s ‘SEO’ is on point. Instead of math problems, they draw ‘Audience Retention’ graphs. One student, who scored a zero in History but had a million views on his ‘POV: When you reach school late’ Reel, was bestowed with a ‘Digital Gold Medal.’ The future of education is so bright that it’s impossible to look at without sunglasses. The yardstick for knowledge isn’t ‘Wit,’ but the mania of going ‘Viral.’

The Parent-Teacher Meeting looked like a cross between a prayer meeting and a film premiere. A frail mother, her eyes moist with old-school values, asked, “Madam, why isn’t my son’s Reel hitting the algorithm? Is he putting too little salt in his content?” Masterji replied with gravity, “Sister, your son is still using ‘Logic,’ whereas the internet craves ‘Magic’ and ‘Tragic.’ Tell him to produce more ‘Cringe,’ only then will the Algorithm God be appeased.” The father, who once used a belt to address bad math grades, was now promising his son a new iPhone for his ‘Editing Skills.’ Concerns have shifted; no one cares if the child is learning values—the tragedy is that his ‘Follower Count’ is stagnant.

In this ‘viral’ transformation of society, the language has been so thoroughly desecrated that Panini would likely drown his grammar books in the Ganges. Instead of ‘Truth Alone Triumphs,’ the new anthem is ‘Content Alone Triumphs.’ It is the naked dance of a system where ‘Dignity’ and ‘Decency’ are buried in dictionary pages no one opens. Children are burning their textbooks to use the ash as makeup for that ‘Glamour’ look. The deluge of information is begging for a drop of understanding. In ‘Gen-Z’ lingo, education has become ‘Mid’ and showing off is ‘GOAT.’ We stand at a crossroads where the scrap value of a Reel is prized higher than the scrap value of a Degree.

In this Reelpura culture, ‘Revolution’ isn’t about taking to the streets; it’s about ‘Lip-syncing’ to a trendy audio. Master Gajadhar lives in fear that a student might accidentally read ‘Serious Literature,’ for seriousness is the biggest roadblock to going viral. The performers are truly ‘making it’ because society has crushed its collective intellect under a scrolling finger. In the old days, people performed penance to earn a ‘Name’; now they perform antics to polish a ‘Username.’ Observe the irony: the classroom, once called the nursery of the future, is now a ‘Content Factory.’ The imagery is clear—the future is stuck in today’s ‘Refresh’ button. The proverb fits perfectly: ‘The blind man distributes sweets, but only to his own’—except here, ‘The algorithm distributes reach, and the more you strip your dignity, the more you get.’

This ‘bright’ future of education is leading us down a blind alley where there is no destination, only a ‘Trend.’ When students from Reelpura’s academy enter the world, they won’t hand over resumes for jobs; they’ll hand over their ‘Instagram Handles.’ We’ve dubbed this ‘Smartness.’ Education is no longer what makes a human ‘human,’ but what turns them into a ‘Product.’ The future is ‘Viral,’ and we are all victims of the virus. The saga of Reelpura continues—just waiting for the next ‘Update.’

****

© Dr. Suresh Kumar Mishra ‘Uratript’

Contact : Mo. +91 73 8657 8657, Email : drskm786@gmail.com

≈ Blog Editor – Shri Hemant Bawankar/Editor (English) – Captain Pravin Raghuvanshi, NM ≈

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